【每日阅读训练——速度3系列】【速度3-3】&【越障3-3】附赠【难度LSAT02】

ccmoom

速度3-3  
2行
3行
4行
4行
5行  崩溃，最快一分钟大概就只能读230个字，再快就看不懂了

越障3-3 9m30s
在两年前H公司是最大的法律公司之一，收入什么的都比较高，但是在之后的危机中，却倒闭了。是不是所有的法律公司都面临着危机呢。举了很多数据。说了三个趋势：1忘了。 原因2全球化 原因3技术进步。又举了很多数据，说明其实很多公司依然经营得还可以。
 后面就没怎么看懂了，好像是说有些大公司不怎么成功，小公司反倒经营得可以？然后是商业模式什么的…… （每次都是前面认真看，后面就完全无语了……）

若雪

速度：
2
3
3
2
3
觉得把眼睛停在词组而不是单个单词还是蛮有用的~~

内个越障。。。鼠标滚轮滚了3次发现还有长长一面之后就读不下去了T~T

抓抓sandra

14min 发现以前貌似做过这份了。。结果很假地全对。。= =
文章类型：全文一种观点型
文章逻辑：

1. H的新作品打破了两大传统（break two traditions...;modify the traditions that...and that...），一是must promote racial acceptance & integration，二是必须体现欧洲的styles。对这种现象作者先用了两句话进一步解释，接着就举了一个关于JS的例子，通过对比原始艺术和改编后的人们的态度，进一步说明了这两大传统所体现的道理：Clearly...（最后一句）
   
2. H对于AfricaAmerican艺术的贡献不只是反对两大传统（rebellion against...），同时H的作品更是这个领域的艺术中的“地标”。说H的作品（此处有列举）大多体现了folk cultural's oral tradition。有意思的地方在于，H声称自己的作品是随性创作的，然而事实上却不是这样。（重要强对比。）最后together总结了H的作品的贡献。
   

题目：详解傍晚再折腾~大家先看看定位有木有问题~~
1.    The author mentions which one of the following as an example of the influence of Black folk culture on Hughes’s poetry?
【定位】第二段第二句话
(A) his exploitation of ambiguous and deceptive meanings
(B) his care and craft in composing poems
(C) his use of naming and enumeration
(D) his use of first-person narrative
(E) his strong religious beliefs

2.    The author suggests that the “deceptive veil” (line 42) in Hughes’s poetry obscures
【定位】后两句话。
(A) evidence of his use of oral techniques in his poetry
(B) evidence of his thoughtful deliberation in composing his poems
(C) his scrupulous concern for representative details in his poetry
(D) his incorporation of Western European literary techniques in his poetry
(E) his engagement with social and political issues rather than aesthetic ones

3.    With which one of the following statements regarding Jubilee Songs of the United States would the author be most likely to agree?
【定位】原句对应答案adapted
(A) Its publication marked an advance in the intrinsic quality of African American art.
(B) It paved the way for publication of Hughes’s The Weary Blues by making African American art fashionable.
(C) It was an authentic replication of African American spirituals and “sorrow songs”.
(D) It demonstrated the extent to which spirituals were adapted in order to make them more broadly accepted.
(E) It was to the spiritual what Hughes’s The Weary Blues was to secular songs and stories.

4.    The author most probably mentions the reactions of northern White writers to non-Europeanized “sorrow songs” in order to
【定位】But by 1916...with every spiritual arranged...
(A) indicate that modes of expression acceptable in the context of slavery in the South were acceptable only to a small number of White writers in the North after the Civil War
(B) contrast White writers earlier appreciation of these songs with the growing tendency after the Civil War to regard Europeanized versions of the songs as more acceptable
(C) show that the requirement that such songs be Europeanized was internal to the African American tradition and was unrelated to the literary standards or attitudes of White writers
(D) demonstrate that such songs in their non-Europeanized form were more imaginative
(E) suggest that White writers benefited more from exposure to African American art forms than Black writers did from exposure to European art forms

5.    The passage suggests that the author would be most likely to agree with which one of the following statements about the requirement that Black writers employ Western European literary techniques?
【定位】imposed
(A) The requirement was imposed more for social than for aesthetic reasons.
(B) The requirement was a relatively unimportant aspect of the African American tradition.
(C) The requirement was the chief reason for Hughes’s success as a writer.
(D) The requirement was appropriate for some forms of expression but not for others.
(E) The requirement was never as strong as it may have appeared to be.

