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When storing Renaissance oil paintings, museums conform to standards that call for careful control of the surrounding temperature and humidity, with variations confined within narrow margins. Maintaining this environment is very costly, and recent research shows that even old oil paint is unaffected by wide fluctuations in temperature and humidity. Therefore, museums could relax their standards and save money without endangering their Renaissance oil paintings.

Which of the following is an assumption on which the argument depends?

正确答案: D

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楼主
发表于 2010-5-13 14:59:23 | 只看该作者 回帖奖励 |倒序浏览 |阅读模式
GWD-8-Q22:
When storing Renaissance oil paintings, museums conform to standards that call for careful control of the surrounding temperature and humidity, with variations confined within narrow margins. Maintaining this environment is very costly, and recent research shows that even old oil paint is unaffected by wide fluctuations in temperature and humidity. Therefore, museums could relax their standards and save money without endangering their Renaissance oil paintings.

Which of the following is an assumption on which the argument depends?

A.    Renaissance paintings were created in conditions involving far greater fluctuations in temperature and humidity than those permitted by current standards.
B.    Under the current standards that museums use when storing Renaissance oil paintings, those paintings do not deteriorate at all.
C.    Museum collections typically do not contain items that are more likely to be vulnerable to fluctuations in temperature and humidity than Renaissance oil paintings.
D.    None of the materials in Renaissance oil paintings other than the paint are vulnerable enough to relatively wide fluctuations in temperature and humidity to cause damage to the paintings.
E.    Most Renaissance oil paintings are stored in museums located in regions near the regions where the paintings were created.


DNone of the materials in Renaissance oil paintings other than the paint are vulnerable enough to relatively wide fluctuations in temperature and humidity to cause damage to the paintings.
意思是【文艺复兴时期的油画颜料比其他的材料都不是容易受到足够的温度和湿度比较大的波动,造成损害的画】长难句理解。
E
are stored in museums?这点不对么?
收藏收藏 收藏收藏
沙发
发表于 2010-5-14 12:10:04 | 只看该作者
原文说了paint不会受到收藏环境影响
research shows that even old oil paint is unaffected by wide fluctuations in temperature and humidity

d说paint在所有材料里面最容易受影响,所以如果paint不会受影响的话其他的材料也不会。。

e说的就无关,e重点是在创作地附近收藏,但是创作地跟保护文物没有直接关系。。
板凳
发表于 2011-7-23 21:40:20 | 只看该作者
为什么C不行呢???
脑子绕不过来了??
地板
发表于 2011-9-9 09:53:52 | 只看该作者
C是无关选项
5#
发表于 2013-1-27 16:40:09 | 只看该作者
原文说了paint不会受到收藏环境影响
research shows that even old oil paint is unaffected by wide fluctuations in temperature and humidity

d说paint在所有材料里面最容易受影响,所以如果paint不会受影响的话其他的材料也不会。。

e说的就无关,e重点是在创作地附近收藏,但是创作地跟保护文物没有直接关系。。
-- by 会员 mousealpha (2010/5/14 12:10:04)


看了这个解释我真心觉得自己弱爆了……
6#
发表于 2013-8-20 13:16:41 | 只看该作者
mousealpha 发表于 2010-5-14 12:10
原文说了paint不会受到收藏环境影响research shows that even old oil paint is unaffected by wide fluctu ...

解释的真好!很想知道,为什么A 不行呢
7#
发表于 2013-8-22 18:50:14 | 只看该作者
cooldog19 发表于 2013-8-20 13:16
解释的真好!很想知道,为什么A 不行呢

从大方向看,原文说的是储藏环境的问题,A说的是创作环境,因此是无关选项
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