33 画家

12604698

V1：by Edwardsyh Q50, V34, Total 710(8.2713:45)
短文章
P1 讲一种P开头的photography同艺术一样，也是a fine art. 这种摄影术focus on smooth light and...（记不太清了，这句话用来解释了一下为何是fine art）。接着说artist lend a hand to 这种Photography... 有一道题highlight "hand", 问一下哪句话中的hand用法和文中相同。我把hand理解成”帮助“的意思，其他有个选项意思是“一手交易”


考古：by Serena0710 (9.2更新)

V1有一篇好像是关于彩色摄影还是什么的，那个词怎么拼忘了。
第一段说这跟painting性质有些相似，soft focus on light神马的。还说名气大的艺术家's hand in the制作过程会使final product升值。（这里有考点，hand高亮，问这个hand 的含义和以下哪个情况下的用法类似）
第二段是说这种艺术的艺术家photo***list（就记得是photo打头的词）在初期通常只服务于middle-或upper middle-class, 就帮他们记录一些生活琐碎。给了三个艺术家的名字。然后说但是，每当这些人为他们自己的families拍照时，会更着重于美学的角度去拍。
有问main purpose of the passage.

V2
这个短文章似曾相识：第一段说19世纪末期开始的一种照相技术，由某某摄影师运用，让相片呈现出一种艺术效果，得以让相片和绘画并列成为一种艺术形式。这种照相手法，有一个“hand”的高亮题目，说以下哪个关于hand的用法类似于段落中的用法，其中一个有手法含义的选项。第二段说这类摄影师多半拍摄的对象是亲人孩子等，反应的都是亲情。这里有一道题说以下选项哪个可以从这段话infer这类摄影师的作品，我选了这类作品很少用于公开。大家注意一下。


V3

主旨题：是evaluate哪些photographist的effort to make photograph as fine art.

第一段说这跟painting性质有些相似，soft focus on light神马的。还说名气大的艺术家's hand in the制作过程会使final product升值。（这里有考点，hand高亮，问这个hand 的含义和以下哪个情况下的用法类似）
有两个选项一个是音乐家在作曲中的手. a hand in a draft（应该是选这个）
一个是：尽管那些quilt没有被编号，但是the hand of quilt还是可以认出来的。

第二段说这类摄影师多半拍摄的对象是亲人孩子等，反应的都是亲情。这里有一道题说以下选项哪个可以从这段话infer这类摄影师的作品，我选了这类作品很少用于公开。大家注意一下。
如果有很少用于公开的选项的话，就是对的，因为文章中有private。但是我在考试中好像没有读到这类作品很少用于公开，有个选项是这类作品不用来买卖。


V4
1，主旨题：挺tricky的，我瞎选了一个，忘记具体选什么了，大家到时候仔细看
2，HAND的意思
我选的那个，大致意思是说，某人对什么作品的最后的修改是一个great hand。我觉得这个靠谱。大家看的时候仔细，有变体

3，第二段中的photograph能推出什么？
我选了not for sale, 其他的选项好像不靠谱，有些文中没有提到



V5

1，主旨题：挺tricky的，我瞎选了一个，忘记具体选什么了，大家到时候仔细看
2，HAND的意思
我选的那个，大致意思是说，某人对什么作品的最后的修改是一个great hand。我觉得这个靠谱。大家看的时候仔细，有变体

3，第二段中的photograph能推出什么？
我选了not for sale, 其他的选项好像不靠谱，有些文中没有提到

V6
bylightleo2000(760)
今天我第二篇阅读就碰到了那篇我很担心的关于photograph的。所以我那时感觉应该分数不低，那篇文章我觉得文章不难，但是题目真的很诡异。第一题在第二段中的photograph能推出什么？我的答案好像是这个photograph不是为了商业利益。第二题继续是第二段，问作者强烈的想说明什么？我的答案是那些摄影师想把这个photogragh的技术发扬光大。


背景知识，仅参考好像还真没找到相似的
Pictorialism is the name given to a photographic movement in vogue from around 1885 following the widespread introduction of the dry-plate process. It reached its height in the early years of the 20th century, and declined rapidly after 1914 after the widespread emergence of Modernism. The terms "ictorialism" and "ictorialist" entered common use only after 1900.
Pictorialism largely subscribed to the idea that art photography needed to emulate the painting and etching of the time. Most of these pictures were black & white or sepia-toned. Among the methods used were soft focus, special filters and lens coatings, heavy manipulation in the darkroom, and exotic printing processes. From 1898 rough-surface printing papers were added to the repertoire, to further break up a picture's sharpness. Some artists "etched" the surface of their prints using fine needles. The aim of such techniques was to achieve what the 1911 Encyclopedia Britannica termed, in discussing Pictorialism, "personal artistic expression".
Despite the aim of artistic expression, the best of such photographs paralleled the impressionist style then current in painting. Looking back from the present day, we can also see close parallel between the composition and picturesque subject of genre paintings and the bulk of pictorialist photography.

The 1911 Encyclopedia Britannica noted that: "as a distinct movement pictorial photography is essentially of British origin", although in its later phases there was a strong influence on American photography. The Brotherhood of the Linked Ring and The New American School were notable organised U.S.
tendencies in Pictorialism around 1900. An American circle of photographers later renounced pictorialism altogether and went on to found Group f/64, which espoused the ideal of unmanipulated, or straight photography.
One of the most important publications that promoted Pictorialism was Alfred Stieglitz's "Camera Work" 1903 - 1917. Each publication had up to 12 plates that were reproduced in Photogravure, Halftone or Collotype. These plates are now collected and very sought after in the art world. Most of the photographers that made up the issues were members of the Photo-Secession, a group that promoted photography as art and soon moved away from the ideals of pictorialism.
By the year of 1910, when Albright Gallery bought 15 photographs from Stieglitz' 291 Gallery, a major victory was won in the battle for establishing photography as art. Pictorialism, which had served to open the museum doors for photography, was now already regarded as a vision of the past by the spearheading photographers of that time. Stieglitz, always craving for the new, was quoted around 1910 saying "It is high time that the stupidity and sham in pictorial photography be struck a solarplexus blow." and "Claims of art won't do. Let the photographer make a perfect photograph. And if he happens to be a lover of perfection and a seer, the resulting photograph will be straight and beautiful - a true photograph."[1]
The new and proceedingly modern America
needed a new representation in art. This necessarily meant the end for pictorialism as major form of art, although the contemporary American portraitist Sally Mann revisited the pictorialist style in her 2003 book What Remains.--------bynowwsy


V2：by bbfcsak V20 (9.10更新）

一个照相的，JJ里面貌似有，但是有区别，怀疑是变体。
题目有一题一摸一样，就是“hand”这个词的类比，我选的是音乐家有一双制作音乐的手之类之类的。。。
然后主题是讲什么摄影技术的增加，什么各种光圈啥啥像素啥啥的增加。。。

wwc008love

犀利啊

adie209

顶考古君

泾渭不凡

好就不见大哥您啦~~~~~~~~~~~这。。。。小饭越来越悔米有这个月考试啊有米有。。。。你和小猴猴都在。。。。。faint。。。。

wwc008love

好就不见大哥您啦~~~~~~~~~~~这。。。。小饭越来越悔米有这个月考试啊有米有。。。。你和小猴猴都在。。。。。faint。。。。

-- by 会员 泾渭不凡 (2012/5/13 19:12:50)

哈哈。。有考古君在。。猴猴表示非常欣慰。饭饭加油~~

12604698

哇咔咔咔~~

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UP!

windcream

厉害啊