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拜托帮帮忙核对一下啦~~~谢谢 二、早期作品* 一、主旨
讲作家(记者)juvenile阶段的风格作品对成熟期的影响
二、段落大意 P1. 很多写人物传记(biography)的作家 rarely consider the juvenile style of xxx(rarely有考点)。BUT对早期作品的研究则对研究该作家观点和写作手法的形成有很大的价值 (观点), 后面是支持证据(迅速扫),知道态度即可。
P2. 具体讲了一个人(journalist)Dent。对Tom Dent的早期作品研究发现他的作品的观点在他早期editorial的作品中就体现了,云云。这个人以African American文化出名的,历史和政治有subtle 观点。发觉他的观点主要源于他早期在学报担任主编(editor)的工作。他还做过记者,说这些对他形成政治主张有帮助什么的。在那时候,他的编辑就显示了他独特的观点,所以证明研究早期作品作用很大。
三、题目
Q1. 主旨题
我的答案是好像是develop trend。。。(本月狗主)
考古推测:
如该题是内容型: 推测应为其主题句改写,即虽然作家早期的作品常常被人忽略(没有学者愿意研究),但是研究这些作品(or经历)对其后来的成就有正面的积极意义.大正小负.;
如果是写法型主题题: 推测应为:提出一个现象,举例说明这个现象.(举例说明早年作品or经历对后期作品有影响)
Q2. Which of the following would the author most likely to agree regarding the study on the early works of the writers?/问传记作家对人物早期风格是如何考虑的/作者认为对作家早期作品的研究有什么特点? A. Trivialized B. Uncommon (V35狗主选择rarely=uncommon)
Q3. 问作者认为dent被认为影响很大的原因?
定位到第二段第一还是第二句,是dent对Africa American文化的见解。
Q4. Dent 的American African历史和政治有subtle 观点来源于什么?
应该选他的work
考古狗主分析:说他读大学时当编辑,对他后面很有影响
Q5. Which of the following would most seriously undermine the author's argument in favor of the study on works produced by fledging writers?/逻辑题,看哪个选项weaken了这种说法。
A.人后期和前期作品中有很大的break.
B.Writers often make some radical change at some point of their career
考古狗主分析: 开篇有个和juvenile很像的词,大概就是说青少年的意思还有formative
Q6. 文章的大意是?
选项好像都是关于dent的,我选了对dent的早期作品研究的价值。
Q7. 举黑人作家的例子的目的(很可能是in order to题)
第一段的最后一句总结句的同义变换.
四、备注
两段很短建议自己读1~2min就能掌握
但是这文章就两段,第二段讲Tom Dent的很短,没这么长。
那篇考古基本上是原文的删减,那个Juvile...什么的词很关键。
五、类似参考文章
《The art of Tom Dent: notes on early evidence》据考古狗主750大牛牛说和原文很相近)原文有大量例证多达三四页,前辈经过比对前人的机经,将文章精简到精确符合机经描述的以下两段:
Unless one is engaged in the task of writing a fairly comprehensive biography, the study of a writer rarely begins with attention to her or his juvenilia. A writer's early attempts to overcome various anxieties of influence, to master the intricacies of language, and to forge a distinctive voice are either dismissed or trivialized. This habit, or perhaps convention, precludes opportunities to inquire into the origins of the writer's ultimate achievement and power. Valid inquiries, of course, can be initiated at points other than the formative years. Nevertheless, our insights into the writer's style and aesthetic might be strengthened by trying to identify the literary origins of creative production. This procedure is especially germane in efforts to account for Tom Dent's importance as an African American writer and intellectual. The governing presupposition for these notes is a claim about quality in writing. The art or skill that makes good writing is a possession of value and an activity of mind that is never exactly, as Richard Wright accurately proposed in "Blueprint for Negro Writing," on the page. The art is in perspective. The page is a catalyst for the engagement of the reader's mind with that of the writer; they collaborate on a vision of reality, agreeing or disagreeing as the case might be. Thomas Covington Dent (or as he preferred, Tom Dent), a New Orleans writer best known for his work with Free Southern Theater and his extraordinarily popular play Ritual Murder, his electric mentorship of younger writers and artists, and his work in oral history that culminated in Southern Journey (1997), certainly had perspective in the sense that Richard Wright intended; Dent also had subtle political and historically analytic perspectives on African American cultures. These perspectives are richly manifested in Dent's fledgling work as a journalist, specifically from writing produced during his tenure as editor-in-chief of the Maroon Tiger, the Morehouse College newspaper, during 1951-52. His editorials in Volume 53, Numbers 1-6, provide early evidence of what we are beginning to understand about his orientation toward reality, his aesthetic preferences, his complex and historically grounded modes of thought and expression. This evidence, crucial for a full assessment of Dent's later work, marks Dent as a writer from the Black South who sought more than the vapors of fame.
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