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经过考古,发现以下11个版本老基金以及我根据基金检索到的原文:
V1:一篇是讲关于早年经历对作家的影响,第一段是说了这个理论(姑且这么称作吧),第二段是用一个人作为例子来支持这个说法
V2:讲关于早年经历对作家的影响,主要就是说年轻时候的经历或者阅读什么的会影响作家后面的创作。最后举了黑人一个人的例子:说他读大学时当编辑,对他后面很有影响,一题是逻辑题,看哪个选项weaken了这种说法。开篇有个和juvenile很像的词,大概就是说青少年的意思 还有formativ(adj. (影响)形成[构成, 发展]的)这个词 V3::前期文学作品对后期的文学作品的影响. between juvenile and formative stage of literature . 文章讲了早期作品常常被人忽略,但对后期作品的tendency and thought 还是有影响的. 然后举了个黑子例子, 说他前期的作品led to the formation of his later pieces. 有一题是问哪一个weaken了上面说的早期对后期的影响, 我选了C, 说人后期和前期作品中有很大的break. V4:说文学的作家的早期作品是不被研究的,但是有一个叫DENT的人的作品如何如何.: V5:Premature Works of Writers ( 2 Paragraphs) P1. Although not a common approach, study on the early works of writers can provide insights into the origin of their mature works. P2. Use the works of a French writer as an example. Q1. Which of the following would the author most likely to agree regarding the study on the early works of the writers --> It is uncommon. (A confusing but incorrect choice is: The study is often trivialized. ) Q2. Which of the following would most seriously undermine the author's argument in favor of the study on works produced by fledging writers -->Writers often make some radical change at some point of their career V6::有道题是问举黑人作家的例子的目的,答案就是第一段的最后一句总结句的同义变换. V7: 没遇到weaken 题,但是我遇到的其中一个问题我觉得比较tricky,感觉作者既强调了这个黑人早年做记者和编辑的黑人政治背景/观点又强调了他的写作艺术都对后来他的成就很有影响.(用了很长的句子,很多定语)然后一个选项好像是说这个黑人的政治观点对他后来影响很大,另一个选项好像是说他的文学水平对后面影响很大.搞得很难选。 V8:第一段在概述,第二段专门这个D黑人作家的例子来说明 细节题:第二段中间提到D这黑人曾经在校做过Newspaper之类工作是为了什么 ?这篇文章想要告诉我们什么 ? V9:对作家写作风格的研究往往忽视他们小时候成长的环境,仅仅分析他们成名以后的作品是不够的.比方说某个黑人作家,他过去曾经在某个大学的校报当编辑,那段时间的经历使他后来的作品经常反映黑人的社会问题,并且从他们本身的文化角度来理解什么什么. 第一段提出理论:研究作家的早年经历(or作品)对深入了解其后期的文学作品是有正面作用的(between juvenile and formative stage of literature)(后期tendency and thought).第二段:GMAC举黑人作家D的例子,支持论点.D读大学时当编辑,这个经历对他后面的作品有很大影响. 问题: (1)逻辑题.问哪一个weaken了上面说的早期对后期的影响选C, 说人后期和前期作品中有很大的break. (2)主题题:如该题是内容型:推测应为其主题句改写,即虽然作家早期的作品常常被人忽略(没有学者愿意研究),但是研究这些作品(or经历)对其后来的成就有正面的积极意义.大正小负.;如果是写法型主题题,推测应为:提出一个现象,举例说明这个现象.(举例说明早年作品or经历对后期作品有影响) (3)有道题是问举黑人作家的例子的目的(很可能是in order to题),第一段的最后一句总结句的同义变换. V10 半屏多. P1:讲的是文学研究往往对一个作家年轻时期的作品和风格有所忽略,或者在历史上分析这个作家的时候会最小化他年轻时期(juvenile)的作品,但是这些作品往往能够在美学和文学上对这个作家后期的作品产生影响。 P2:举例了一个人,名字叫D,是一个很有名的黑人作家和活动家,他之所以出产不是很激进的(subtle)带有政治立场的的作品,这个跟他早期在大学时代的某个报社里当记者的生涯很有关。 1. 说一般的对文学作品的研究往往会忽略什么:我说可能会最小化他年轻时期的作品的作用。 2. 这篇文章的主要目的是什么:要让评论文学的人或者历史学家对作家年轻时期的作品有所了解。 3. 主旨题 V11:P1.很多人在评论作家时,忽略作家年轻时的作品,(问人们评价年轻作品是,选uncommon)。这种方式这是不对的,然后说了为什么 P2.讲了一个美国非裔作家,他年轻是基于对非裔文化的理解,写了很多东西。这对于理解他全部的文章和作品有很大的帮助。(问了这个作家伟大之处)
