【机经】考好了，挺激动的。JJ回报CD。

qian0605

大牛，沾点喜气

 

PrinceD

以下是引用rachelchen52在2008-12-26 20:13:00的发言：

赞~阅读和逻辑说得很清楚~~谢谢分享~

敢问lz AI是什么？

AI帖子里面有，请仔细看。

PrinceD

以下是引用sangyeyoyo在2008-12-26 21:12:00的发言：

Because fish look through water, their eyes are very different from a mammal.
A. from a mammal
B. from a mammal's
C. from that of a mammal
D. than that of a mammal
E. than is a mammal's

so the answer is c, right?

原文里面已经更新，有答案，请参考。

[此贴子已经被作者于2008-12-27 0:23:53编辑过]

饔牛

這篇是我在網路上抓到的 第28 詩歌演變 Testimony，不知道是不是类似的文章？

• Charles Reznikoff (1894-1976) worked relentlessly, never leaving New York but for a brief stay in Hollywood, of all places. He was admired by Pound and Kenneth Burke, and often published his own works; in the Depression era, he managed a treadle printing press in his basement. He wrote three sorts of poems: exceptionally short imagistic lyrics; longer pieces crafted and cobbled from other sources, often from the Judaic tradition; and book-length poems wrought from the testimony both of Holocaust trials and from the courtrooms of turn-of-the-century America. Two of these full-length volumes were indeed titled "Testimony," as was an earlier prose work; it was a word that kept him close company. When asked late in life to define his poetry, it was not the word he chose.
  　　"Objectivist," he wrote, naming his longstanding group, and mimicking poetic style with a single prose sentence: "images clear but the meaning not stated but suggested by the objective details and the music of the verse; words pithy and plain; without the artifice of regular meters; themes, chiefly Jewish, American, urban." If the sentence sounds hard-won, this is perhaps because it was. Four decades earlier, he wrote in a letter to friends, "There is a learned article about my verse in Poetry this month, from which I learn that I am an objectivist." The learned fellow was Louis Zukofsky, brilliant eminence of the Objectivists, "with whom I disagree as to both form and content of verse, but to whom I am obliged for placing some of my things here and there." So read Reznikoff's conclusion in 1931, with its fillip of polite resentment.
  　　Movements and schools are arbitrary and immaterial things by which poetic history is told. This must have rankled Reznikoff, who spent his writing life tracing the material and the necessary.
  　　Born a child of immigrants in Brooklyn in 1894, he was in journalism school at 16, took a law degree at 21. Though he was little interested in legal practice, the ideas would be near the heart of his writing. Ideal poetic language, he wrote, "is restricted almost to the testimony of a witness in a court of law." If this suggests a congenital optimism about the law, it made for astonishingly care-filled poetry. Reznikoff is unsurpassed in conveying the sense that the world is worth getting right. Not the glorious or the damaged world, but the world that is everything that is the case. Reznikoff's faith in the facts of the case takes on an intensity no less social than spiritual, no greater when surveying the Old Testament than New York. This collection gathers all his poems (but for those already book-length) by the technique of compressing onto single pages as many as five or six at a time. This can lessen the force; each is a sort of American haiku, though no more impressionistic than a hand-operated printing press. One such, numbered 69 in the volume "Jerusalem the Golden," runs in its length: "Among the heaps of brick and plaster lies / a girder, still itself among the rubbish." This exemplary couplet is sometimes taken to represent Reznikoff's poetry itself, immutable and certain amid the transitory.
  

cecixiangli

太棒了。沾点好运！

 

ElisaWang

恭喜LZ！谢谢分享！祝你接下来的申请顺利！

PrinceD

原文不是这样的，相差较大。

饔牛

谢谢lz

那我就不更新基金了

daniel59f

恭喜LZ