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花了不少时间终于找到相关信息~在google图书里。
相信之前一定也有不少牛人试着找这篇相关背景,看了最后一段大家应该就知道为什么会找不到了:
完全就是因为关键词啊!总之无论L或O,都是属于北美的原住民苏族(Sioux)。
可惜的是google图书前一页刚好没分享,因为这一页说不定就是这篇题目的第一段= =”
也希望我提供的信息可以引出更多狗主的记忆~~
(第三點反駁內容是不是就是在討論:圖畫本身的獨特性呢?)
感谢木寻云整理JJ,预祝大家700++
提出一种理论,并举出证据证明:北美平原发现了一些rock art,有个考古学家E认为这种art内容是表达communications,不仅只是表达声音和语言。这个考古学家还说,这种岩石画艺术和Oyate族的关系分不开,尤其是Lakota某分支,然后给了各种相似点和理由。
(1) 和那个地方的某种东西resemble;
(2) Rock art中vertical series的特质与那个地方的某种vertical system不谋而合;
(3) 忘记了。
反驳该理论,并举出证据证明:作者认为,虽然说这两者的联系不可否认。但是这种说法有很多的不足,认为roch art并非起源于E认为的地方。原因也有三个:
(1) rock art被发现的地方beyond那个地方的coverage(rock art的分布超出了O族的范围);
(2) rock art的年代很难定位,因此很难将它和某一特定年份特定族群部落联系起来;
(3) 忘记了。
问题:
Q1:下面哪个可以weaken E的理论
答案:rock star被发现与非原文中提到的那个地方。
Q2:作者most likely to agree with which of the following?
答案:rock art不是起源于文中提到的那个地方。
Q3:主旨题
参考答案:(A) discuss vertical art的来源
其它选项:(C) 反对一个wide hold的观点
Q4:这些画的作用是什么?
答案:不仅仅是声音和语言,更重要的是communication。
Q5:在哪里发现的那些vertical art?
背景知识(Vertical Series Rock Art):
In the northwestern Plains, a kind of vertical arrangement of repetitive rock art figures has been termed Vertical Series. This vertical arrangement forms a single element, or analysis unit, that can be compared or contrasted with other similar units to determine attributes sensitive in time, space, function, or ethnic affiliation. Attributes themselves (such as headdresses on rock art figures) may be analyzed, or attention may be more on attribute clusters (such as total form of shield-bearing warriors). Depending on the kind and level of analysis, attributes may be considered relative to artifact types or series, or relative to such rock art concepts as styles or traditions.
背景知识(反驳文章第一段理论的论述):
The possibility that at least some examples of Vertical Series rock art are related to Sioux groups cannot be denied, but the hypothesis that all Vertical Series rock art sites are Siouan in origin has certain weaknesses. The uncertain age of the tradition makes it difficult to confidently associate it with the historically documented territory of any one cultural group. Several of the sites also occur well beyond the territory historically occupied by the Teton Dakota. Rather, the widespread but discontinuous distribution of sites strongly indicates that this tradition occurs within the territory of several different groups.
Furthermore, the tradition is not clearly uniform, and certain distinct formal variations exist from site to site. In particular, those in southern Alberta, although sharing important characteristics with all Vertical Series sites, display several unique designs and show distinct variations in the way that some designs are arranged. Finally, ethnographic evidence indicates that many other Northwestern Plains groups, particularly the Blackfeet, Crow, and Hidatsa, also employed aspects of an ideographic system similar to that of the Teton Dakota.
Given the distribution and variation of this tradition, it seems quite likely that many cultural groups, including several Sioux groups, were involved in the production of Vertical Series rock art. |
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