考古求确认，法国女剧作家已确认！

盐水柠檬 · 发表于 2013-1-4 17:01:36

第一段：法国歌剧从某一阶段开始兴盛，这一阶段女人也开始写歌剧了。但是并不是从开始就很多，分了3个时间段，1960-1970-1980（貌似）。第一阶段女人写了7片，第二阶段女人们写了9篇，第三阶段一下写了70多篇。（我都阅读风魔了还说篇儿呢。。。）这一阶段写的歌剧里面有一个女人的某歌剧，和另外一个女人的某歌剧（都给具体名字了）是top2 of top10，非常流行（第一道题就是说这里面这两个点名的歌剧和其他的10个没点名的有啥不一样，还有一道题更阴险，说这里10个歌剧和其他的70个有啥不一样。）原文描述这两个歌剧的不过三四行，用了一个词：流行小说，然后居然问：这里两个歌剧特点是啥？我选得像流行小说。。。）第二段就说了类似于3-4原因说为啥歌剧流行，（这些理由我倒都还记得但是没必要写了，省的干扰大家：经济，人们欣赏水平什么的）第二段比第一段长。最后三行说：还有一个理由是，皇家剧院也被剥夺了特权，这里就一句话带过，但是出题了：问那个时期的哪一个特点是（或者不是）那个时代推动女性歌剧的因素：有两个选项我确定是正确答案，因为他们是矛盾的：一个选项说特权歌剧院没了特权，一个是说某些高等歌剧院干脆消失了。其中一个是对的。
版本2
法国歌剧，特别注意文中说的两个由女性创造的TOP10之列的两个OPERA那部分。总共两三句话，但是竟有两道题，而且选项很搞，要反复推敲
版本3
法国歌剧前面两道题目感觉很烦,就第一段的那两句话,一下出了2道题目????感觉都不是很对径.(1)其中提到了2个歌剧的特点???(2)貌似那10个歌剧的特点.(3)然后就是问文章的organisation???感觉这个文章不是很难,但是就是前2道题目出的比较刁钻.我当时真没有看出来,从哪里可以推出其它10个歌剧的特点???貌似那句话中有个 had the distinction of the other 10 operas???????
版本4
法国opea的，我不知道我这片与之前的JJ,是不是同一篇，因为我的这篇，其本质根本就是在讲在18世纪末19世纪初的时候，法国有一大批女创作人然后将为什么。还举了一点例子，第一段最后说了这个现象不但前无古人后无来者，在当时世界也是unique的（有题的，这里）；第二段讲了为什么，第一是因为 opea变成了public的主要entertainment（这里也有题），各个剧院有竞争压力，题材不得不更新颖，第二是因为当时民主的风气很盛行（之前好像还有一个原因，对不起我不太记得了）。最后一点谈到了皇家剧院（也是一个题，ms）
版本5
一个法国戏剧，说法国的这个戏剧发展史分三个阶段，前两个阶段都没什么女作家和作品，第三个阶段突然猛女大爆发，堪称欧洲乃至世界戏剧史上独一无二。第二段开始探讨原因：１。这个戏剧到了１８世纪末不是贵族独享，观众多样化造成戏剧市场的激烈竞争（考了一道题），于是一群女作家跳出来争霸。２。这个法国大革命造成戏剧题材的民主化（考了一道题）３。过去写剧本要靠和皇室有关系，有ｐａｔｈｒｏｎａｇｅ，现在大伙都不吝了，所以女作家发现了能够ｃａｔｅｒ的市场。

盐水柠檬 · 发表于 2013-1-5 02:19:08

顶上去帮忙确认啊

sparklelynn · 发表于 2013-1-5 02:44:44

d=====(￣▽￣*)b [顶!]

gege112 · 发表于 2013-1-5 04:46:16

帮柠檬顶~~~柠檬好厉害！！！！！！！！！

wilbertwjy · 发表于 2013-1-6 00:22:42

我4日也发了这篇，上面的考古内容里面版本1，就是我这次看到的，内容基本都是一样的，只不过不同人记得的偏重不同而已，并且这次的时间我是记得的，就是讲法国17世纪到18世纪的

盐水柠檬 · 发表于 2013-1-6 00:32:24

我4日也发了这篇，上面的考古内容里面版本1，就是我这次看到的，内容基本都是一样的，只不过不同人记得的偏重不同而已，并且这次的时间我是记得的，就是讲法国17世纪到18世纪的

-- by 会员 wilbertwjy (2013/1/6 0:22:42)

