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【OG18-P541-653题】
Theater Critic: The play La Finestrina, now at Central Theater, was written in Italy in the eighteenth century. The director claims that this production is as similar to the original production as is possible in a modern theater. Although the actor who plays Harlequin the clown gives a performance very reminiscent of the twentieth-century American comedian Groucho Marx, Marx's comic style was very much within the comic acting tradition that had begun in sixteenth-century Italy.
The considerations given best serve as part of an argument that
(A) modern audiences would find it hard to tolerate certain characteristics of a historically accurate performance of an
eighteenth-century play
(B) Groucho Marx once performed the part of the character Harlequin in La Finestrina
(C) in the United States the training of actors in the twentieth century is based on principles that do not differ radically
from those that underlay the training of actors in eighteenth-century Italy
(D) the performance of the actor who plays Harlequin in La Finestrina does not serve as evidence against the director’s
claim
(E) the director of La Finestrina must have advised the actor who plays Harlequin to model his performance on comic
performances of Groucho Marx
OA:D
这道题好难理解,而且题干问的是什么? “最好的成为论述一部分的选项是什么”?-----所以这个是一个什么类型的题?
按照答案来看,这一题只需要选择与原文有关的选项。但是ABCE为什么就无关了呢?
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现在二刷CR题,弄懂了,多亏了各位的解答,个人比较认同沙发楼的题干解释和7楼的选项解释
解题思路方面
评论称:这个剧是18世纪写的剧。
导演:我们会尽量以原版的方式来演绎这个剧。
虽然演员是按照一个很出名的20世纪演员的方式来演的,但是这个20世纪的演员运用的是源自16世纪的传统演法。
题干:给出的文段可以成为下列哪一个argument的一部分?
A.modern audience out of scope;你怎么知道现代观众的想法
B.Mars的表演经历从何而得
C.无法得知training pattern
D.对;就是不矛盾;都是像嘛
E.谁知道LF的director做了什么
(错误答案都是may be true,但不是must be true;can not be inferred from the stimulus)
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