经过检索,我在《African American Review》 (Summer, 2006)考古到了阅读基金“54.早期作品”的原文:《The art of Tom Dent: notes on early evidence》原文有大量例证多达三四页,我经过比对前人的机经,将文章精简到精确符合机经描述的以下两段(想看未删减的童鞋可以直接检索文章名找到那片超长的文章): Unless one is engaged in the task of writing a fairly comprehensive biography, the study of a writer rarely begins with attention to her or his juvenilia. A writer's early attempts to overcome various anxieties of influence, to master the intricacies of language, and to forge a distinctive voice are either dismissed or trivialized. This habit, or perhaps convention, precludes opportunities to inquire into the origins of the writer's ultimate achievement and power. Valid inquiries, of course, can be initiated at points other than the formative years. Nevertheless, our insights into the writer's style and aesthetic might be strengthened by trying to identify the literary origins of creative production. This procedure is especially germane in efforts to account for Tom Dent's importance as an African American writer and intellectual. The governing presupposition for these notes is a claim about quality in writing. The art or skill that makes good writing is a possession of value and an activity of mind that is never exactly, as Richard Wright accurately proposed in "Blueprint for Negro Writing," on the page. The art is in perspective. The page is a catalyst for the engagement of the reader's mind with that of the writer; they collaborate on a vision of reality, agreeing or disagreeing as the case might be. Thomas Covington Dent (or as he preferred, Tom Dent), a New Orleans writer best known for his work with Free Southern Theater and his extraordinarily popular play Ritual Murder, his electric mentorship of younger writers and artists, and his work in oral history that culminated in Southern Journey (1997), certainly had perspective in the sense that Richard Wright intended; Dent also had subtle political and historically analytic perspectives on African American cultures. These perspectives are richly manifested in Dent's fledgling work as a journalist, specifically from writing produced during his tenure as editor-in-chief of the Maroon Tiger, the Morehouse College newspaper, during 1951-52. His editorials in Volume 53, Numbers 1-6, provide early evidence of what we are beginning to understand about his orientation toward reality, his aesthetic preferences, his complex and historically grounded modes of thought and expression. This evidence, crucial for a full assessment of Dent's later work, marks Dent as a writer from the Black South who sought more than the vapors of fame. 又考古到*18、美国政府的一篇: 讲一个事件对美国关于奴隶政策的影响,在一个学者对此时间分析基础上进行了评价和延伸.
第一段,此时间是在一个船上发现了被解放的黑奴云云,对如何处理黑奴产生了争论.最终黑奴被解放.
第二段,提出此学者研究提出了一些正确的看法比如说,解放了黑奴,还有一个重点提出了一个矛盾.这段提到abolitionist对此时间欢迎因为提高了大家对黑奴解放的关注度(后面有一题从此出).转折此学者研究忽略最重要一个矛盾,美国在规定从非洲贩运黑奴到new1o Y$S!W Q:d a C/N k P world不合法,但同时一些custom政策允许州间的黑奴买卖.(一题考察此处,作者观点)
第三段,学者的研究提出此事件"justice"(考察作者在此处加引号的目的,选择,作者对此时间带来的justice持保留意见),后边继续blah blah blah g |
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