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[原始] 930 Q50 V33(690) 感谢CD~附上本月整理的数学JJ

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发表于 2013-10-2 10:13:45 | 只看该作者 回帖奖励 |倒序浏览 |阅读模式
卤煮从500多分考上来,这次本来没想这么早考,但是又怕十月份考不好就想着九月份先来一次,正好换库之后几天突然刷上考位,就羞涩的决定考了~
卤煮在职2年,这次复习不到20天,其实只是好好做了OG12 13的语法,看了manhattan5中文版本,看了很多NN的逻辑方法(作为一个逻辑正确率1/3的妹子,真的灰常感谢大家),阅读OG12集中做了一天,没做多少篇但是做的每篇都认真分析过,PREP去年考试做过语法(这次没来记得及做),考前一周好好看JJ【现在看来我真的做的题目灰常少,当个反面教材好了】

数学
数学真的灰常伤心,作为一个热爱数学、国赛美赛都一奖的妹子,每次都考50分真的好伤心,这次数学JJ几乎全中了(没中的也是很简单的那种),但是正好压时间做完!希望这个月考试的人稍微注意点时间,多看看英文表达的数学题,附件有我整理的到930的数学题,每个题都是看了原稿,看了讨论稿并且自己计算过滴,如果有童鞋有问题可以私信我,十分乐意解答。。
密码就是下载的JJ标题【】里面的内容,和本月数学jj原稿的密码一样一样滴~~
另外那个57同78题,我确实在考场上也算的78,但是一看确实不符合题意的,很伤心的随便选了一个TAT
【1-100文件实在是太大了!!所以分开发的】
粉色代表DS题目,蓝色是我第一次做做错的,灰色代表重复的题目或者变体也是重复的题目


语法
语法确实考了很多平行,但是好多都不太能看出来,前两道题就用了8分钟
1.记得有道题的原题目划线部分是:—however..
2.考了not only……but (also)……
其他的认真一点,貌似可以快速排除2-3个,但是有的题考点确实不太明显TAT

逻辑
逻辑实在是太不好了,灰常感谢jj整理的小伙伴!!jj大概中了5道左右?【做到十几题的时候居然把道逻辑当成语法了,还分析呢,结果发现没划线

阅读
阅读jj全中真是太开心了!!要知道我做完前17题就剩下35分钟了,说不慌真是太假了TAT,中了:
1法国印刷术,这篇强烈建议看看{考古 【By 元叔】}我的这一篇只有2段,基本上对应元叔考古的前两段!
题目
第二段提一个人(De Mocoy貌似)是为了干嘛?,我选了for further 什么evidence啥的,因为文章和考古的一样都是写的【De Mercey followed suit,也怎么怎么……
我打算把我看到文章有的画出来,大家重点看看~~【大概是啦,稍微有点忘了】
For artists and writers alike, book illustration’s threat was double: it challenged the fine arts via their shared visual medium, and literature through the shared pages of the book. As such, critics needed a way to invalidate illustration’s artistic claims on both fronts. They did so by codifying the genre as industrial and mercantile, a lethal combination.The landscape painter Raoul de Croy (1802-79) led the charge, chastising the press for its use of what he described as ‘‘crude wood engravings’’ that transform ‘‘beautiful vignettes’’ into ‘‘black ink stains.’’ Here de Croy sets up a polarity between wood and metal engraving: the former being ‘‘crude’’ and ‘‘mechanical,’’ thelatter representative of ‘‘this art so perfect, so difficult, so worthy of encouragement.’’ De Mercey followed suit, noting the ‘‘difficulty’’ and ‘‘length of work’’ involved with copper and steel engraving, as well as etching. Lithography and wood engraving, on the other hand, were ‘‘much less difficult to produce and much less expensive.’’Although the Romantics, and de Croy himself, championed lithography as a spontaneous, emotive medium that captured the visible traces of the artist’s pencil— metonymic references to the artist’s thoughts and emotions the lithography of the 1840s fell on the side of ‘‘popular’’ art more often than not, as it was primarily used in the press and for low-end prints, with subject matter ranging from political and social caricature to licentious images. Accordingly, the medium took on the attributes of its publication venues and content: mechanical, commercial, destined for a popular audience.De Mercey’s and de Croy’s distinction between lithography/wood en- graving and metal engraving/etching establishes a series of dichotomies— mechanical versus hand-produced, mass-reproduced versus limited reproduction, industrial versus individual creation—which correspond to Bourdieu’s breakdown of the cultural field. These distinctions also testify to the very real nature of image reproduction in the nineteenth century:metal engraving was a lengthy and costly procedure where the bulk of the work was often done by one engraver, while wood engraving and lithography were much less expensive and easier to produce, with individual authorship giving way to the collaborative process of publishing illustrated newspapers and books. These differences fuel de Mercey’s and de Croy’s attacks on book illustration in that each critic attributes value to time, cost of production, and individual workmanship: thus metal engraving and etching are placed at the high end of the aesthetic scale, while lithography and especially wood engraving fall to the bottom. Yet ironically, by placing illustration within the academic hierarchy of mediums, de Mercey and de Croy suggest that it is gaining not only economic but also cultural capital. Despite its ‘‘crude’’ and ‘‘mechanical’’ nature, it has earned a place on the artistic ladder, albeit the lowest rung.


