OG上16、18世纪的那个表演的题

纳丁Cat

Theater Critic: The play La Finestrina, now at Central Theater, was written in Italy in the eighteenth century. Thedirector claims that this production is as similar to the original production as is possible in a modern theater.Although the actor who plays Harlequin the clown gives a performance very reminiscent of the twentieth-centuryAmerican comedian Groucho Marx, Marx's comic style was very much within the comic acting tradition that had begun in sixteenth-century Italy.The considerations given best serve as part of an argument（这是问支持还是反对，还是假设啊）that
(A) modern audiences would find it hard to tolerate certain characteristics of a historically accurateperformance of an eighteenth-century play
(B) Groucho Marx once performed the part of the character Harlequin in La Finestrina
(C) in the United States the training of actors in the twentieth century is based on principles that do not differradically from those that underlay the training of actors in eighteenth-century Italy
(D) the performance of the actor who plays Harlequin in La Finestrina does not serve as evidence against thedirector's claim
(E) the director of La Finestrina must have advised the actor who plays Harlequin to model his performance oncomic performances of Groucho Marx



这个题的逻辑线是什么啊？？


102.TheaterCritic:TheplayLa Finestrina, nowatCentralTheater,waswritteninItalyintheeighteenthcentury.The
directorclaimsthatthisproductionisassimilartotheoriginalproductionasispossibleinamoderntheater.
AlthoughtheactorwhoplaysHarlequintheclowngivesaperformanceveryreminiscentofthetwentieth-century
AmericancomedianGrouchoMarx,Marx'scomicstylewasverymuchwithinthecomicactingtraditionthathad
beguninsixteenth-centuryItaly.

Theconsiderationsgivenbestserveaspartofanargumentthat

(A)modernaudienceswouldfindithardtotoleratecertaincharacteristicsofahistoricallyaccurate
performanceofaneighteenth-centuryplay

(B)GrouchoMarxonceperformedthepartofthecharacterHarlequininLaFinestrina

(C)intheUnitedStatesthetrainingofactorsinthetwentiethcenturyisbasedonprinciplesthatdonotdiffer
radicallyfromthosethatunderlaythetrainingofactorsineighteenth-centuryItaly

(D)theperformanceoftheactorwhoplaysHarlequininLa Finestrina doesnotserveasevidenceagainstthe
director'sclaim

(E)thedirectorofLa Finestrina musthaveadvisedtheactorwhoplaysHarlequintomodelhisperformanceon
comicperformancesofGrouchoMarx


两道题望牛牛指教

102.TheaterCritic:TheplayLa Finestrina, nowatCentralTheater,waswritteninItalyintheeighteenthcentury.The
directorclaimsthatthisproductionisassimilartotheoriginalproductionasispossibleinamoderntheater.
AlthoughtheactorwhoplaysHarlequintheclowngivesaperformanceveryreminiscentofthetwentieth-century
AmericancomedianGrouchoMarx,Marx'scomicstylewasverymuchwithinthecomicactingtraditionthathad
beguninsixteenth-centuryItaly.

Theconsiderationsgivenbestserveaspartofanargumentthat

(A)modernaudienceswouldfindithardtotoleratecertaincharacteristicsofahistoricallyaccurate
performanceofaneighteenth-centuryplay

(B)GrouchoMarxonceperformedthepartofthecharacterHarlequininLaFinestrina

(C)intheUnitedStatesthetrainingofactorsinthetwentiethcenturyisbasedonprinciplesthatdonotdiffer
radicallyfromthosethatunderlaythetrainingofactorsineighteenth-centuryItaly

(D)theperformanceoftheactorwhoplaysHarlequininLa Finestrina doesnotserveasevidenceagainstthe
director'sclaim

(E)thedirectorofLa Finestrina musthaveadvisedtheactorwhoplaysHarlequintomodelhisperformanceon
comicperformancesofGrouchoMarx


两道题望牛牛指教

(A) modern audiences would find it hard to tolerate certain characteristics of a historically accurateperformance of an eighteenth-century play
(B) Groucho Marx once performed the part of the character Harlequin in La Finestrina
(C) in the United States the training of actors in the twentieth century is based on principles that do not differradically from those that underlay the training of actors in eighteenth-century Italy
(D) the performance of the actor who plays Harlequin in La Finestrina does not serve as evidence against thedirector's claim
(E) the director of La Finestrina must have advised the actor who plays Harlequin to model his performance oncomic performances of Groucho Marx



这个题的逻辑线是什么啊？？


102.TheaterCritic:TheplayLa Finestrina, nowatCentralTheater,waswritteninItalyintheeighteenthcentury.The
directorclaimsthatthisproductionisassimilartotheoriginalproductionasispossibleinamoderntheater.
AlthoughtheactorwhoplaysHarlequintheclowngivesaperformanceveryreminiscentofthetwentieth-century
AmericancomedianGrouchoMarx,Marx'scomicstylewasverymuchwithinthecomicactingtraditionthathad
beguninsixteenth-centuryItaly.

Theconsiderationsgivenbestserveaspartofanargumentthat

(A)modernaudienceswouldfindithardtotoleratecertaincharacteristicsofahistoricallyaccurate
performanceofaneighteenth-centuryplay

(B)GrouchoMarxonceperformedthepartofthecharacterHarlequininLaFinestrina

(C)intheUnitedStatesthetrainingofactorsinthetwentiethcenturyisbasedonprinciplesthatdonotdiffer
radicallyfromthosethatunderlaythetrainingofactorsineighteenth-centuryItaly

(D)theperformanceoftheactorwhoplaysHarlequininLa Finestrina doesnotserveasevidenceagainstthe
director'sclaim

(E)thedirectorofLa Finestrina musthaveadvisedtheactorwhoplaysHarlequintomodelhisperformanceon
comicperformancesofGrouchoMarx


两道题望牛牛指教

102.TheaterCritic:TheplayLa Finestrina, nowatCentralTheater,waswritteninItalyintheeighteenthcentury.The
directorclaimsthatthisproductionisassimilartotheoriginalproductionasispossibleinamoderntheater.
AlthoughtheactorwhoplaysHarlequintheclowngivesaperformanceveryreminiscentofthetwentieth-century
AmericancomedianGrouchoMarx,Marx'scomicstylewasverymuchwithinthecomicactingtraditionthathad
beguninsixteenth-centuryItaly.

Theconsiderationsgivenbestserveaspartofanargumentthat

(A)modernaudienceswouldfindithardtotoleratecertaincharacteristicsofahistoricallyaccurate
performanceofaneighteenth-centuryplay

(B)GrouchoMarxonceperformedthepartofthecharacterHarlequininLaFinestrina

(C)intheUnitedStatesthetrainingofactorsinthetwentiethcenturyisbasedonprinciplesthatdonotdiffer
radicallyfromthosethatunderlaythetrainingofactorsineighteenth-centuryItaly

(D)theperformanceoftheactorwhoplaysHarlequininLa Finestrina doesnotserveasevidenceagainstthe
director'sclaim

(E)thedirectorofLa Finestrina musthaveadvisedtheactorwhoplaysHarlequintomodelhisperformanceon
comicperformancesofGrouchoMarx


两道题望牛牛指教

sdcar2010

This is an inference question, must be true.

susan55z

【The considerations given】指的是原文， best serve as part of an argument--问的是原文是下面哪个论证的一部分，即支持哪一个论证；我觉得这个类似与【best support which of the following conclusion】