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Theater Critic: The play La Finestrina, now at Central Theater, was written in Italy in the eighteenth century. The director claims that this production is as similar to the original production as is possible in a modern theater. Although the actor who plays Harlequin the clown gives a performance very reminiscent of the twentieth-century American comedian Groucho Marx, Marx's comic style was very much within the comic acting tradition that had begun in sixteenth-century Italy.

The considerations given best serve as part of an argument that

正确答案: D

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og12一道逻辑题看不懂

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楼主
发表于 2011-11-4 21:16:49 | 只看该作者 回帖奖励 |倒序浏览 |阅读模式
第120题。没看懂什么意思,谁能解释下吗?
102. Theater Critic: The play La Finestrina, now at Central
Theater, was written in Italy in the eighteenth century.
The director claims that this production is as similar to
the original production as is possible in a modern
theater. Although the actor who plays Harlequin the
clown gives a performance very reminiscent of the
twentieth-century American comedian Groucho Marx,
Marx’s comic style was very much within the comic
acting tradition that had begun in sixteenth-century
Italy.

The considerations given best serve as part of an
argument that
(A) modern audiences would fi nd it hard to tolerate
certain characteristics of a historically accurate
performance of an eighteenth-century play
(B) Groucho Marx once performed the part of the
character Harlequin in La Finestrina
(C) in the United States the training of actors in the
twentieth century is based on principles that do
not differ radically from those that underlay the
training of actors in eighteenth-century Italy
(D) the performance of the actor who plays
Harlequin in La Finestrina does not serve as
evidence against the director’s claim
(E) the director of La Finestrina must have advised
the actor who plays Harlequin to model his
performance on comic performances of
Groucho Marx
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沙发
 楼主| 发表于 2011-11-4 21:17:24 | 只看该作者
错了,是102题。
板凳
发表于 2011-11-4 21:55:06 | 只看该作者

OG12-102

La Finestrina是18世纪意大利的play,然后后面又说在modern society的舞者是学习16世纪这种play的表演技巧的。所以可以推断出,其实18世纪,意大利La Finestrina的舞蹈艺术也是从16世纪那里起源的。

因为MODERN的表演技巧是从16世纪那儿领会的,18世纪的La Finestrina也是从16世纪那儿学习的。所以可以推出,20世纪(也就是现在马上要上演的La Finestrina)跟18世纪的区别不大。


而文中导演说,这部modern La Finestrina,跟18世纪的区别不大。而刚刚已知20世纪跟18世纪都是从16世纪那里学习的。所以导演没有说假话。
地板
 楼主| 发表于 2011-11-4 22:12:53 | 只看该作者
谢谢。
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