【阅读】07/03起越渡整理（7/12更新，36篇原始，30篇考古）

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SCIENTIFIC AMERICAN

August 2007

Volume 297, Issue 2

Windowson the Mind

By SusanaMartinez-Conde and Stephen L. Macknik

KEYCONCEPTS

■ When the eyes fix on something, they stilljump imperceptibly in ways that turn out to be essential for seeing.

■ For decades, scientists have debated thepurpose, if any, of these so-called fixational eye movements, the largest ofwhich are called microsaccades.Now the authors have demonstrated that microsaccadesengender visibility when a person’s gaze is fixed and that bigger andfaster microsaccades work best.

■ Microsaccades may also shed light on subliminal thoughts. Recent research suggests thatthe direction of microsaccades is biased toward objects to which people areunconsciously attracted, no matter where they are actually looking. —TheEditors

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JOURNAL ARTICLE

mars in motion

Alfred S. McEwen

Scientific American

Vol. 308, No. 5 (MAY2013), pp. 58-65

Published by: Scientific American, adivision of Nature America, Inc.

Stable URL:https://www.jstor.org/stable/26018192

Page Count: 8

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JOURNAL ARTICLE

Incorporating the Star:The Intersection of Business and Aesthetic Strategies in Early American Film

Catherine E. Kerr

The Business HistoryReview

Vol. 64, No. 3, ServiceIndustries (Autumn, 1990), pp. 383-410

Published by: The President and Fellows ofHarvard College

DOI: 10.2307/3115734

Stable URL:https://www.jstor.org/stable/3115734

Page Count: 28

[size=13.3333px]Incorporating the Star: The Intersection of [size=13.3333px]Business and Aesthetic Strategies [size=13.3333px]in Early American Film

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[size=13.3333px]Scholars generally have studied the emergence of American [size=13.3333px]film stars in one of two ways: as an aesthetic, cultural [size=13.3333px]phenomenon or as part of the larger story of corporate con[size=13.3333px]solidation in the film industry. This article combines these [size=13.3333px]approaches, arguing that the early film star played two over[size=13.3333px]lappingroles. Within thenewlongfeamrefilms, surssenred [size=13.3333px]as focal points ibr continuity across complex narratives; within [size=13.3333px]the new vertically integrated film corporations, they bwame [size=13.3333px]fixal points for the coordination ofproduction, distribution, [size=13.3333px]and promotion. The article concludes by suwesting that the [size=13.3333px]interconnections between aesthetic practice and industrial [size=13.3333px]organization bear further examination.

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bzy! 发表于 2018-7-5 12:52
SCIENTIFIC AMERICANAugust 2007Volume 297, Issue 2 Windowson the MindBy SusanaMartinez-Conde and Step ...

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