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104. Theater Critic: The play La Finestrina, now at Central Theater, was written in Italy in theeighteenth century. The director claims that this production is as similar tothe original production as is possible in a modern theater. Although the actorwho plays Harlequin the clown gives a performance very reminiscent of thetwentieth-century American comedian Groucho Marx, Marx’s comic style was verymuch within the comic acting tradition that had begun in sixteenth-centuryItaly. The considerations given best serve aspart of an argument that (A) modern audiences would find it hard to toleratecertain characteristics of a historically accurate performance of aneighteenth-century play (B) Groucho Marx once performed the part of the characterHarlequin in LaFinestrina (C) in the United States the training of actors in thetwentieth century is based on principles that do not differ radically fromthose that underlay the training of actors in eighteenth-century Italy (D) the performance of the actor who plays Harlequin in La Finestrina does not serve as evidence against the director’s claim (E) the director of La Finestrina must have advised the actor who plays Harlequin to modelhis performance on comic performances of Groucho Marx 答案选D，但是这道题整体不太理解，希望有人帮帮忙，谢谢啦。
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发表于 2015-8-11 22:12:12
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