“10月RC整狗family”！！——感谢小猫和顺子

2011finish

楼主通信技术那篇求讨论  

主旨题：C讨论了一个indicator of the growth of the economy    E：solve the question about the relationship between tech development and growth of economy
我很纠结

为什么ltc之前不跟农民直接收购而是通过traders？
1  trader不愿把农民的位置告诉XX公司            2  农民不知道ITC公司的信息。
我的观点：疑似原文里有这么一句but （ITC）was unable to monitor the traders closely.  支持1
但整个描述ITC的方案里似乎是给农民提供信息，取非可以得到2

-- by 会员 xyxy3238 (2011/10/11 20:55:29)

1.我觉得主旨选E更合适，结合开头
Ina forthcoming paper*, Aparajita Goyal of the World Bank has carried out acorresponding study for the internet byexamining how the gradual introduction of internet kiosks providing priceinformation affected the market for soyabeans in the central Indian state ofMadhya Pradesh.
2. 我觉得还是“1 trader不愿把农民的位置告诉XX公司  ”
 农民们卖东西在一个受政府监管保护他们的集市，“Farmersin the region sell their soyabeans to intermediaries in open auctions at government-regulatedwholesale markets called mandis, a system that was set up in order to protect farmersfrom unscrupulous buyers.”而trader“Withonly a few traders at each mandi集市, they can easily collude密谋 to ensure that they pay less than the fairmarket price; they can then boost their profits by selling on the beans at ahigher price.
  “but （ITC）was unable to monitor the traders closely”在文中是为了给“ Starting in October 2000 it began to introduce a network of internet kiosks, called e-choupal,”做铺垫，为了monitor所以有了network of IT，但是ITC似乎知道农民的集中地 (Choupal means “village gathering place” in Hindi.)，否则无法建网络


由于没有确定的原文，我们还是不要纠结，具体看文章。 目前看来可能“ 2  农民不知道ITC公司的信息。”更靠谱，但是大多狗答案都是1，具体问题具体定位吧



”

鹤源

我也看得恶心了，可是还是坚持一下吧！
楼主的行为很鼓励人啊~我坚持坚持在坚持！！！

不倒翁要杀鸡

牛！

2011finish

篇特点是人名多
P1:   第一段就是说Cadenza这个音乐形式是文艺复兴的时候纪流行的。在曲子最后有freestyle 莫扎特把它发挥到peak 但贝多芬不喜欢 Kill it.贝多芬却给那最后一段加上自己notation，所以演奏者都没有自己的发挥空间了，所以之后的音乐都越来越standardized了（此处有问贝多芬多对C的发展起到什么作用？）
P2: 又举例说C这个人跟贝多芬似的，也扼杀了这种创造自由。发现18世纪的时候，大部分的人演奏都不同；而20世纪， 500人还是多少人里只有4个人在C的基础上自由改变。最后由C跳出来说了一句话（有题, 答案在倒数两行 很好找）。
P3: 人的脑袋分为一部分是用来 DECISION MAKING 一部分用来LANGUAGE(上文提到的一个音乐家)说 音乐的INNOVATION需要.......(第三段，一个例子，具体忘记了，是用来支持Cadenza的发展的)

QUESTION

1.    下列选项哪些名人玩过C音乐形式,谁支持Cadenza我选有Mozart那个(每个答案两个人)

2.    最后一段第一句话和下面那句话相似，就赞同，advocancy of cadenza其实很好阿，而且会促进brain的两部分工作阿，所以演奏的时候要有risk和surprise云云

3.    关于贝多芬有哪些正确的? 选项有贝多芬会自己把most of cadenza写好，还有一个是贝多芬和c都使得cadenza的loss of tradition..

