In parts of
Which of the following, if true, most strongly supports the prediction that the plan will succeed?
2 GWD-3-Q32: Newspaper editorial: In an attempt to reduce the crime rate, the governor is getting tough on criminals and making prison conditions harsher. Part of this effort has been to deny inmates the access they formerly had to college-level courses. However, this action is clearly counter to the governor’s ultimate goal, since after being released form prison, inmates who had taken such courses committed far fewer crimes overall than other inmates. Which of the following is an assumption on which the argument depends? 能不能解释一下? 3 GWD-6-Q32: Proposal: Carbon dioxide and methane in the atmosphere block the escape of heat into space. So emission of these “greenhouse” gases contributes to global warming. In order to reduce global warming, emission of greenhouse gases needs to be reduced. Therefore, the methane now emitted from open landfills should instead be burned to produce electricity. Objection: The burning of methane generates carbon dioxide that is released into the atmosphere. Which of the following, if true, most adequately counters the objection made to the proposal? 我选的是A .为什么是E呢? 4 GWD-8-Q22*: When storing Renaissance oil paintings, museums conform to standards that call for careful control of the surrounding temperature and humidity, with variations confined within narrow margins. Maintaining this environment is very costly, and recent research shows that even old oil paint is unaffected by wide fluctuations in temperature and humidity. Therefore, museums could relax their standards and save money without endangering their Renaissance oil paintings. Which of the following is an assumption on which the argument depends? A. Renaissance paintings were created in conditions involving far greater fluctuations in temperature and humidity than those permitted by current standards. B. Under the current standards that museums use when storing Renaissance oil paintings, those paintings do not deteriorate at all. C. Museum collections typically do not contain items that are more likely to be vulnerable to fluctuations in temperature and humidity than Renaissance oil paintings. D. None of the materials in Renaissance oil paintings other than the paint are vulnerable enough to relatively wide fluctuations in temperature and humidity to cause damage to the paintings. E. Most Renaissance oil paintings are stored in museums located in regions near the regions where the paintings were created. 为什么不是B呢? When storing Renaissance oil paintings, museums conform to standards that call for careful control of the surrounding temperature and humidity, with variations confined within narrow margins. Maintaining this environment is very costly, and recent research shows that even old oil paint is unaffected by wide fluctuations in temperature and humidity. Therefore, museums could relax their standards and save money without endangering their Renaissance oil paintings. Which of the following is an assumption on which the argument depends? A. Renaissance paintings were created in conditions involving far greater fluctuations in temperature and humidity than those permitted by current standards. B. Under the current standards that museums use when storing Renaissance oil paintings, those paintings do not deteriorate at all. C. Museum collections typically do not contain items that are more likely to be vulnerable to fluctuations in temperature and humidity than Renaissance oil paintings. D. None of the materials in Renaissance oil paintings other than the paint are vulnerable enough to relatively wide fluctuations in temperature and humidity to cause damage to the paintings. E. Most Renaissance oil paintings are stored in museums located in regions near the regions where the paintings were created. 为什么不是B呢? Proposal: Carbon dioxide and methane in the atmosphere block the escape of heat into space. So emission of these “greenhouse” gases contributes to global warming. In order to reduce global warming, emission of greenhouse gases needs to be reduced. Therefore, the methane now emitted from open landfills should instead be burned to produce electricity. Objection: The burning of methane generates carbon dioxide that is released into the atmosphere. Which of the following, if true, most adequately counters the objection made to the proposal? 我选的是A .为什么是E呢? 4 GWD-8-Q22*: When storing Renaissance oil paintings, museums conform to standards that call for careful control of the surrounding temperature and humidity, with variations confined within narrow margins. Maintaining this environment is very costly, and recent research shows that even old oil paint is unaffected by wide fluctuations in temperature and humidity. Therefore, museums could relax their standards and save money without endangering their Renaissance oil paintings. Which of the following is an assumption on which the argument depends? A. Renaissance paintings were created in conditions involving far greater fluctuations in temperature and humidity than those permitted by current standards. B. Under the current standards that museums use when storing Renaissance oil paintings, those paintings do not deteriorate at all. C. Museum collections typically do not contain items that are more likely to be vulnerable to fluctuations in temperature and humidity than Renaissance oil paintings. D. None of the materials in Renaissance oil paintings other than the paint are vulnerable enough to relatively wide fluctuations in temperature and humidity to cause damage to the paintings. E. Most Renaissance oil paintings are stored in museums located in regions near the regions where the paintings were created. 为什么不是B呢? When storing Renaissance oil paintings, museums conform to standards that call for careful control of the surrounding temperature and humidity, with variations confined within narrow margins. Maintaining this environment is very costly, and recent research shows that even old oil paint is unaffected by wide fluctuations in temperature and humidity. Therefore, museums could relax their standards and save money without endangering their Renaissance oil paintings. Which of the following is an assumption on which the argument depends? A. Renaissance paintings were created in conditions involving far greater fluctuations in temperature and humidity than those permitted by current standards. B. Under the current standards that museums use when storing Renaissance oil paintings, those paintings do not deteriorate at all. C. Museum collections typically do not contain items that are more likely to be vulnerable to fluctuations in temperature and humidity than Renaissance oil paintings. D. None of the materials in Renaissance oil paintings other than the paint are vulnerable enough to relatively wide fluctuations in temperature and humidity to cause damage to the paintings. E. Most Renaissance oil paintings are stored in museums located in regions near the regions where the paintings were created. 为什么不是B呢?
