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In Raisin in the Sun, Lorraine Hansberry does not reject integration or the economic and moral promise of the American dream; rather, she remains loyal to this dream while looking, realistically, at its incomplete realization. Once we recognize this dual vision, we can accept the play's ironic nuances as deliberate social commentaries by Hansberry rather than as the "unintentional" irony that Bigsby attributes to the work. Indeed a curiously persistent refusal to credit Hansberry with a capacity for intentional irony has led some critics to interpret the play's thematic conflicts as mere confusion, contradiction, or eclecticism. Isaacs, for example, cannot easily reconcile Hansberry's intense concern for her race with her ideal of human reconciliation. But the play's complex view of Black self-esteem and human solidarity as compatible is no more "contradictory" than Du Bois' famous, well-considered ideal of ethnic self-awareness coexisting with human unity, or Fanon's emphasis on an ideal internationalism that also accommodates national identities and roles. (158 words)
6.The author's primary purpose in this passage is to
(A) explain some critics' refusal to consider Raisin
in the Sun a deliberately ironic play
(B)suggest that ironic nuances ally Raisin in the
Sun with Du Bois' and Fanon's writings
(C) analyze the fundamental dramatic conflicts in
Raisin in the Sun
(D) justify the inclusion of contradictory elements
in Raisin in the Sun
(E) affirm the thematic coherence underlying Raisin in
the Sun
7. Select the sentence that the author of the passage
reinforce his criticism of responses such as Isaacs' to Raisin in the Sun
8.The author of the passage would probably consider
which of the following judgments to be most similar
to the reasoning of critics?
(A) The world is certainly flat; therefore, the person
proposing to sail around it is unquestionably
foolhardy.
(B) Radioactivity cannot be directly perceived;
therefore, a scientist could not possibly control
it in a laboratory.
(C) The painter of this picture could not intend it to
be funny, therefore, its humor must result
from a lack of skill.
(D) Traditional social mores are beneficial to culture;
therefore, anyone who deviates from
them acts destructively.
(E) Filmmakers who produce documentaries deal
exclusively with facts; therefore, a filmmaker
who reinterprets particular events is misleading us.
In Raisin in the Sun, Lorraine Hansberry does not reject integration or the economic and moral promise of the American dream; rather, she remains loyal to this dream while looking, realistically, at its incomplete realization. Once we recognize this dual vision, we can accept the play's ironic nuances as deliberate social commentaries by Hansberry rather than as the "unintentional" irony that Bigsby attributes to the work. Indeed a curiously persistent refusal to credit Hansberry with a capacity for intentional irony has led some critics to interpret the play's thematic conflicts as mere confusion, contradiction, or eclecticism. Isaacs, for example, cannot easily reconcile Hansberry's intense concern for her race with her ideal of human reconciliation. But the play's complex view of Black self-esteem and human solidarity as compatible is no more "contradictory" than Du Bois' famous, well-considered ideal of ethnic self-awareness coexisting with human unity, or Fanon's emphasis on an ideal internationalism that also accommodates national identities and roles. (158 words)
6.The author's primary purpose in this passage is to
(A) explain some critics' refusal to consider Raisin
in the Sun a deliberately ironic play
(B)suggest that ironic nuances ally Raisin in the
Sun with Du Bois' and Fanon's writings
(C) analyze the fundamental dramatic conflicts in
Raisin in the Sun
(D) justify the inclusion of contradictory elements
in Raisin in the Sun
(E) affirm the thematic coherence underlying Raisin in
the Sun
7. Select the sentence that the author of the passage
reinforce his criticism of responses such as Isaacs' to Raisin in the Sun
8.The author of the passage would probably consider
which of the following judgments to be most similar
to the reasoning of critics?
(A) The world is certainly flat; therefore, the person
proposing to sail around it is unquestionably
foolhardy.
(B) Radioactivity cannot be directly perceived;
therefore, a scientist could not possibly control
it in a laboratory.
(C) The painter of this picture could not intend it to
be funny, therefore, its humor must result
from a lack of skill.
(D) Traditional social mores are beneficial to culture;
therefore, anyone who deviates from
them acts destructively. 这个阅读就没读懂,题也没做明白
(E) Filmmakers who produce documentaries deal
exclusively with facts; therefore, a filmmaker
who reinterprets particular events is misleading us. |
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