37历史事件:奴隶船交易(元叔38. 美国政府:)
这篇看的晕了吧唧的,是我的阅读第三篇,当时觉得时间已经有点不够了TAT
题目问了
1)既然美国禁止international slave trading,为啥允许国内的奴隶买卖呢?
2)问为什么justice加引号。
居然没考JJ里很确定的主旨题,太伤心了

第四篇考了
13 Grey Market V2
当时给我开心的呀,因为grey market第一篇说是高分题目,第二篇我看到有个姑娘是690,当时我就在想哎呀不会我也是吧(-________-'' 后来发现真的不能想太多!!)
文章题目都回忆的很清楚,有个地方需要注意一下(尤其是对考场上看不进去的银耳)
4)问题里有一个是问根据这个研究, 对那些符合这些条件的市场应该采用怎样的策略,
我选了A, 分两种经销渠道, 一种是便宜实惠的吸引那些价格敏感的人, 另一种走高端路线吸引那些人傻钱多
这里的A说的是chain,B选项说的是2种advertising,其他表述和A几乎一样,差点被蒙了!!

看别的狗主的帖子想起来第二篇阅读是(mantle

如果大家还有问题可以给我发私信,虽然这个分数不是那么有竞争力,但总比以前的那个分数在申请的时候有点底气吧~~
同时也希望能交到些志同道合的好盆友,也许大家以后会有缘在一个学校嗷嗷嗷~~


最后羞涩的说一下,日航考点监考有个监考姑娘真的太好看了!不是郭碧婷那种冷冷的御姐,给人种很阳光的赶脚,进去考试和第一次休息八分钟都看到了,第二个八分钟出来没看到她还微微有点伤心,最后是她发给我的成绩单!还提醒大家回家路上注意安全。。【#这么好的姑娘一定有对象了,伤心……


祝大家杀G成功,卤煮在思考思考要不要再考一次去鸟……

爱CD,么么哒~~

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沙发
发表于 2013-10-2 10:17:36 | 只看该作者
duoxiele!!!!
板凳
发表于 2013-10-2 10:21:54 | 只看该作者
多谢了!!
地板
发表于 2013-10-2 10:23:46 | 只看该作者
多谢楼主分析!~
5#
发表于 2013-10-2 10:27:47 | 只看该作者
恭喜楼主,看看数学。。
6#
发表于 2013-10-2 10:35:02 | 只看该作者
感谢啊楼主
7#
发表于 2013-10-2 10:35:10 | 只看该作者
感謝感謝!!
8#
发表于 2013-10-2 10:37:43 | 只看该作者
thanks for sharing
9#
发表于 2013-10-2 10:38:48 | 只看该作者
谢谢楼主
10#
发表于 2013-10-2 10:46:44 | 只看该作者
dddddddddd!
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