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Romanticism 和 Neoclassicism 的背景资料
 Artists by Movement:
Romanticism
Late 18th Century to Mid 19th Century
Romanticism might best be described as anti-Classicism. A reaction against Neoclassicism, it is a deeply-felt style which is individualistic, beautiful, exotic, and emotionally wrought.
Although Romanticism and Neoclassicism were philosophically opposed, they were the dominant European styles for generations, and many artists were affected to a greater or lesser degree by both. Artists might work in both styles at different times or even mix the styles, creating an intellectually Romantic work using a Neoclassical visual style, for example.
Great artists closely associated with Romanticism include J.M.W. Turner, Caspar David Friedrich, John Constable, and William Blake.
In the United States, the leading Romantic movement was the Hudson River School of dramatic landscape painting.
Obvious successors of Romanticism include the Pre-Raphaelite movement and the Symbolists. But Impressionism, and through it almost all of 20th century art, is also firmly rooted in the Romantic tradition.
Artists by Movement:
Neoclassical Art
Mid-18th Century to Early-19th Century
Neoclassical Art is a severe, unemotional form of art harkening back to the style of ancient Greece and Rome. Its rigidity was a reaction to the overbred Rococo style and the emotional Baroque style. The rise of Neoclassical Art was part of a general revival of classical thought, which was of some importance in the American and French revolutions.
Important Neoclassicists include the architects Robert Adam and Robert Smirke, the sculptors Antonio Canova, Bertel Thorvaldsen, and Jean-Antoine Houdon, and painters Anton Raphael Mengs, Jean-Auguste-Dominique Ingres, and Jacques-Louis David.
Around 1800, Romanticism emerged as a reaction to Neoclassicism. It did not really replace the Neoclassical style so much as act as a counterbalancing influence, and many artists were influenced by both styles to some degree.
Neoclassical Art was also a substantial direct influence on 19th-century Academic Art
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发表于 2004-1-14 22:06:00
