[求助]0501的阅读问题求助

z520m · 发表于 2006-4-30 15:06:00

Questions 40-50
In the years leading up to the First World War, the realist tradition in the United States
was given new life within the ranks of the so-called Ashcan School, a term that loosely
describes a group of artists in New York who favored, as the name implies, commonplace
Line subjects, even ones that emphasized the seedy aspects of daily life. In an era when the
5 United States was shifting from an agricultural to an industrially based economy, artists
turned to the vitality of the city for their themes, sometimes documenting the lives of the
nation's urban inhabitants with a literalness that shocked viewers accustomed to the bland
generalizations of academic art. Thus, the first modern American revolution in painting in
the early twentieth century was not away from, but toward, realism.
10  The developments toward realism and new pictorial subject matter introduced by this revolution are explained in part by the fact that the academic spirit had become anathema
to many young painters by the beginning of the twentieth century, when the professional
survival of an artist was largely contingent on membership in the National Academy of
Design, the American equivalent of the French Academy of Aits. The National Academy
15  of Design perpetuated the Traditions of ftp French Academy, such as annual juried exhibitions. Although it merged with the more tolerant Society of American Artists in
1907, it remained steadfastly intolerant of new developments.
At the same time, important venues in New York, particularly Alfred Stteglitz's gallery
known as 291 and* in 1913, the gigantic exhibition of modern art known as the Armory
20  Show, introduced European modernists to American audiences and nurtured a number
of American artists committed not to realism but to experimental art During the 1930's,
the country's focus turned inward, giving rise to new varieties of realist art based on
intrinsically American themes. These were practiced by the so-called Regionalists, who
recorded the rural lire of the Midwest, and the more politically engaged Social Realists,
25  who documented the social consequences of extreme economic change.  Also a fertile
period for American photography, the era before the Second World War witnessed the development of photojournalism, as well as social documentary and advertising photography.

49. According to the passage, the Regionalist (line 23) were artists who
(A) documented the lives of urban inhabitants
(B) portrayed life in me countryside
(C) recorded the social consequences of economic change
(D) were not committed to realism in their art

答案是C,我选D,请看文章，我认为很明确是D.

fakdile · 发表于 2006-5-2 18:01:00

Unfortunately, the exact answer is B.

From "These were practiced by the so-called Regionalists, who recorded the rural lire of the Midwest"

[求助]0501的阅读问题求助

[求助]0501的阅读问题求助

所属分类: TOEFL / IELTS

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