标题: og12 CR102, THX [打印本页] 作者: ericwilliam 时间: 2011-10-24 18:10 标题: og12 CR102, THX Although custom prothetic bone replacement produced through a new computer-aided design process will cost more than twice as much as ordinary replacement,custom replacements should still be cost effective. Not only will surgery and recovery time be reduced, but custom replacements should last longer, thereby reducing the need for further hospital stays. Which of the following must be studied in order to evaluate the arguement presented above? the answer is: The degree to which the use of custom replacement is likely to reduce the need for repeat surgery when compared with the use of ordinary replacements My question is: 既然custom replacements should last longer，那么不也就是说repeat surgery 会变少么？明摆得事实为什么要重复一遍呢？作者: specta 时间: 2011-10-24 19:03
当然不是一回事。future/ repeat surgeries are performed 不一定是因为bone replacement坏了，可能是因为肌肉需要一点点修复，关节需要一次次的手术调节....
anyways, the key is 你自己加入了additional assumptions作者: ericwilliam 时间: 2011-10-25 21:10
got it. THX VERY MUCH作者: chenminxia1992 时间: 2012-7-23 13:59
og 12 102 不是这题吗？ 102. Theater Critic: The play La Finestrina, now at Central Theater, was written in Italy in the eighteenth century. The director claims that this production is as similar to the original production as is possible in a modern theater. Although the actor who plays Harlequin the clown gives a performance very reminiscent of the twentieth-century American comedian Groucho Marx, Marx's comic style was very much within the comic acting tradition that had begun in sixteenth-century Italy.
The considerations given best serve as part of an argument that
(A) modern audiences would find it hard to tolerate certain characteristics of a historically accurate performance of an eighteenth-century play (B) Groucho Marx once performed the part of the character Harlequin in La Finestrina (C) in the United States the training of actors in the twentieth century is based on principles that do not differ radically from those that underlay the training of actors in eighteenth-century Italy (D) the performance of the actor who plays Harlequin in La Finestrina does not serve as evidence against the director's claim (E) the director of La Finestrina must have advised the actor who plays Harlequin to model his performance on comic performances of Groucho Marx