practically speaking, the artistic maturing of the cinema was the single handed achievement of david w. griffith (1875-1948). before griffith, photography in dramatic films consisted of little more than placing the actors a stationary camera and showing them in full length as they would have appeared on stage. from the beginning of his career as a director, however, griffith, because as having a foreground and a rear ground, as well as the middle distance preferred by most directors. by 1910 he was using close ups to reveal significant details of the scene or of the acting and extreme long shots to achieve a sense of spectacle and distance. his appreciation of the camera’s possibilities produced novel dramatic effects. by splitting an event into fragments and recording each from the most suitable camera position, he could significantly vary the emphasis from camera shot to camera shot. 本文来自学习网(www.gzu521.com)，原文地址：http://www.gzu521.com/campus/article/postgraduate/200812/181207.htm
第27题
The author's attitude toward photography in the cinema before Griffith can best be described as
before griffith, photography in dramatic films consisted of little more than placing the actors a stationary camera and showing them in full length as they would have appeared on stage. from the beginning of his career as a director, however, griffith
作者认为before griffith， photography 只不过 little more than ，但是
however, griffith就不一样了，就是说griffith要好多了
美国传统词典，觉得有些词要看美国人的定义－ＧＭＴ是美国人出题的游戏 con.de.scend.ing adj.（形容词） Displaying a patronizingly superior attitude. 显示出很强的优越感的
京公网安备11010202008513号 京ICP证101109号 京ICP备12012021号
发表于 2009-2-26 12:36:00
