揽瓜阁做题小分队 第8天 波尔的戏剧

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這篇文章雖然大意上是問題+解決方案的脈絡, 但是滿多專有名詞出現, 又題目主要是細節題...
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P1. 傳統的戲劇形式, 表演者跟觀眾是有隔閡的, Boal對此有擔憂
P2. Boal對這種現象的回應: 工作坊劇院 , 並用Boal的兩間工作坊作為例子
    Imagine theatre用tableau形式表達主題, Forum則用主持人鼓勵觀眾參與戲劇演出
P3. Boal的願景: 提供觀眾一個媒介去解放, 認為觀眾太被動, 為"spectators(觀眾)"下了新的定義“spect-actor”(同時見證及創造劇場的人)
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P1.
1. Traditional theater: performer and audience(spectators) are separate
2. Elaborate: even performers move out or script with audience interaction – spectators + catharsis (emotional arc) -> issue (X)
3. Boal’s worrisome: theater culture is passive and apathy – not act communally , remain distanced from art

P2.
1. Boal’s response: workshop theater – performer’s sphere and audience’s sphere collapsed – everyone is theater maker and witness
2. Example(Boal’s workshop):
‧Image Theatre: with a theme or issue – using tableau to express the issue looks like in society – transition the current to the ideal in a plausible way
‧Forum Theatre: narrative skit for certain problem – a facilitator encourage audience take the place of the protagonist – realizing all the obstacles involved
3. Forum’s main goal: is not to find solution, but to engage in the action, to reflect, and to understand particular issue – using art to re-cast private troubles

P3.
1. Boal’s reason: audiences agency – ways to free themselves of oppression – audiences are too passive – he wish them become “spect-actor” (who simultaneously witnesses and creates theater)