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UID672406在线时间 小时注册时间2011-9-16最后登录1970-1-1主题帖子性别保密 
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| The belief that art originates in intuitive rather than rational faculties was worked out historically and
 philosophically in the somewhat wearisome volumes of
 Benedetto Croce, who is usually considered the originator
 5 of a new aesthetic. Croce was, in fact, expressing a very
 old idea. Long before the Romantics stressed intuition
 and self-expression, the frenzy of inspiration was regarded
 as fundamental to art, but philosophers had always
 assumed it must be controlled by law and by the
 10 intellectual power of putting things into harmonious
 order. This general philosophic concept of art was supported
 by technical necessities. It was necessary to master certain
 laws and to use intellect in order to build Gothic cathedrals,
 or set up the stained glass windows of
 15 Chartres. When this bracing element of craftsmanship
 ceased to dominate artists‘ outlook, new technical elements
 had to be adopted to maintain the intellectual element in art.
 Such were linear perspective and anatomy.
 
 
 (156 words)
 
 
 6. The passage suggests that which of the following
 would most likely have occurred if linear perspective and anatomy had not come to influence artistic endeavor?
 (A) The craftsmanship that shaped Gothic
 architecture would have continued to
 dominate artists‘ outlooks.
 (B) Some other technical elements would have
 been adopted to discipline artistic inspiration.
 (C) Intellectual control over artistic inspiration
 would not have influenced painting as it
 did architecture.
 (D) The role of intuitive inspiration would not
 have remained fundamental to theories of
 artistic creation.
 (E) The assumptions of aesthetic philosophers
 before Croce would have been invalidated.
 7. Select the sentence in the passage that indicates a
 traditional assumption of aesthetic philosophers.
 
 
 8. The author mentions “linear perspective and
 anatomy” in the last sentence in order to do
 which of the following ?
 (A) Expand his argument to include painting as
 well as architecture
 (B) Indicate his disagreement with Croce‘s
 theory of the origins of art
 (C) Support his point that rational order of
 some kind has often seemed to discipline
 artistic inspiration
 (D) Explain the rational elements in Gothic
 painting that corresponded to craftsmanship
 in Gothic architecture
 (E) Show the increasing sophistication of artists
 after the Gothic period
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