6.    Which one of the following aspects of Hughes’s poetry does the author appear to value most highly?
【定位】
(A) its novelty compared to other works of African American literature
(B) its subtle understatement compared to that of other kinds of folk literature
(C) its virtuosity in adapting musical forms to language
(D) its expression of the folk culture of Black people
(E) its universality of appeal achieved through the adoption of colloquial expressions

merciCD

用了大概十几分钟，错了一个，明天继续努力！

裤裤melo

我来鸟～两天没来鸟～～～～我回家了～～～太热了
可是一回家就生病了。。。

坚持跟着！！！
速度：
１　５６ｓ
２　１：:１２ｓ　３行
３　５５ｓ
４　１:０５ｓ　１行
５　１:１３ｓ　３行
６　１:０６ｓ

越障：
１．Ｈ——ｌａｗ行业大公司，两年前兴旺，但是现在衰落，快关门了
２．Ｈ衰落了，对行业的影响很大，ＭＡ对Ｈ无用，小的创新的公司是威胁
３．整个ｌａｗ市场的压力很大，ｅｇ：。。。牵扯到英国的行业
４．ｌａｗｙｅｒ觉得最糟糕的都过去了，不会比ｈ更惨了，ｍａ缓和了
５．不是所有的ｌａｗ公司都是周期性的：
１）有些仍在康复
２）全球化ｅｇ：ａｓｉａ好，ｉｎｄｉａ好
３）科技增加人的辨认也增加ｅｇ：ｓｏｆｔｗａｒｅ，判断一个商业公司更难
６．这些ｔｒｅｎｄ不会消失，可能会更惨　ｗｈ观点，ｅｇ：ｊｏｂ增长威胁，不是所有的都可以ｓｕｒｖｉｖｅ
７．ｒｒ观点：２个ｔｒｅｎｄ是公司跨了的理由：
１）ｉｎｃｏｍｅ不可预知
２）一个ｄｉｓｃｏｖｅｒｙ让收入少
８．什么样公司会ｔｈｒｉｖｅ：
１）精英ｅｇ：只做ｌｅａｄｉｎｇ
２）只在专业领域ｅｇ：ｗｌ做ｍａ
９．ｃｗ盈利并且不开员工　收入不增加想要位置就要开员工多市场竞争
１０．第三种公司：大的知名的但名声不那么好，不管客户知名要求都做ｅｇ：ｊｐ，ｄｌａ便宜
１１．ｂａｍ历史增长全球的：是ｇｌｏｂｌｅ不是ｉｎｔｅｒｎａｔｉｏｎａｌ，不是两点而是ｗｏｒｌｄｗｉｄｅ
１２．ｂｍ，ｄｌａ说明贵的就要减员，ｍｏｎｅｙ在市场上有可不是每个人都有
１３．国家保护自己本地企业，ｅｇ：ｌｏｃａｌ有利
１４．ｌａｗｙｅｒ也要ｂｕｓｉｎｅｓｓ一点而不是太专业
１５．ｍｌ观点：ｌａｗｙｅｒ可以成为其他行业专家，ｕｓａ这样在做，其他木有
１６．还可以在一体化的公司里锻炼ｌａｗｙｅｒ的ｂｕｓｉｎｅｓｓ，讲管理会计结合，但有难度
１７ｌａｗｙｅｒ可以自己拥有公司的一部分
１８．ｂｏｓｓ已经意识在ｃｈａｎｇｅ并且在事业，若太依靠伙伴可能会和大家一起完掉

kidvii

LSAT 脑袋全是浆糊。边做题才知道大概说了点什么。。
读文章  Lap 1    00:02:26.20
做题

No    Answer    Time    NotSure?
1    C    0:02:05    N
2    B    0:01:16    N
3    D    0:03:35    N
4    B    0:01:34    N
5    A    0:00:29    N
6    E    0:01:40    N

