【速度1-11】今天更新有点晚了,明天午休的时候来读CR: CNN news
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Mércio Gomes Mércio Gomes is a Brazilian anthropologist livingin Rio de Janeiro. The opinions in this article belong to the author. A mixture of deep sorrow, anger and resentment hasswept Brazilians across the country -- particularly in the city of Rio deJaneiro -- with the burning of their beloved Museu Nacional, or NationalMuseum. The fire started at about 7:30 Sunday evening,local time. It went on until the early hours of Monday, when firemen on theirMagirus ladders sent enough water gushing out into what seemed to be asacrificial bonfire to control the last of the flames. By Monday morning, when I visited the site, thefiremen were busy trying to enter the huge, early 19th-century neoclassicalbuilding to start gauging the extent of the destruction. For all we know,everything may have been burned to ashes. Looking out over the building, its outer walls,though marked with ash, seem as tall and imposing as ever. But images frominside the museum show that the windows are all smashed, and the inner wallslook practically carbonized. Thick volumes of charred wood, ash and debris --from the collapsed roofs and burnt artifacts -- still smoldered on the floor, ahorrifying testimony to the utter destruction of the museum. Throughout the night, millions of Brazilians wereglued to the news, mesmerized in horror and dismay as they watched thedestruction of, perhaps, the most impressive colonial-era building Brazil hasbeen able to maintain.
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But then, as if searching for something lessdistressing to say, some of the museum's researchers and clerks roamed about infront of the building giving interviews to the press and revealing what they'dbeen able to save from the exhibition rooms and annexes before the fire movedin -- deep drawers filled with sheets of pressed flowers and leaves, a fewsmall meteorites and, thank God, the library of one of the departments that wasleft unscathed. Oh yes, and no one -- not even the four security guards whowitnessed the beginning of the fire -- has been reported injured. This morning, I watched a crowd of students visitthe museum, eager to enter as if to throw themselves into the ashes. Afterskirmishes with the police, the protesters stood outside the building shoutingangry slogans and criticizing the federal government and the currentadministration. They demanded punitive action against those responsible forwhat they see as disgraceful political and administrative neglect. Nobody yet knows the cause of the fire, but it isofficials' irresponsibility, funding shortages in particular, which is beingblamed for this tragedy. Everyone has their preferred culprit in thisnational disgrace. With Brazil just weeks away from a general election, thismood of mutual accusation has, to use an ironic metaphor, flooded the nationlike a tsunami. It's notonly politicians, the federal government, the Ministry of Culture oradministrators at the Federal University of Rio de Janeiro (which the museum istied to) -- virtually everyone is to blame. And everyone feels part of thelarger cultural mechanism that has produced an attitude of carelessness and abasic incapability to keep an institution like the National Museum in a stateof good repair.
计时3 (258 words) We Brazilians have lost much ofthe material memory of our short past. A good part of our 518 years of history-- or that which had been transformed into storable objects and could be seenby all -- disappeared in just a few hours. Perhapswe can, in a decade or so, reconstruct the museum and reconstitute part of itscollections of scientific objects, memorabilia and curios to once againentertain the children who flocked to see them. It is, after all, the childrenof Rio de Janeiro and other cities around it who are the ones to suffer themost for this loss. The people of Rio de Janeiro were fond of takingtheir sons and daughters, grandchildren or a pack of nephews and nieces to themuseum to show off their knowledge of odd-looking mummies brought in from Egyptby the Emperor Dom Pedro II, a huge skeleton of a humpback whale looking like aribbed torpedo, or the brightly iridescent green and yellow feathers of aKayapo headdress. Never to be seen again are, perhaps, those oldfuneral urns unearthed from the island of Marajó at the mouth of the AmazonRiver, or the museum's collection of arachnids and insects stored infunny-shaped, smudged glass containers. When I think that I can no longer take my youngestdaughter or grandson to the Museu Nacional -- that is what gets me emotional.It is this sorrow that has penetrated our souls and may leave Braziliansfeeling empty and forlorn for a long time to come.
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Dads cherish Sweden's parental leaveWhenphotographer Johan Bavman became a father for thefirst time, he took more than a passing wonder about how his native Sweden issaid to be the most generous nation on Earthfor parental leave. He immersed himself in fatherhood -- twice over, you might say. Heused his photography to document the real-life experience of other fatherstaking full advantage of Sweden's extraordinary program, which allows mothersand fathers to take long, long leaves from their careers so they can care fortheir newborns. Getthis: Sweden grants a total of 480 calendar days of parental leave, with 390 ofthem paid at 80% of income, with a maximum of 3,160 euros a month or $3,474.The remaining 90 days are paid at a flat-rate benefit of 20 euros a day, or$22. Butthere's a catch. Fathers have to share that leave with mothers. So to promote both parents to raise their children, Swedenhas mandated that 60 of the 480 days be "daddy months" or"partner months." If the 60 daddy days aren't used, they are lost,reducing the maximum leave to 420 days. The country also created a "gender equality bonus": the moredays that parents share the leave equally, they get a bonus that could total upto 1,500 euros, or $1,649. The idea is for both parents to share the joys and struggles ofraising infants. In reality, only 12% of Swedish couples equally share the 480 days ofleave, Bavman said, with women continuing to lead the way as the stay-at-homeparent and men as the careerist.
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Still, Bavman mused last summer about how the policy impacts those men whouse the full measure of their parental leave. At first, Bavman had difficulty finding such men. But the fathers he did find and photograph, he captured their devotion inrealistic imagery. "I realized while I was talking to these dads, these dads are struckby how important the bonding is between you and the children," saidBavman, who now has a 3-year-old son, Viggo, with partner Linda Stark, afreelance journalist. "I didn't want to bring out fathers as superdads," Bavman said."I wanted to bring out these role models which people can connect to. "I want to have those dads who can also show their tiredness ...which comes with being home with your children. It's a hard full-time job. Thisis something that we have been taking for granted for hundreds of years. Thisis something that mothers have never been recognized for." He also found moments of humor, with one child nearly ripping apart theshirt of his busy father. The fathers have become more understanding of their wives and even theirown mothers, Bavman said. Some are now considering a career change toaccommodate their parenthood. "Being home nine months, they get time to think about theirlife," the photographer said. Bavman is looking for a total of 60 fathers to photograph, to culminate inan exhibition and a book. So far he's found 35 worthy of his lens.
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