揽瓜阁俱乐部第三期 Day2 2020.07.21
【人文科学-艺术】 Beyond Broadway, the Show Does Go On （528字 精读 必做篇）
Watching through windshields. Audiences of two. An elbow bump instead of a kiss. Theaters across the country find novel ways to play in a pandemic.
Inside a former firehouse in Richmond, Va., a lone actor performs “The Picture of Dorian Gray” for audiences as small as two. In a Denver parking lot, theatergoers in cars watch, through their windshields, four performers costumed as grasshoppers. On a 600-acre property in Arkansas, a cast of about 130 re-enacts the story of Jesus for several hundred ticket-holders spread across a 4,000-seat outdoor amphitheater.
The coronavirus pandemic has shuttered Broadway through the end of the year (at least), and the nation's big regional theaters and major outdoor festivals have mostly pivoted to streaming. But even as infections surge in the United States, many theaters are finding ways to present live performances before live audiences.
Of course, there is social distancing. Also, in some places, masks. Temperature checks. Touchless ticketing. Intermissionless shows. And lots of disinfectant. At the Footlights Theater, in Falmouth, Maine, actors will perform behind plexiglass.
But these precautions mean there is dinner theater in Florida. Street theater in Chicago. Drive-in theater in Iowa.
“Our commitment is to do live theater — there's a huge difference between that and seeing something on a computer screen,” said Susan Claassen, managing artistic director of Invisible Theater in Tucson, Ariz., a state that has emerged as a Covid-19 hot spot. The theater, which has been running a four-character play called “Filming O'Keefe” indoors, installed an air ionizer, allowed patrons in only one-quarter of its seats, mandated that they wear masks, and put on a show.
“Our theater got its name from the invisible energy that flows between performers and the audience,” Claassen said. “Even with 22 people in the audience with masks on, that energy is so strong.”
There are also financial reasons for continuing: Some theaters say they cannot survive a year without revenue.
“We'd rather go down creating good theater than die the slow death behind our desks,” said Bryan Fonseca, the producing director of Fonseca Theater Company in Indianapolis. The company plans to stage “Hype Man,” a three-character play by Idris Goodwin, outdoors, for 65 mask-wearing patrons. “I am hopeful and also very cautious,” Fonseca said, “careful that I don't create a problem.”
By putting on shows, some theater artists are, in effect, making the case that it is a mistake for the industry to wait for New York to lead the way, given the risks there. “Someone has to be the first to take that cautious step into the dark to see what works and what doesn't,” said Phil Kenny, a sometime Broadway producer who has a role in “Willy Wonka” in Orem, Utah.
But even in New York City there are signs of theatrical life. Food for Thought Productions, a company that presents staged readings of one-act plays, is planning to restart in a private club on July 13, with Louise Lasser and Bob Dishy performing and attendees required to have taken coronavirus tests.
“If we can prove that we can do this safely, maybe other groups can do safe theater as well,” said Susan Charlotte, the founding artistic director.
Source: The New York Times
【人文科学-考古】 Scientists Discover 7,000-year-old Tools Off Australia’s West Coast （281字 3分22秒 精听 必做篇）
先做精听再核对原文哦~
Scientists say they have found Australia’s first underwater archeological areas off the country’s west coast.
The sites are believed to be 7,000 years old. The area where they were found was once dry land.
Archeologists say study of the hundreds of found objects will increase understanding of the culture and technological development of Australia’s aboriginal people.
The two ancient sites are now underwater in the Dampier Archipelago island group. Divers from Flinders University in Adelaide, South Australia, made the discovery.
The area was already well known for its rich ancient history and its rock-art carvings. However, the two sites are the first confirmed underwater places holding evidence of human civilization in Australia and the area around it.
Michael O’Leary is a marine geoscientist and co-director of the project to study the tools. He told Reuters that his team wants to study “the skill, the technology, how they made these tools, to see if they represent a different cultural approach to tool making that we haven’t yet identified in Australia,”
Archeologist Jonathan Benjamin also leads the project. He said the scientists have found cutting and grinding tools that are thousands of years old.
“You can start to recreate what the people were doing and how they were making their life way in their economy,” Benjamin said.
Information from the discovery is being studied to find out how old the objects are. However, the radiocarbon dating method and study of sea-level changes show the areas are at least 7,000 years old.
Benjamin said the majority of objects remain on the seabed. The ones taken have been scanned for further research. They will then be given to the indigenous landowners, the Murujuga Aboriginal Corporation.
Source: VOA
【笔记格式要求】
精读笔记格式要求： 1.总结文章中心大意 2.总结分论点或每段段落大意 3.摘抄印象深刻或者觉得优美的句子 4.总结文章中的生词 5.记录阅读时间、总结时间、总时间
精听笔记格式要求： 1.逐句听写整篇文章 2.对照原文修改听写稿，标记出错原因 3.总结文章中心大意 4.总结精听过程中的生词 5.记录听写时间、总结时间、总时间
这里也给大家两点学习小建议哦~ 精读：如遇到读不懂的复杂句，建议找出句子主干，分析句子成分，也可以尝试翻译句子来帮助理解~ 精听：建议每句不要反复纠结听，如果听 5 遍都没听出来，那就跳过，等完成后再回听总结原因，时间宝贵，不要过于执着哦~
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发表于 2020-7-20 22:20:56
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