p1, OS--unparalleled:
international-- father of African cinema, entertainment and profit, educational tool
his work aimed--
1, reached the goal by "indigenize", use African languages
2, "African is my audience, the rest is market"
3, African film aesthetics
4, tools provided by Marxist analysis and the passion of a visionary who believes that only creation gives meaning to life.
被反对:by hegemonic “official”
critics perceived as "a call to action", given voice to millions of marginalized and voiceless peasantry.
at odds with his country's powerful, 跟gov不对味,---most films either banned or censored by former president's regime.
p2, 作品1234,fulfilled a manifold objective as a symbolic representation
1957-, independence of Ghana, OAU--Africa's political leaders have failed in 3(经济,技术,政治)...
p3, 与西方合作
“economic integration” through a co-production budget between ....and his own company.(经济上)
第一次,services of a T lab for post-production. (技术上)
a film about a colonial massacre, the killing by French officers of African soldiers from WWII--
意义:1,2,3....
介绍几部作品与西方的合作, 在别的国家拍摄(政治上)--he realized the dream of unified Africa, 讥讽一下政客还没实现
时间:35min
P1:阐述Sembene在世界和非洲电影界的不同地位以及原因
1.world :father of African cinema
(电影性质)——> intended not only for entertainment and profit(+原因) & educational tool(原因)
(为什么被评为father of African cinema)——> the use of African languages & his public & genuinely African film aesthetics ( African oral narratives) & bent on educating and on liberating the disenfranchised
2.African cinema: 代表数百万民众与非洲统治阶级对立——>Sembene的电影在非洲被封禁
P2:Sembene电影与非洲政治的关系——承接上一段
1.Sembene's film work已经超出严格的艺术领域;
2.政治领导人并没有实现其三重目标:政治一统+ economic integration+结束对西方科技依赖
P3:Sembene的电影实现了非洲领导人为实现的三个目标
1.economic integration:cooperation with Europe (North-South axis) + inter-African (South-South axis) cooperation——>a symbolic "economic integration"
2.结束技术依赖:和各国合作等
3.政治一统:电影后期制作Sembene的统筹能力