4.    第二段，问引号引那个曲子的目的是什么？我选的好像是为了证明这个曲子有很多按照Cadenza的发挥形式。

5.    第三段的作用，我选转移话题，扩展关于improvision的讨论。

6.    贝多芬多对C的发展起到什么作用？之后的音乐都越来越standardized

（3待确定）

[背景资料] by lynnzhou83
我看到别人的一个帖子，觉得不错，可以作为6的背景资料吧，附上wiki 如果是的话当作背景补充吧~
http://en.wikipedia.org/wiki/Cadenza
In music, a cadenza (from Italian: cadenza, meaning cadence) is, generically,an improvised or written-outornamental passage played or sung by a soloist orsoloists, usually in a "free" rhythmic style, and often allowing forvirtuosic display.
The term cadenza often refers to a portion of a concerto in which the orchestrastops playing, leaving the soloist to play alone in free time (without astrict, regular pulse) and can be written or improvised, depending on what thecomposer specifies. This normally occurs near the end of the first movement,though it can be at any point in a concerto. An example is Tchaikovsky's FirstPiano Concerto, where in the first five minutes a cadenza is used. The cadenzais usually the most elaborate and virtuosic part that the solo instrument playsduring the whole piece. At the end of the cadenza, the orchestra re-enters, andgenerally finishes off the movement on their own, or, less often, with the soloinstrument.
The cadenza was originally, and remains, a vocal flourish improvised by aperformer to elaborate a cadence in anaria. It was later used in instrumentalmusic, and soon became a standard part of the concerto. Originally, it wasimprovised in this context as well, but during the 19th century, composersbegan to write cadenzas out in full. Third parties also wrote cadenzas forworks in which it was intended by the composer to be improvised, so the soloistcould have a well formed solo that they could practice in advance. Some ofthese have become so widely played and sung that they are effectively part ofthe standard repertoire, as is the case with Joseph Joachim's cadenza forJohannes Brahms' Violin Concerto, Beethoven's set of cadenzas for Mozart'sPiano Concerto no. 20, andEstelle Liebling's edition of cadenzas for operassuch as Donizetti's's La fille du Régiment and Lucia di Lammermoor.
Nowadays, very few performers improvise their cadenzas, and very few composershave written concertos or vocal pieces within the last hundred years thatinclude the possibility of an improvised cadenza.
Perhaps the most notable deviations from this tendency towards written (orabsent) cadenzas are to be found in jazz, most often at the end of a ballad,though cadenzas in this genre are usually brief. Saxophonist John Coltrane,however, usually improvised an extended cadenza when performing "I Want ToTalk About You", in which he showcased his predilections for scalar improvisationand multiphonics. The recorded examples of "I Want To Talk About You"(Live at Birdland and Afro-Blue Impressions) are approximately 8 minutes inlength, with Coltrane's unaccompanied cadenza taking up approximately 3minutes. More sardonically, Jazz critic Martin Williams once describedColtrane's improvisations on "Africa/Brass" as "essentiallyextended cadenzas to pieces that never get played."[1] Equally noteworthyis saxophonist Sonny Rollins' shorter improvised cadenza at the close of"Three Little Words" (Sonny Rollins on Impulse!).
Cadenzas are also found in instrumental solos with piano or otheraccompaniment, where they are placed near the beginning or near the end orsometimes in both places (e.g. "The Maid of the Mist," cornet solo byHerbert L. Clarke, or a more modern example: the end of "Think ofMe", where Christine Daaé sings a short but involved cadenza, in AndrewLloyd Webber's The Phantom of the Opera).

2011finish

难，高分区；一屏多

主题：引出机械钟+表述其精准性+精准性实验+继续描述精准性。

P1: 某钟shortt cloc k可以说是世界上最后的机械钟了，而且有两个，一个在爱丁堡，一个在某observing station肖特钟两个钟摆pendulum，一个first pendulum是真空vacuum环境的做校准用，一个正常摆，相互用电机electronic device协调linkage

P2：肖特钟还是很准的，人们还利用这个钟测出了日月引力对地环转速的影响，(有题)，发现地球季节性变化
P3：1984年PB的实验与原子钟automatic clock比较，再次证明肖特钟误差极小，但地月的引力场还是对其准确度有影响
P4: 实陆地像海洋一样也受引力影响有涨潮落潮 （也有个选项涉及这个建议泛读）



Question
1.      infer, according to the author这个shortt clock是个什么?
at the beginning, 就用了一个非常夸张的词ultimate，我选了一个ultimate的paraphrase, shortt clock是机械钟的最好的了
有一个选项是没有XX钟比这个钟更准确  
有一个是这个钟是最后一个什么钟
2.      Vaccum这里有一个题，infer
我选的是prime pendulum是workin a good sealing condition.
3.      infer题说，以下发现哪个是从shortt clock发现的说这种钟lead to the discovery of what? 原文中说的是seasonal variation的什么，答案的表达是variation between onetime in a year and another（大意啊）
迷惑选项：发现地球rotation yearly change，文中说的是seasonal，不是from year to year。
4.      thecabinet in which the primary 指针first pendulum was housed的哪项是正确的？选了说it was firmly sealed during normal clockoperation什么的。因为文中提到这个cabinet是真空的。
5.      主旨：介绍一种device然后描述这东西如何精准的哪项，这是我的理解，不知对错
(lz认为不是那个科学现象。。。)
6.      问第一段那个分针的作用  选的是发出一种电子信号之类的electronic device
问到第一个钟摆的chamber作用, 但是没看到vacuum的选项, 我选了 irregular...对second...的影响（uncertain）

近似原文
The Shortt clock had two pendulums.Thefirst, known as the master, swung freely in an evacuated case. Its only jobwasto synchronize the swing of the second pendulum, called the slave, whichwashoused in a neighboring cabinet. Every 30 seconds the slave sent anelectricalsignal to give a nudge to the master. In return, via anelaborateelectromechanical link, the master ensured that the slave never gotout ofstep.
Shortt clocks were standard provision in astronomical observatories of the1920sand 1930s, and are credited with keeping time to better than 2milliseconds aday. Many were on record as losing or gaining no more than 1second a year – astability of one part in 30 million. The first indications ofseasonalvariations in the Earth’s rotation were gleaned by the use of Shorttclocks.
In 1984 Pierre Boucheron carried out a study of a Shortt clock whichhadsurvived in the basement of the US Naval Observatory since 1932. Using themodernoptical sensing equipment instead of the electromechanical coupling,hemeasured its rate against the observatory’s atomic clocks for a month. Hefoundthat it was stable to 200 microseconds a day over this period, equivalenttotwo to three parts in a billion. What is more, the data also reveal thattheclock was sensing the distortion of the Earth due to tides from the Moonandthe Sun.

