【阅读】09/23起粤渡寂静整理（10/2更新，41篇原始，37篇考古）

huajiananhai

目录

一、【考古】复活岛石像

二、【考古】蝌蚪和鱼

三、【考古】睡眠与记忆

四、【考古】peru

五、【考古】唱片公司

六、【考古】水权法律

七、【考古】supernova

八、【考古】bundling

九、【考古】post collateral

十、【考古】woman suffrage

十一、【考古】downsize

十二、【考古】农耕和打猎

十三、【考古】NGO

十四、【考古】maya economy

十五、【考古】人鼠新西兰

十六、【考古】hens food

十七、【考古】二氧化碳植物土壤

十八、【考古】hispanic

十九、【考古】人口和创新                【新增原始】

二十、【考古】market rebel

二十一、【考古】termite

二十二、【考古】规模和资源分配

二十三、【考古】蓝光红光

二十四、【暂无考古】activist

二十五、【考古】语言的起源

二十六、【考古】美国经济发展

二十七、【暂无考古】innovation和学校

二十八、【考古】期货和房地产

二十九、【考古】predator pricing

三十、【考古】蚂蚁和milkweed          【更换考古】

三十一、【考古】salt

三十二、【考古】细菌保护

三十三、【考古】电影明星

三十四、【考古】女性paid work

三十五、【考古】acorn

三十六、【暂无考古】打折

三十七、【考古】payday loan

三十八、【考古】mass production

三十九、【考古】大象

四十、  【暂无考古】S shape                                     【新增原始】

四十一、【考古】whipbird

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2018-09-23起寂静整理汇总
【原始汇总】09/23起原始寂静汇总 by Cinderella灰
https://forum.chasedream.com/thread-1328852-1-1.html
【数学】09/23起数学寂静原始稿 by qv0518
https://forum.chasedream.com/thread-1328853-1-1.html
【数学讨论稿1-200】923起数学讨论稿 by Lyyyyyyynnnnnnn
https://forum.chasedream.com/thread-1328856-1-1.html
【阅读】09/23阅读渡整理 by huajiananhai
https://forum.chasedream.com/thread-1328855-1-1.html
【逻辑】09/23起逻辑寂静整理 by lalalyouyou
https://forum.chasedream.com/thread-1328864-1-1.html
【作文】09/23起作文寂静整理 by qv0518
https://forum.chasedream.com/thread-1328854-1-1.html
【IR】0923起IR寂静整理 by Super鳄鱼杭
https://forum.chasedream.com/thread-1328921-1-1.html

weozuiniubi

Mark一下！               

关耳君

wow

Richard刘1996

顶楼主！               

Richard刘1996

和已经出来那九篇 很多都对的上

大胸小姑娘

echo-LUO 发表于 2018-12-16 09:38
听说1215和923很像，特来顶一波

但愿很像啊啊啊

echo-LUO

听说1215和923很像，特来顶一波

singme

发表于 2018-09-24 08:58:06
感谢分享！

Mark一下

一战740

今天考的 原文确认

Most film industry analysts view the rise of the film star either as a natural stage in the
development of the medium or as a straightforward reflection of audience desires. But
film had existed without stars for twenty years (1896-1916) and had enjoyed popular
appeal for the decade before the full blown star emerged. I suggest that the popularity
of film players was not naturally assured.
Initially, films were short and non-narrative, and the identity of actors was not important
because the cameras were set so far back that players' faces were indistinguishable.
These relatively undifferentiated films were rented to exhibitors by the foot, and
competition among filmmakers was intense. By 1907, film studios holding camera
patents organized into a patent pool that licensed each sector of the industry—
production, distribution, and exhibition —in exchange for use of its technology. The
pool set per-foot rates and distribution schedules, limiting competition.
The profits brought by this near monopoly allowed film studios to invest more in the art
of filmmaking. Films became longer, and revolutionary approaches such as narratives
based on a strong central character and close-ups of actors faces were developed. Film
became a forum for actors self-expression.
Such entrepreneurs as Adolph Zukor believed that consumer demand could sustain
longer films featuring expensive stars, but the patent pool rate system could not
accommodate such films higher costs. Risking litigation, Zukor broke out of the patent
pool system and acquired his own distribution companies, charging premium prices
keyed to the demand for his distinctive product. Then he used the appeal of such stars
as Mary Pickford to practice block booking: forcing theaters wishing to show her films
to take his entire line of films. He and other industry leaders finally guaranteed high
prices for their expensive star features by completing the process of vertical integration:
acquiring theaters and refusing to distribute films to independent exhibitors.

钱宝

感谢！但是附件挂的还是40篇的版本 并没有看到第41篇？