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标题: 请教OG12-102 [打印本页]

作者: sl44999    时间: 2009-9-20 11:32
标题: 请教OG12-102

102、Theater Critic:The play La Finestrina,now at Central Theater,was written in Italy in the eighteenth century.The director claims that this production is as similar to the original production as is possible in a modern theater.Although the actor who plays Harlequin hte clown gives a performace very reminiscent of the twentierrh-century Ameriacan comedian Groucho Marx,Marx's comic style was very much within the comic acting tradition that had begun in sixteenth-cenury Italy.

The considerations given best serve as part of an argument that

A.modern audiences would find it hard to tolerate certain characteristics lf a historically accurate performance of an eighteenth-century play

B.Groucho Marx once performed the part of the character Harlequin in La Finestrina

C.in the United States the training of actors in the twentieth century is based on principles that do not differ radically from those that underlay the training of actors in eighteenth century Italy

D.the performance of the actor who plays Harelequin in La Finestrina does not serve as evidence against the director's claim

E.the director of La Finestrina must have advised the actor who plays Harlequin to model his performance on comic performaces of Croucho Marx

此题答案选D。此题的问题方式不是很明白,问题问的是什么呢?为什么不选E呢。在下实属新人请NN讲解稍加详细一点,十分感激!


[此贴子已经被作者于2009/9/20 23:13:41编辑过]

作者: TonyGe    时间: 2009-9-20 12:43
简化之。上文支持哪个结论,故D. 一致就是不反对director's claim
作者: sl44999    时间: 2009-9-20 23:13
额~太牛了 解释太精练了,在下实在领悟不了啊~ 不过还是要谢谢~
作者: NadiaWu    时间: 2009-9-21 12:23

我的理解大概就是这个18世纪的作品虽古老但也适应现代剧场,演员风格虽追忆的是20世纪的Marx,但Marx也沿袭了意大利16世纪以来的传统。所以结论就是演员问题不会反驳导演的结论。

粗略理解,希望无误。


作者: sl44999    时间: 2009-9-21 22:31
呵呵 十分谢谢 现在搞懂了~
作者: tracy2009    时间: 2009-10-7 10:03

请问这个题目的问题应该怎样理解?

The considerations given best serve as part of an argument that

OG 解释说题目问的是: For which of the options would the consideration given best serve as an argument?

as an argument 在这里指什么啊? 谢谢了


作者: sasha_wen    时间: 2009-10-24 10:56

仅表个人理解

演员体现了Groucho Marx的风格,他的风格继承了16世纪意大利的风格,而这种继承并不会与18世纪意大利作品相违背,也可能是一种match,文中没有正面交待,只说导演要忠于原著,体现18世纪风格,因此答案就应体现(文中没交待)来说明argument


作者: jinwch    时间: 2009-11-9 00:25
文中,作者认为这个LF忠于原著(18th),而演员的风格源自于16世纪风格.这暗示2者之间应该有一种相似性,而对于这2者本该不同,论述中并没有提供支持,
而问题问:上述论述可以成为以下哪一结论的一部分?(支持以下哪项结论?)
D,显示出,演员的风格和戏剧LF风格(作者认为的)之间至少是不矛盾的.也就是D的意思:即演员的表演与导演所言并不矛盾(not serve as evidence against the director's claim).

这是一个可能的结论.
作者: sl44999    时间: 2009-11-29 22:32
谢谢!
作者: 像风一样离去    时间: 2011-3-16 10:53
我说说我的看法吧,
一上来 A morden audiences? tolerate?哪里有说?
B GM曾经?哪里有说啊?
C 演员的训练?更没有。
D 好像有可能,再看看。
E项是无法从原文中得到的,所以你不知道导演是不是advise了。反正E就是不能选。
作者: mehere8    时间: 2011-7-23 01:19
请问这个题目的问题应该怎样理解?
The considerations given best serve as part of an argument that
-- by 会员 tracy2009 (2009/10/7 10:03:00)



这句话这么断句:
The considerations given | best serve | as part of an argument that

也是才琢磨出来的~~

作者: jinyueyue    时间: 2012-10-29 20:22
感谢NN!终于明白了~
文中,作者认为这个LF忠于原著(18th),而演员的风格源自于16世纪风格.这暗示2者之间应该有一种相似性,而对于这2者本该不同,论述中并没有提供支持,
而问题问:上述论述可以成为以下哪一结论的一部分?(支持以下哪项结论?)
D,显示出,演员的风格和戏剧LF风格(作者认为的)之间至少是不矛盾的.也就是D的意思:即演员的表演与导演所言并不矛盾(not serve as evidence against the director's claim).

这是一个可能的结论.
-- by 会员 jinwch (2009/11/9 0:25:42)






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