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1。大虾们，这语法题不明白为何选b，可否解释一下most在这题中的词性及其用法？ 3. In --- people, the areas of the brain that control speech are located in the left hemisphere. (A) mostly of (B) most (C) almost the (D) the most of
2。另外，想求证一下两道阅读题的答案，和新东方的不一样 21. What does paragraph 1 mainly discuss? (A) Design elements in the Art Nouveau style (B) The popularity of the Art Nouveau style (C) Production techniques for art glass (D) Color combinations typical of the Art Nouveau style 网上是c,新东方是a
22. The word “one” in line 4 refers to (A) century (B) development (C) style (D) coloration 网上是b,新东方是c 原文如下： Question 20-29The end of the nineteenth century and the early years of the twentieth century were Marked by the development of an international Art Nouveau style, characterized by sinuous Lines, floral and vegetable motifs, and soft evanescent coloration. The Art Nouveau style Line was an eclectic one, bringing together elements of Japanese art, motifs of ancient cultures, (5) and natural forms. The glass objects of this style were elegant in outline, although often deliberately distorted, with pale or iridescent surfaces. A favored device of the style was to imitate the iridescent surface seen on ancient glass that had been buried. Much of the Art Nouveau glass produced during the years of its greatest popularity had been generically Termed “art glass.” Art glass was intended for decorative purposes and relied for its effect (10) pon carefully chosen color combinations and innovative techniques. France produced a number of outstanding exponents of the Art Nouveau style; among The most celebrated was Emile Galle (1846-1904). In the United States, Louis Comfort Tiffany (1843-1933) was the most noted exponent of this style, producing a great variety of Glass forms and surfaces, which were widely copied in their time and are highly prized (15) today. Tiffany was a brilliant designer, successfully combining ancient Egyptian, Japanese, and Persian motifs. The Art Nouveau style was a major force in the decorative arts from 1895 until 1915, Although its influence continued throughout the mid-1920’s. It was eventually to be Overtaken by a new school of thought known as Functionalism that had been present since (20) the turn of the century. At first restricted to a small avant-garde group of architects and designers, Functionalism emerged as the domiant influence upon designers after the First World War. The basic tenet of the movement-that function should determine from-was not a new concept. Soon a distinct aesthetic code evolved: from should be simple, surfaces plain, and any ornament should be based on geometric relationships. This new design (25) concept, coupled with the sharp postwar reactions to the styles and conventions of the preceding decades, created an entirely new public taste which caused Art Nouveau types of glass to fall out of favor. The new taste demanded dramatic effects of contrast, stark outline and complex textural surfaces.
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发表于 2006-7-17 12:43:00
发表于 2006-7-17 21:36:00
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