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Theater Critic: The play La Finestrina, now at Central Theater, was written in Italy in the eighteenth century. The director claims that this production is as similar to the original production as is possible in a modern theater. Although the actor who plays Harlequin the clown gives a performance very reminiscent of the twentieth-century American comedian Groucho Marx, Marx's comic style was very much within the comic acting tradition that had begun in sixteenth-century Italy.

The considerations given best serve as part of an argument that

正确答案: D

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Og12-102

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楼主
发表于 2009-11-2 20:03:50 | 只看该作者 回帖奖励 |倒序浏览 |阅读模式
坦率的说,我没有怎么看懂这个题目啊:即使看了后面的解释,我自认为逻辑性还是不错的啊,而且CR的准确率也还是不错的:


另外我找不到word版的OG 12,没法贴过来啊,那个大侠给贴一下吧,谢谢。
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沙发
发表于 2009-11-4 20:11:48 | 只看该作者
是这题吗

102. Theater Critic: The play La Finestrina, now at Central Theater, was written in Italy in the eighteenth century. The
director claims that this production is as similar to the original production as is possible in a modern theater.
Although the actor who plays Harlequin the clown gives a performance very reminiscent of the twentieth-century
American comedian Groucho Marx, Marx’s comic style was very much within the comic acting tradition that had
begun in sixteenth-century Italy.
The considerations given best serve as part of an argument that
(A) modern audiences would fi nd it hard to tolerate certain characteristics of a historically accurate
performance of an eighteenth-century play
(B) Groucho Marx once performed the part of the character Harlequin in La Finestrina
(C) in the United States the training of actors in the twentieth century is based on principles that do not differ
radically from those that underlay the training of actors in eighteenth-century Italy
(D) the performance of the actor who plays Harlequin in La Finestrina does not serve as evidence against the
director’s claim
(E) the director of La Finestrina must have advised the actor who plays Harlequin to model his performance on
comic performances of Groucho Marx
板凳
发表于 2009-11-4 20:25:16 | 只看该作者
大意:现在在Central Theater上演的LF这部剧创作于十八世纪的意大利。导演声称在一个现代剧院里,这部戏已经尽可能忠于原著了。尽管扮演Harlequin the clown的演员表演风格让人联想起二十世纪的喜剧演员Marx,但是Marx的表演风格是很接近起源于十六世纪的喜剧表演风格的。

演员的风格像Marx,而Marx虽然处于二十世纪,其的风格却是起源于十六世纪的表演风格,就证明了这个演员的风格与十八世纪的原著风格有similarity,这正是导演声称的东西
地板
发表于 2009-11-4 23:20:04 | 只看该作者
导演的声称:现在的这部戏忠于原著
事实:虽然演员的风格类似20世纪的MARX的风格,但MARX的风格是源于16世纪
分析:有人可能会根据“演员的风格类似20世纪的MARX的风格”来质疑这个演员没能表现出18世纪的原著风格。所以后面这句“MARX的风格是源于16世纪”反驳了这样的观点。因此,演员的风格体现并不能推翻导演的声称
5#
发表于 2009-11-6 17:26:52 | 只看该作者
这部戏忠于原著,原著是18世纪的;演员风格类似20世纪的MARX,MARX风格来源16世纪。
但18世纪和16世纪的风格就类似吗?
如果D成立,是不是有个潜在假设:18世纪的风格和16世纪的风格是类似的?

请教!
6#
发表于 2009-11-8 14:31:27 | 只看该作者
http://forum.chasedream.com/GMAT_CR/thread-408721-1-1.html?SearchText=OG12 102
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