You spent 01:46 on each question by average.   泪奔



我第一遍，什么文章结构都看不出。哎。

kidvii

There is substantialevidence that by 1926, withthe publication of The Weary Blues, Langston Hughes had broken with two well-established traditions in African American literature. 果断TS,全文都在说,以下是大并列。InThe Weary Blues, Hughes chose to modify the traditions that decreed that African American literaturemust promote racial acceptance and integration, and that, in order to doso, it must reflect an understanding and mastery of Western European literarytechniques and styles. Tradition1 ，以下是解释Necessarily excluded bythis decree, linguistically and thematically, was the vast amount of secular folk material in the oraltradition that had been created by Black people in the years of slavery andafter.以前的作品都遵照传统，以下是举例，可略读，提取关键名词It might be pointed outthat even强调the spirituals or “sorrowsongs”引号of the slaves—as distinctfrom their secular songs and stories—had been Europeanized to make them acceptable within these AfricanAmerican traditions after the Civil War. In 1862 northern White writers had commentedfavorably on the unique and provocative melodies of these “sorrow songs”when they first heard them sung by slaves in the Carolina sea islands.传统起源But转折by 1916, ten years beforethe publication of The Weary Blues, Hurry T. Burleigh,人名the Black baritone soloistat New York’s ultrafashionable Saint George’s Episcopal Church, had published Jubilee Songs of theUnited States, 大写with every spiritualarranged so that a concert singer could sing it “in the manner of an art song.”引号，注意下Clearly, the artisticwork of Black people could be used to promote racial acceptance and integration only强调on the condition thatit became Europeanized.CS，重申tradition 1
Even more than his rebellion against thisrestrictive tradition in African American art, Hughes’s expression of the vibrant folk culture of Blackpeople established his writing as a landmark in the history of African Americanliterature.Tradition2 Most of his folk poems havethe distinctive marks of thisfolk culture’s oral tradition: they contain many instances of naming andenumeration, considerable hyperbole and understatement, and a strong infusionof street-talk rhyming.句内并列，列举题，可略读Thereis a deceptive veil of artlessness in these poems.以下是解释Hughesprided himself on being an impromptu and impressionistic writer of poetry. His, he insisted, was not anartfully constructed poetry.Yet转折 an analysis of his dramatic monologues and otherpoems reveals that his poetrywas carefully and artfully crafted. In his folk poetry we find features common to all folkliterature, such as dramatic ellipsis, narrative compression, rhythmicrepetition, and monosyllabic emphasis.句内并列，列举题，可略读The peculiar mixture of irony and humor we find inhis writing is a distinguishingfeature强调of his folk poetry. Together, these aspects of Hughes’s writing helped tomodify the previous restrictions on the techniques and subject matter of Blackwriters and consequently to broaden the linguistic and thematic range ofAfrican American literature.CS,并说明作者态度

kidvii

to 抓。我觉得。第二段才是他打破的第二个传统，第一段是解释第一个传统，很重要。以前的作品，为了让欧洲人接受，所以都选择了europeanize的方式，一般没人这么大胆。。。
第二个，就算他引入了黑人的民俗文化。

我是这么觉得的额。。。你看咧。

抓抓sandra

to kid：
恩，这个我也不确定。。
不过我的理解是：

1. two traditions都在第一段这里点出来了：“In The Weary Blues, Hughes chose to modify the traditions that decreed that African American literature must promote racial acceptance and integration, and that, in order to do so, it must reflect an understanding and mastery of Western European literary techniques and styles.”
   
2. 第二段确实说了"Even more than his rebellion against this restrictive tradition in African American art, ..."，但是我觉得这段并不是说他对于另一个tradition的打破，而是说他打破第一段提到的两种traditions的第二种方式。。
   

OPEN TO DISCUSSION~

superbat28

较同意kid~继续等待大家意见……这篇文章第一段读的我太纠结了。。。