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Notable as important nineteenth-century novels by women, Mary Shelley’s Frankenstein and Emily Bronte’s Wuthering Heights treat women very differently. Shelley produced a “masculine” text in which the fates of subordinate female characters seem entirely dependent on the actions of male heroes or anti-heroes (anti-hero: n.平凡的主角). Bronte produced a more realistic narrative, portraying a world where men battle for (battle for: v.为...斗争) the favors of apparently high-spirited, independent women. Nevertheless, these two novels are alike in several crucial ways. Many readers are convinced that the compelling mysteries of each plot conceal elaborate structures of allusion and fierce, though shadowy, moral ambitions that seem to indicate metaphysical intentions, though efforts by critics to articulate these intentions have generated much controversy. Both novelists use a storytelling method that emphasizes ironic disjunctions between different perspectives on the same events as well as ironic tensions that inhere in the relationship between surface drama and concealed authorial intention, a method I call an evidentiary narrative technique.
20.According to the passage, the plots of Wuthering Heights and Frankenstein are notable for their elements of (A) drama and secrecy (B) heroism and tension (C) realism and ambition (D) mystery and irony(D) (E) morality and metaphysics
怎样快而准地做对这种题。。。。。 |
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