When storing Renaissance oil paintings, museums conform to standards that call for careful control of the surrounding temperature and humidity, with variations confined within narrow margins. Maintaining this environment is very costly, and recent research shows that even old oil paint is unaffected by wide fluctuations in temperature and humidity. Therefore, museums could relax their standards and save money without endangering their Renaissance oil paintings.
Which of the following is an assumption on which the argument depends?
A. Renaissance paintings were created in conditions involving far greater fluctuations in temperature and humidity than those permitted by current standards.
B. Under the current standards that museums use when storing Renaissance oil paintings, those paintings do not deteriorate at all.
C. Museum collections typically do not contain items that are more likely to be vulnerable to fluctuations in temperature and humidity than Renaissance oil paintings.
D. None of the materials in Renaissance oil paintings other than the paint are vulnerable enough to relatively wide fluctuations in temperature and humidity to cause damage to the paintings.
E. Most Renaissance oil paintings are stored in museums located in regions near the regions where the paintings were created.
我实在是不理解D选项是什么意思，更别提他为什么能作为assumption了。
help!
參考看看...
8-22 http://forum.chasedream.com/dispbbs.asp?BoardID=24&ID=74731
請多多在已有的題目的帖子裡,討論討論,
wawa姐姐，这个链接里的帖子我都看过了，还是不懂啊！
没有人问过D选项的中文意思
唉~mm最近脑子不太好用啊
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D. 除了油漆外, 复兴时代油画中没有别的材料脆弱到会受到温度及湿度变化而使油画受损.
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