104. Theater Critic:The play La Finestrina, now at Central Theater, was written in Italy in theeighteenth century. The director claims that this production is as similar tothe original production as is possible in a modern theater. Although the actorwho plays Harlequin the clown gives a performance very reminiscent of thetwentieth-century American comedian Groucho Marx, Marx’s comic style was verymuch within the comic acting tradition that had begun in sixteenth-centuryItaly.
The considerationsgiven best serve as part of an argument that
(A) modern audienceswould find it hard to tolerate certain characteristics of a historicallyaccurate performance of an eighteenth-century play
(B) Groucho Marx onceperformed the part of the character Harlequin in LaFinestrina
(C) in the UnitedStates the training of actors in the twentieth century is based on principlesthat do not differ radically from those that underlay the training of actors ineighteenth-century Italy
(D) the performanceof the actor who plays Harlequin in LaFinestrina does not serve as evidenceagainst the director’s claim
(E) the director of La Finestrina must have advised the actor who plays Harlequin to model his performanceon comic performances of Groucho Marx !!!跪求中文解析~~~~谢谢大神们!!!
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