924换库阅读求证! Cadenza 附wiki链接

shuity

看到有好几个版本的说一篇阅读 不知道是不是这个阿？Cadenza 华彩 请各位大虾nn指正！！
1.      关于一种音乐形式，文章提到了莫扎特和贝多芬，说现在的音乐家缺少对这种音乐形式的创新和改变。
[版本2] P1 关键字: 一个什么CARXX (估计是一种音乐型式)  然后提到摸扎特 贝多芬  
        P2 关键字: 某个很长名字的人 做调查 说C 开头的一个SINGER 唱这个CARXX. 有很多人效仿这个SINGER. 但是大部分人还是认为C 是TRADITIONAL.
        P3  关键字: 研究认为 人的脑袋分为一部分是用来 DECISIONMAKING 一部分用来LANGUAGE某某(上文提到的一个音乐家)说 音乐的INNOVATION需要.......(有考题:不好意思,真忘了..类似于CRITICAL THINKING 的吧)

[版本3] 说很多音乐家在他们的乐谱后面都加一段类似freestyle的东西，这样可以给演奏者一个发挥的空间来表达他们自己的感情，后来贝多芬却给那最后一段加上自己notation，所以演奏者都没有自己的发挥空间了，所以之后的音乐都越来越standardized了
[版本4] 关于音乐的，首段说，Cazty（拼的肯定不对，不知道什么意思）会出现在乐章的最后。18世纪开始被各个音乐家应用。莫扎特就很愿意用，但是贝多芬却不愿意用反而使这个kill it（理解是阻碍C的发展）。后面有问贝多芬多C的发展起到什么作用。第三段，一个例子，具体忘记了，是用来支持C的发展的。

盆友上海晚场 刚看jj微信过来的 说原来上课讲过 (盆友好牛..)
附上wiki 如果是的话当作背景补充吧~
http://en.wikipedia.org/wiki/Cadenza
In music, a cadenza (from Italian: cadenza, meaning cadence) is, generically, an improvised or written-outornamental passage played or sung by a soloist or soloists, usually in a "free" rhythmic style, and often allowing for virtuosic display.
The term cadenza often refers to a portion of a concerto in which the orchestra stops playing, leaving the soloist to play alone in free time (without a strict, regular pulse) and can be written or improvised, depending on what the composer specifies. This normally occurs near the end of the first movement, though it can be at any point in aconcerto. An example is Tchaikovsky's First Piano Concerto, where in the first five minutes a cadenza is used. The cadenza is usually the most elaborate and virtuosic part that the solo instrument plays during the whole piece. At the end of the cadenza, the orchestra re-enters, and generally finishes off the movement on their own, or, less often, with the solo instrument.
The cadenza was originally, and remains, a vocal flourish improvised by a performer to elaborate a cadence in anaria. It was later used in instrumental music, and soon became a standard part of the concerto. Originally, it was improvised in this context as well, but during the 19th century, composers began to write cadenzas out in full. Third parties also wrote cadenzas for works in which it was intended by the composer to be improvised, so the soloist could have a well formed solo that they could practice in advance. Some of these have become so widely played and sung that they are effectively part of the standard repertoire, as is the case with Joseph Joachim's cadenza for Johannes Brahms' Violin Concerto, Beethoven's set of cadenzas for Mozart's Piano Concerto no. 20, andEstelle Liebling's edition of cadenzas for operas such as Donizetti's's La fille du Régiment and Lucia di Lammermoor.
Nowadays, very few performers improvise their cadenzas, and very few composers have written concertos or vocal pieces within the last hundred years that include the possibility of an improvised cadenza.
Perhaps the most notable deviations from this tendency towards written (or absent) cadenzas are to be found in jazz, most often at the end of a ballad, though cadenzas in this genre are usually brief. Saxophonist John Coltrane, however, usually improvised an extended cadenza when performing "I Want To Talk About You", in which he showcased his predilections for scalar improvisation and multiphonics. The recorded examples of "I Want To Talk About You" (Live at Birdland and Afro-Blue Impressions) are approximately 8 minutes in length, with Coltrane's unaccompanied cadenza taking up approximately 3 minutes. More sardonically, Jazz critic Martin Williams once described Coltrane's improvisations on "Africa/Brass" as "essentially extended cadenzas to pieces that never get played."^[1] Equally noteworthy is saxophonist Sonny Rollins' shorter improvised cadenza at the close of "Three Little Words" (Sonny Rollins on Impulse!).
Cadenzas are also found in instrumental solos with piano or other accompaniment, where they are placed near the beginning or near the end or sometimes in both places (e.g. "The Maid of the Mist," cornet solo by Herbert L. Clarke, or a more modern example: the end of "Think of Me", where Christine Daaé sings a short but involved cadenza, in Andrew Lloyd Webber's The Phantom of the Opera).

小情歌璇

顶~~

shuity

我觉得好像是的 因为说到了莫扎特贝多芬 还有freestyle什么的 之后也没有肿么发展了 哎 不管怎样 28号要考了 估计nn们都出去玩了没有看到 攒rp攒rp

Miley0119

帮顶！！！！

Miley0119

顶！

shuity

谢谢谢谢

Miley0119

求确认啊！！

whenusmile

up up

Miley0119

求确认！！顶！！

清谷天

谢谢！