[揽瓜阁精读] 314.女权主义的艺术问题

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314. 女权主义的艺术问题
The definition and issues of feminism women art  have been urgently raised. One approach suggests that some special sort of female aesthetic or sensibility exists. Others argue that the above theory restricts women in adverse
The theory of a female sensibility based on two extreme premises. First, it assumes gender plays a key role in an individual's experience. Second, the situation of today is unchangeable, because of eternal and historical battle of sex.
Another approach is blanched and sensible. As PM said, a successful female artist must jump out of the restriction and stereotype.

Fox的Dream

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Fox的Dream

314.女权主义的艺术问题
P1 - Several approaches to define feminist art have evolved and discussed within feminist art movement.
      1/ some sort of female aesthetic exists
      2/ others argue the female aesthetic restricts women
      3/ some see the 'feminine sesibility' as opportunist
P2 - The theory of femal sensibility is based on two premises.
       1/ individual's experience is determined by gender
       2/ what exists today will not be changed as the battle of the sexes is eternal and historical.
P3 - Another approach - the meaning of one's personhood and the nature of relationships between the sexes are an evolving phenomena that can be grasped.
      Pat: women artists must be free to explore all art possibilities.

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一只小江yy

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女艺术家兴起一个潮流-女性美学。女性艺术发展运动中，有几个此类现象。其中一种认为：女性美学和敏感度包括对女性独有的画面，风格。
支持者认为：不同于男性定义的艺术，女性的社会经历创造了她们美学语言，很是自由。
反对者认为：这个“女性美学”限制了女人在形色状和画面方面。换句话说，所谓“女性美学”实际上就是对女性元素的堆砌，定义不了女性艺术。而且，所谓“女性独有的敏锐”是明显的机会主义的工具而已。。。。栗子，是为了说明机会主义这个事情。


“女性独有的敏锐”这个理论有两个极端的隐含的前提认知：1. 性别决定个体感受，男女的语言，行为，道德都是在性别区分的前提下进行的。
2.男女之间的性别战争是永恒的，今天不管做什么，女性艺术家都是认同这个观点，衍生出来：把女性艺术和男性世界对立起来。


也就是说，上面的反对者和赞成者，都默认了这两个前提。


最后一派的观点： 更为平和兼具敏锐：认为要从超越性别的角度来看待这个问题。PM举例说：女性艺术家应该尝试广阔的艺术全域。不要受到标签和刻板印象的影响，不要通过男人的视觉来观察艺术世界。

Hengjia满分

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