谢谢狗主非常爱你哈哈

lilacs · 发表于 2013-1-7 06:38:44

French Female Composer Facts
Composer Marie Quinault was awarded the Order of St. Michael by the King of France for her compositions.
The celebrated composer Natalie Boulanger was awarded the Maitre de Chapelle of H.H. The Prince of Monaco, and was the first woman to conduct the Royal Philharmonic Orchestra of London, England.
Composer Caroline Wuiet was pronounced a musical prodigy at the age of 5, and her musical education was supervised by Queen Marie Antoinette.
French composer Germaine Tailleferre was the first and only female member of the musical society Les Six (Durey, Auric, Milhaud, Honneger and Poulenc).
Notable French Female Composers
Louise Angelique Bertin was born in Roche, February 15, 1805 and died at Paris, April 26, 1877. She was a pianist, composer, contralto and an artist, who had studied composition with Fetis. Guy Mannering, her first opera, was performed privately, but her second, Le Loup Garou, performed in Paris, was an instant success, as were Faust (1831) and La Esmeralda (1836), with text by Victor Hugo.
Bertin went on to compose in various genres, including songs, choruses and string quartets. She was the author of a collection of verse, Les Glances, Paris, 1842, for which she was awarded a prize from the French Academy.
Lili Boulanger
Lili Juliette Marie Olga Boulanger (born 1893, died 1918), the younger sister of Nadia Boulanger, won the Grand Prix de Rome while a student of the Paris Conservatoire. She composed the cantata Faust etHelene, symphonic poems D'un Soir Triste and D'un Matin de Printemps, two psalms with orchestra, and a string quartet.
Selections from her song cycle Clarieres dans le Ciel and Nocturne have been recorded on the Gemini Hall label. She died at the age of 25, leaving a legacy of several fine compositions for such a young person.
Cecile Chaminade
Cecile Louise-Stephanie Chaminade was born at Paris in 1857 and died at Monte Carlo in 1944. She began composing at the age of 8 and during her long lifetime she composed many works of merit, including salon pieces for piano...one of which, "The Scarf Dance"...became very famous; songs, a Concertstueck for piano and orchestra; a Concertino for flute (which also became famous); a ballet "Callirhoe"; orchestral suites and the opera-comique "La Sevillane." Her "Caprice Espagnole," Op.67, was recorded on the Gemini Hall label.
Germaine Tailleferre
Germaine Tailleferre was born at Pau-St.-Maur in April of 1892 and was a student of composition with Maurice Ravel. Her works encompassed every genre and type of music, including quartets, violin sonatas, a piano concerto, ballets, a concerto for two pianos, voice and orchestra, and many other works.
Her "Chansons Francaises," for voice and instruments was performed at the Liege Festival of theInternational Society for Contemporary Music in 1930. A Concertino for harp and Orchestra was performed by the Boston Symphony Orchestra in 1927.
This remarkable group of French women composers worked side by side with their male counterparts in the making of great music.
Source
"Women of Notes: 1,000 Women Composers Born Before 1900." Richards Rosen Press, NY,1978

Read more at Suite101: French Female Composers in History | Suite101 http://suite101.com/article/female-composers-in-history-a40075#ixzz2HEnm4xZM
Follow us: @suite101 on Twitter | Suite101 on Facebook

lilacs · 发表于 2013-1-7 07:07:38

这本书列举了Of the seventy-three works by French women from 1670 to 1820。
这本书的目的是：By repopulating the historical landscape with the forgotten women opera composers and librettists of the French revolutionary period, we hope to bring new perspectives to the history of feminism。

Divided into two parts, the book first delves into a prehistoryprehistory, period of human evolution before writing was invented and records kept. The term was coined by Daniel Wilson in 1851. It is followed by protohistory, the period for which we have some records but must still rely largely on archaeological evidence to
.....Click the link for more information. of the topic by discussing in turn women authors, their education, operatic politics, and lastly "authority and identity," all from a feminist perspective

书的第二部分主要写Isabelle de Charriere 。推测机经里提到一个女剧作家写的象小说，可能是她。有人专门翻译和评价了 the recent ten-volume edition of her works 。机经里提到了什么10篇，也有可能指她的10篇作品。两个考题也都可能和她有关。因为她是整本书的女主角。

Although she lacked the talent and discipline for composition, she excelled in employing the theme of music in her novels as a metaphor for the invisible feelings of her heroines. She also excelled as a truthful chronicler of every detail of her failed quest in a voluminous correspondence。

liyanan010 · 发表于 2013-1-7 07:08:42

顶起来

自然猴 · 发表于 2013-1-7 10:52:15

mark一下！

[考古] 考古求确认，法国女剧作家已确认！

贴一个法国女剧作家的背景资料：French Female Composer Facts

这篇的原文应该与这本书相关：Women writing Opera

所属分类: GMAT考试

正在浏览此版块的会员 ()

[考古] 考古求确认，法国女剧作家 已确认！

贴一个法国女剧作家的背景资料：French Female Composer Facts

这篇的原文应该与这本书相关：Women writing Opera

所属分类: GMAT考试

正在浏览此版块的会员 ()

[考古] 考古求确认，法国女剧作家已确认！