请大家帮我看看这道阅读题，好不？谢谢大家了！

Amelia_He

新东方TOEFL阅读教程

passage 100

Of all modern instruments, the violin is apparently one of the simplest. It consists in essence of a hollow, varnished wooden sound box, or resonator, and a long neck, covered with a fingerboard, along which four strings are stretched at high tension. The beauty of design, shape, and decoration is no accident: the proportions of the instrument are determined almost entirely by acoustical considerations. Its simplicity of appearance is deceptive. About 70 parts are involved in the construction of a violin. Its tone and its outstanding range of expressiveness make it an ideal solo instrument. No less important, however, is its role as an orchestral and chamber instrument. In combination with the larger and deeper-sounding members of the same family, the violins form the nucleus of the modern symphony orchestra.
   The violin has been in existence since about 1550. Its importance as an instrument in its own right dates from the early 1600's, when it first became standard in Italian opera orchestras. Its stature as an orchestral instrument was raised further when in 1626 Louis XIII of France established at his court the orchestra known as Les vingt-quatre violins du Roy (The King's 24 Violins), which was to become widely famous later in the century.
   In its early history, the violin had a dull and rather quiet tone resulting from the fact that the strings were thick and were attached to the body of the instrument very loosely. During the eighteenth and nineteenth century, exciting technical changes were inspired by such composer-violinists as Vivaldi and Tartini. Their instrumental compositions demanded a fuller, clearer, and more brilliant tone that was produced by using thinner strings and a far higher string tension. Small changes had to be made to the violin's internal structure and to the fingerboard so that they could withstand the extra strain. Accordingly, a higher standard of performance was achieved, in terms of both facility and interpretation. Left-hand technique was considerably elaborated, and new fingering patterns on the fingerboard were developed for very high notes.


4. The author mentions Vivaldi and Tartini in line 19 as examples of composers whose music
(A) inspired more people to play the violin
(B) had to be adapted to the violin
(C) demanded more sophisticated violins
(D) could be played only by their students

这道题为什么选C呀？那demand more sophisticated violins 是什么意思呢？ 

[此贴子已经被作者于2006-7-23 13:37:49编辑过]

Amelia_He

没有人回我吗？

麻烦大家帮我看看吧！

 

[此贴子已经被作者于2006-7-23 13:36:05编辑过]

findjuhl

以下是引用Amelia_He在2006-7-22 22:39:00的发言：

新东方TOEFL阅读教程

passage 100

Of all modern instruments, the violin is apparently one of the simplest. It consists in essence of a hollow, varnished wooden sound box, or resonator, and a long neck, covered with a fingerboard, along which four strings are stretched at high tension. The beauty of design, shape, and decoration is no accident: the proportions of the instrument are determined almost entirely by acoustical considerations. Its simplicity of appearance is deceptive. About 70 parts are involved in the construction of a violin. Its tone and its outstanding range of expressiveness make it an ideal solo instrument. No less important, however, is its role as an orchestral and chamber instrument. In combination with the larger and deeper-sounding members of the same family, the violins form the nucleus of the modern symphony orchestra.
   The violin has been in existence since about 1550. Its importance as an instrument in its own right dates from the early 1600's, when it first became standard in Italian opera orchestras. Its stature as an orchestral instrument was raised further when in 1626 Louis XIII of France established at his court the orchestra known as Les vingt-quatre violins du Roy (The King's 24 Violins), which was to become widely famous later in the century.
   In its early history, the violin had a dull and rather quiet tone resulting from the fact that the strings were thick and were attached to the body of the instrument very loosely. During the eighteenth and nineteenth century, exciting technical changes were inspired by such composer-violinists as Vivaldi and Tartini. Their instrumental compositions demanded a fuller, clearer, and more brilliant tone that was produced by using thinner strings and a far higher string tension. Small changes had to be made to the violin's internal structure and to the fingerboard so that they could withstand the extra strain. Accordingly, a higher standard of performance was achieved, in terms of both facility and interpretation. Left-hand technique was considerably elaborated, and new fingering patterns on the fingerboard were developed for very high notes.


4. The author mentions Vivaldi and Tartini in line 19 as examples of composers whose music
(A) inspired more people to play the violin
(B) had to be adapted to the violin
(C) demanded more sophisticated violins
(D) could be played only by their students

这道题为什么选C呀？那demand more sophisticated violins 是什么意思呢？ 

很好理解哦，你画的原文改写就是答案，原文小提琴的令人激动的技术变化是被那两个人所激发的。改成主动表达就是C答案。

bomber

逻辑是这样的：

早期的小提琴的音色是dull和quiet的

这两位的作品要求声音是fuller、clearer和more brilliant的

因此要求对小提琴的结构有一个small changes

因此小提琴变得sophisticated（精细、精密）了

Amelia_He

哦，我明白了！

谢谢你！