2011finish

P1.智利Chile的海岸边的鸟在地震前一个多小时成群的飞到了内陆，这与那些自认为对天气比较了解的人认为的不符，因为没有预示要坏天气（ 考点：这种天气通认为的是什么?答案:天气不好了的时候鸟会成群飞掉）。
P2 这段主要是描写人们探索海鸟究竟是感觉到了神马信号，有细节题，比较重要的地方就是有人说海鸟可能是感知了地震前奏地壳发出的vibration,但是这个vibration穿过海底到达海面应该不足以让海鸟感知；于是说海鸟应该是感知了其它什么东东 ,解释说可是这样的，鸟群错误的把感知到的什么什么当成了indicator of storm，他们以为暴风雨来了，所以远离大海，往内路飞 (有题)

p3总结了世界各地地震前动物们的各种征兆，基本举例都是鸟类相关，后面有一题问下面哪个选项consistently出现在文章的三个段落，有bird还有其它几个的选项，失忆ing,我选的bird，因为鸟是三段都提了的，剩下几个不太对劲。

QUESTION

1. 智利那地方的人对海鸟有种啥看法，

  我选的是“当地人认为在天气正常的情况下海鸟不会一大群一起往内陆飞”2.，问如果海鸟除了viration以外没有感受到其它stimuli时会怎样，
 选项有1.这个 鸟就不会结成flock飞2鸟会朝海的方向飞 3 鸟们staywhere they are,不往内陆飞 (我选的这个）
3  是说三段都提到了神马， 鸟

2011finish

9、**descriptive book 与 perceptive book

讲grammar的那篇 descriptive的book与perspectivebook 那篇
P1：关于两种grammar book 的definition，其中perspective的后面的同义词是manual，要注意

P2：讲perspective与descriptive的book should not be conflicted,讲到descriptive book是讲标准语法的，但perspective不讲语法规则而是讲what kind of spoken and writtenlanguage is right, but both are on the base of the fact(有考题，细节题)，然后又说道虽然perspective的主要是讲spoken and writtenlanguage的，但是其实他们都是以descriptive book中的语法规则为基础的（有考题，细节）

P3：讲冲突，作者做虽然有很多好的manual但是也有很懂manual给予了bad advice；有一个例子：讲 standard dialect与nonstandard dialect的区别并且讲了formal与informal的区别；例子如下（原文中也是这么排版的）
A1：I do it bymyself
A2: I done it by myself
B1: she does as much as i
B2: she does as much as me
A中的两句是standarddialect与nonstandarddialect的区别
B中的两句是formal 与informal的区别

许多manual中认为A2与B2都是incorrect的，但作者认为 standard 与nonstandard的是不可容忍的；但formal与informal是可以容忍的，不能认为是grammatical inconrection，这与descriptive book 的观点相同，这里有考题，（问：descriptive book 支持哪个：选A1与B2都是correct的：btw，这篇文章像是GMAC的阅读老师在调戏GMAC的语法出题老师）

P4：讲语法书的发展趋势因该base on the fact，中间有一个if balala then balabala（有题：问最后一段结构：答案都是三个单词
A：claim;elaboration; implication
B: assumption; XX; conclusion
C: hypotheses; XX;XX
D:E 失忆了貌似不靠谱，但貌似E也很迷惑，大家注意

Question

1.      主旨:尽管descriptive和perceptive有不一致，但是还是共同处多

2.      还有一题，记得答案是选perceptive是对descriptive的补充这个的，比较确定。

3.      Q：最后一段结构：
A：claim; elaboration; implication【我选了这个。纠结于ab，最后选了a】
B: assumption; inference; conclusion

3 待定

2011finish

ps：有童鞋私信说，能否附上狗狗主人分数。    

 这个，一方面，很多狗主人没分数；另外我整合狗的时候是按照文章框架、展开逻辑和出题点定位来确定的，至少是按逻辑合理性的3篇狗的整合，所以不太会专门记得去贴狗主人分数，因为很难面面俱到，毕竟我也时间有限，但狗分数是也是取材的思路之一啦。
        我只能说，18号我考试，所以自己整合的同时，造福有缘人；Elite要有能在错综复杂的资料中，去伪存真、去粗取精的找到自己需要材料的能力。至于狗答案的准确性，毕竟没有原题、以及个人能力局限，还请大家自己斟酌。

phoebe0624

嘿嘿，支持楼主，多方面看机经吧，但是楼主这个条理性最好是无疑的！！

2011finish

嘿嘿，支持楼主，多方面看机经吧，但是楼主这个条理性最好是无疑的！！

-- by 会员 phoebe0624 (2011/10/12 11:27:32)

希望能帮到你，1P要至少30分钟呢，逻辑混乱和主题偏的就更不止啦              今天先去做数学，晚点来帖阅读