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Theater Critic: The play La Finestrina, now at Central Theater, was written in Italy in the eighteenth century. The director claims that this production is as similar to the original production as is possible in a modern theater. Although the actor who plays Harlequin the clown gives a performance very reminiscent of the twentieth-century American comedian Groucho Marx, Marx's comic style was very much within the comic acting tradition that had begun in sixteenth-century Italy.

The considerations given best serve as part of an argument that

正确答案: D

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求教G12 - 102

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楼主
发表于 2011-1-18 00:22:47 | 只看该作者 回帖奖励 |正序浏览 |阅读模式
答案是D, 可是不知道是什么意思?
102. Theater Critic: The play La Finestrina, now at Central Theater, was written in Italy in the eighteenth century. The
director claims that this production is as similar to the original production as is possible in a modern theater.
Although the actor who plays Harlequin the clown gives a performance very reminiscent of the twentieth-century
American comedian Groucho Marx, Marx’s comic style was very much within the comic acting tradition that had
begun in sixteenth-century Italy.
The considerations given best serve as part of an argument that
(A) modern audiences would fi nd it hard to tolerate certain characteristics of a historically accurate
performance of an eighteenth-century play
(B) Groucho Marx once performed the part of the character Harlequin in La Finestrina
(C) in the United States the training of actors in the twentieth century is based on principles that do not differ
radically from those that underlay the training of actors in eighteenth-century Italy
(D) the performance of the actor who plays Harlequin in La Finestrina does not serve as evidence against the
director’s claim
(E) the director of La Finestrina must have advised the actor who plays Harlequin to model his performance on
comic performances of Groucho Marx
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板凳
 楼主| 发表于 2011-1-18 15:46:07 | 只看该作者
thank you
沙发
发表于 2011-1-18 00:43:29 | 只看该作者
This is a main point question.  The answer is D, which supports the director's claim that the production is as similar to the original production as is possible.  "Although" reveals a possible counter-attack from critics of the director, and further clarification of Marx's style refutes the potential criticism.
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