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乌斯曼·塞姆班 - 个人经历
乌斯曼·塞姆班 他十五岁离开学校,1942年加入自由法国军队,并於1944年随部队解放法国。二战後,塞贝纳在马赛当码头工人,积累了他第一部长篇小说《黑色码头工人》的生活经歷。伤残後,他开始以文学创作为第一职业。20世纪60年代早期,他去了莫斯科的高尔基电影制片厂(Gorki Studios)。塞贝纳在1963年回到塞内加尔,之後他制作了大量的长片和短片,从讽刺喜剧到严肃戏剧到纪录片,都有所涉及。1966年他执导了《黑女孩》(La Noire de…/black girl),这是一部关於一个法国家庭虐待非洲姑娘的电影。作为非洲电影制作者制作的首部长片,它在1967年戛纳电影节上获奖。从《汇款单》(Le Mandat)开始,塞贝纳开始用沃洛夫语创作电影,他带著他的电影到塞内加尔各地,以获得更广泛的观众。他後来的电影被认为有攻击政府的倾向,所以经常遭到临时查禁。90年代後,他的影片题材丰富。《Guelwaar》是一齣发生在小村庄里关於穆斯林教徒与基督教徒的讽刺剧,《Samori》和《Faat-Kine》则表明塞贝纳又回到了他所关心的非洲妇女问题上。他的作品还有:《天神》(Emitai),《诅咒》(Xala),《塞内加尔的独立》(Ceddo),《第阿诺亚战场》(Camp de Thiaroye)等.
As an author so concerned with social change, one of Sembène's goals had always been to touch the widest possible audience. After his 1960 return to Senegal, however, he realized that his written works would only be read by a small cultural elite in his native land. He therefore decided at age 40 to become a film maker, in order to reach wider African audiences. In 1963, Sembène produced his first film, a short called Barom Sarret (The Wagoner). In '64 he made another short entitled Niaye. In 1966 he produced his first feature fim, La Noire de..., based on one of his own short stories; it was the first feature film ever released by a sub-Saharan African director. Though only 60 minutes long, the French-language film won the Prix Jean Vigo,[1] bringing immediate international attention to both African film generally and Sembène specifically. Sembène followed this success with the 1968 Mandabi, achieving his dream of producing a film in his native Wolof.[1] Later Wolof-language films include Xala (1975, based on his own novel), Ceddo (1977), Camp de Thiaroye (1987), andGuelwaar (1992). The Senegalese release of Ceddo was heavily censored, ostensibly for a problem with Sembène's paperwork, but more probably for its anti-Muslim themes. However, Sembène distributed fliers at theaters describing the censored scenes and released it uncut for the international market. In 1971, Sembène also made a film in the Diola language and French entitled Emitai. In 1977, he was a member of the jury at the 27th Berlin International Film Festival.[2] Recurrent themes of Sembène's films are the history of colonialism, the failings of religion, the critique of the new African bourgeoisie, and the strength of African women. His final film, the 2004 feature Moolaadé, won awards at the 2004 Cannes Film Festival[3] and the FESPACO Film Festival in Ouagadougou, Burkina Faso. The film, set in a small African village in Burkina Faso, explored the controversial subject of female genital mutilation.
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