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请教GWD-8-Q22

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楼主
发表于 2009-2-10 17:20:00 | 只看该作者

请教GWD-8-Q22

When storing Renaissance oil paintings, museums conform to standards that call for careful control of the surrounding temperature and humidity, with variations confined within narrow margins. Maintaining this environment is very costly, and recent research shows that even old oil paint is unaffected by wide fluctuations in temperature and humidity. Therefore, museums could relax their standards and save money without endangering their Renaissance oil paintings.

Which of the following is an assumption on which the argument depends?

A. Renaissance paintings were created in conditions involving far greater fluctuations in temperature and humidity than those permitted by current standards.
                    

B. Under the current standards that museums use when storing Renaissance oil paintings, those paintings do not deteriorate at all.
                    

C. Museum collections typically do not contain items that are more likely to be vulnerable to fluctuations in temperature and humidity than Renaissance oil paintings.

D. None of the materials in Renaissance oil paintings other than the paint are vulnerable enough to relatively wide fluctuations in temperature and humidity to cause damage to the paintings.

E. Most Renaissance oil paintings are stored in museums located in regions near the regions where the paintings were created.[D]

请教各位NN,1、D是什么意思呢?

2、other than the paint这个怎么理解?

3、D取非后是什么样呢?

 

沙发
发表于 2009-7-22 12:48:00 | 只看该作者
板凳
发表于 2010-5-13 14:57:58 | 只看该作者
When storing Renaissance oil paintings, museums conform to standards that call for careful control of the surrounding temperature and humidity, with variations confined within narrow margins. Maintaining this environment is very costly, and recent research shows that even old oil paint is unaffected by wide fluctuations in temperature and humidity. Therefore, museums could relax their standards and save money without endangering their Renaissance oil paintings.

DNone of the materials in Renaissance oil paintings other than the paint are vulnerable enough to relatively wide fluctuations in temperature and humidity to cause damage to the paintings.
意思是【文艺复兴时期的油画颜料比其他的材料都不是容易受到足够的温度和湿度比较大的波动,造成损害的画】长难句理解。
E
are stored in museums?这点不对么?








Which of the following is an assumption on which the argument depends?











A. Renaissance paintings were created in conditions involving far greater fluctuations in temperature and humidity than those permitted by current standards.






B. Under the current standards that museums use when storing Renaissance oil paintings, those paintings do not deteriorate at all.






C. Museum collections typically do not contain items that are more likely to be vulnerable to fluctuations in temperature and humidity than Renaissance oil paintings.





D. None of the materials in Renaissance oil paintings other than the paint are vulnerable enough to relatively wide fluctuations in temperature and humidity to cause damage to the paintings.





E. Most Renaissance oil paintings are stored in museums located in regions near the regions where the paintings were created.[D]
请教各位NN,1、D是什么意思呢?
2、other than the paint这个怎么理解?
3、D取非后是什么样呢?

-- by 会员 roboform (2009/2/10 17:20:00)

地板
发表于 2010-5-13 17:11:13 | 只看该作者
DNone of the materials in Renaissance oil paintings other than the paint are vulnerable enough to relatively wide fluctuations in temperature and humidity to cause damage to the paintings.
意思是【文艺复兴时期的油画颜料比其他的材料都不是容易受到足够的温度和湿度比较大的波动,造成损害的画】长难句理解。
E
are stored in museums?这点不对么?
5#
发表于 2010-7-30 14:09:10 | 只看该作者
关键是“even old oil paint is unaffected by 。。。”说明Renaissance oil paintings 比old paint牛,D更就合理了,还是读题啊。
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