Newspaper editorial:
In an attempt to reduce the crime rate, the governor is getting tough on criminals and making prison conditions harsher. Part of this effort has been to deny inmates the access they formerly had to college-level courses. However, this action is clearly counter to the governor’s ultimate goal, since after being released form prison, inmates who had taken such courses committed far fewer crimes overall than other inmates.
Which of the following is an assumption on which the argument depends?
能不能解释一下?
3 GWD-6-Q32: Proposal: Carbon dioxide and methane in the atmosphere block the escape of heat into space. So emission of these “greenhouse” gases contributes to global warming. In order to reduce global warming, emission of greenhouse gases needs to be reduced. Therefore, the methane now emitted from open landfills should instead be burned to produce electricity. Objection: The burning of methane generates carbon dioxide that is released into the atmosphere. Which of the following, if true, most adequately counters the objection made to the proposal? 我选的是A .为什么是E呢? 4 GWD-8-Q22*: When storing Renaissance oil paintings, museums conform to standards that call for careful control of the surrounding temperature and humidity, with variations confined within narrow margins. Maintaining this environment is very costly, and recent research shows that even old oil paint is unaffected by wide fluctuations in temperature and humidity. Therefore, museums could relax their standards and save money without endangering their Renaissance oil paintings. Which of the following is an assumption on which the argument depends? A. Renaissance paintings were created in conditions involving far greater fluctuations in temperature and humidity than those permitted by current standards. B. Under the current standards that museums use when storing Renaissance oil paintings, those paintings do not deteriorate at all. C. Museum collections typically do not contain items that are more likely to be vulnerable to fluctuations in temperature and humidity than Renaissance oil paintings. D. None of the materials in Renaissance oil paintings other than the paint are vulnerable enough to relatively wide fluctuations in temperature and humidity to cause damage to the paintings. E. Most Renaissance oil paintings are stored in museums located in regions near the regions where the paintings were created. 为什么不是B呢? When storing Renaissance oil paintings, museums conform to standards that call for careful control of the surrounding temperature and humidity, with variations confined within narrow margins. Maintaining this environment is very costly, and recent research shows that even old oil paint is unaffected by wide fluctuations in temperature and humidity. Therefore, museums could relax their standards and save money without endangering their Renaissance oil paintings. Which of the following is an assumption on which the argument depends? A. Renaissance paintings were created in conditions involving far greater fluctuations in temperature and humidity than those permitted by current standards. B. Under the current standards that museums use when storing Renaissance oil paintings, those paintings do not deteriorate at all. C. Museum collections typically do not contain items that are more likely to be vulnerable to fluctuations in temperature and humidity than Renaissance oil paintings. D. None of the materials in Renaissance oil paintings other than the paint are vulnerable enough to relatively wide fluctuations in temperature and humidity to cause damage to the paintings. E. Most Renaissance oil paintings are stored in museums located in regions near the regions where the paintings were created. 为什么不是B呢?
Proposal: Carbon dioxide and methane in the atmosphere block the escape of heat into space. So emission of these “greenhouse” gases contributes to global warming. In order to reduce global warming, emission of greenhouse gases needs to be reduced. Therefore, the methane now emitted from open landfills should instead be burned to produce electricity.
Objection: The burning of methane generates carbon dioxide that is released into the atmosphere.
Which of the following, if true, most adequately counters the objection made to the proposal?
我选的是A .为什么是E呢?
4 GWD-8-Q22*: When storing Renaissance oil paintings, museums conform to standards that call for careful control of the surrounding temperature and humidity, with variations confined within narrow margins. Maintaining this environment is very costly, and recent research shows that even old oil paint is unaffected by wide fluctuations in temperature and humidity. Therefore, museums could relax their standards and save money without endangering their Renaissance oil paintings. Which of the following is an assumption on which the argument depends? A. Renaissance paintings were created in conditions involving far greater fluctuations in temperature and humidity than those permitted by current standards. B. Under the current standards that museums use when storing Renaissance oil paintings, those paintings do not deteriorate at all. C. Museum collections typically do not contain items that are more likely to be vulnerable to fluctuations in temperature and humidity than Renaissance oil paintings. D. None of the materials in Renaissance oil paintings other than the paint are vulnerable enough to relatively wide fluctuations in temperature and humidity to cause damage to the paintings. E. Most Renaissance oil paintings are stored in museums located in regions near the regions where the paintings were created. 为什么不是B呢?
When storing Renaissance oil paintings, museums conform to standards that call for careful control of the surrounding temperature and humidity, with variations confined within narrow margins. Maintaining this environment is very costly, and recent research shows that even old oil paint is unaffected by wide fluctuations in temperature and humidity. Therefore, museums could relax their standards and save money without endangering their Renaissance oil paintings.
Which of the following is an assumption on which the argument depends?
A. Renaissance paintings were created in conditions involving far greater fluctuations in temperature and humidity than those permitted by current standards.
B. Under the current standards that museums use when storing Renaissance oil paintings, those paintings do not deteriorate at all.
C. Museum collections typically do not contain items that are more likely to be vulnerable to fluctuations in temperature and humidity than Renaissance oil paintings.
D. None of the materials in Renaissance oil paintings other than the paint are vulnerable enough to relatively wide fluctuations in temperature and humidity to cause damage to the paintings.
E. Most Renaissance oil paintings are stored in museums located in regions near the regions where the paintings were created.
为什么不是B呢?
谢谢楼上的~~~
还有为什么帖子里的内容会重复好几遍呀~
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