ChaseDream

标题: 揽瓜阁训练营 第104天(含CR,RC和DI题目) [打印本页]

作者: 小白斩鸡    时间: 2024-4-11 10:12
标题: 揽瓜阁训练营 第104天(含CR,RC和DI题目)
前大家对揽瓜阁精读的反馈很好,就想着自己的时间开始把一些精读的文章根据JJ出题目~ 然后focus上线,IR需求 大家也大。就想着 把揽瓜阁的阅读 逻辑 IR 都放在这贴里打卡

每日的解析在揽瓜阁2024群更新

RC题源:揽瓜阁精读的文章+机经的题目
CR题源:本月中文JJ改编
IR题源: 往届鸡精改编

打卡内容:
一周打卡五篇,科目不限。
每天上午管理员群内发布题目,群成员做完提交打卡,第二天发布解析

打卡内容建议:
阅读:写文章结构、笔记
逻辑:写逻辑链分析
IR:写做题思路和选项分析

【现在你的笔记越全,越能帮助你捋清思路,之后回顾总结。】
打卡方式:
可以在论坛留言区打卡,截图到群内
也可以在小红书/微博打卡,需写明任务内容是哪篇,并带上#揽瓜阁 #LGG #lgg 的 tag,截图到群内。



考试群:
GMAT入群/揽瓜阁入群方式:https://forum.chasedream.com/thread-1382779-1-1.html

公众号:1.考什么试
2.商校百科

申请群
1. ChaseDream 2023 MBA 申请/校友答疑/面试群:
https://forum.chasedream.com/thread-863011-1-1.html
2.英国,新加坡,美国,香港,德国商科申请群:
请加小白斩鸡进群(killgmat)
3. 行业分享交流/职业规划群:
https://forum.chasedream.com/thread-1388171-1-1.html

小红书:
1.留学+考试 最新消息 关注妥妥妥了 (小红书号:323014154)
2.求职+MBA 最新消息 关注元(小红书号:89540433000)

1.CR
In an effort to promote energy efficiency, a new model of washing machine is advertised as an energy saver. However, tests show that it uses more energy per load compared to standard models. Despite this, consumers continue to prefer this new model. Which of the following best fills in the blank?
(A) The new model is available at a significantly lower price than other models.
(B) The new model offers a larger variety of settings to handle different types of laundry.
(C) The new model has a capacity per load significantly greater than standard models, allowing for fewer loads.
(D) The new model completes a washing cycle in significantly less time than standard models.
(E) The new model provides a much drier outcome after the spin cycle, reducing the need for drying.

Recent studies have indicated a correlation between continued employment past retirement age and increased longevity. It has been observed that some individuals who retire at the conventional retirement age pass away within a few years post-retirement, whereas their counterparts who continue working tend to live longer. This has led to a hypothesis that working beyond retirement age contributes to better health and longevity.
Which of the following, if true, most effectively weakens the argument that working beyond retirement age contributes to better health and longevity?
A. Individuals who continue working past retirement age are often those with inherently healthier lifestyles and better overall health.
B. Many individuals find retirement a liberating phase, allowing them to engage in activities they are passionate about, which contributes to their mental well-being.
C. Advances in medical technology have significantly increased the average life expectancy, regardless of retirement status.
D. Some of the longest-living individuals in recorded history were known to have retired at a conventional retirement age.
E. Retirement policies in various organizations have become more flexible, allowing individuals to choose their retirement age based on personal preference rather than a fixed age.

答案:



2.DI
The Song Dynasty marked a period of significant economic growth, technological advancement, and cultural flourishing in Chinese history. The development of a complex network of trade routes, both overland and maritime, facilitated the exchange of goods and ideas between China and other civilizations. Chinese goods, such as porcelain, silk, tea, and printed books, were highly sought after in foreign markets, while China imported goods like spices, incense, precious stones, and exotic textiles from other regions.

To regulate trade and generate revenue, the Song government established a sophisticated system of government-supervised markets called "tribute trade markets" in major cities and ports throughout the empire. Foreign merchants were required to pay taxes on their goods at these markets, with the tax rate determined by the type of goods, the distance traveled, and the mode of transportation. For example, the tax rate for porcelain was 12% for distances less than 2,000 li (approximately 1,000 kilometers) by land, 15% for distances between 2,000 and 4,000 li by land, and 20% for distances over 4,000 li by land. For maritime trade, the tax rate for porcelain was 10% for distances less than 1,000 nautical miles, 12% for distances between 1,000 and 2,000 nautical miles, and 15% for distances over 2,000 nautical miles. The tax rate for silk was 15% for overland trade and 12% for maritime trade, regardless of distance. The tax rate for tea and printed books was 10% for both overland and maritime trade.

In addition to taxes, foreign merchants had to pay fees for using the tribute trade markets. The fee was 4 taels of silver per day for each stall used, with merchants typically using 1 stall for every 10 pack animals (such as camels or mules) or 20 porters in their caravan. During peak trading seasons, the fee increased to 8 taels of silver per day due to high demand for stalls. Merchants also had to pay a "berthing fee" of 100 taels of silver per ship for maritime trade, regardless of the size of the vessel.

Caravans during the Song Dynasty were highly organized and efficiently managed, with a typical caravan consisting of 50 to 100 pack animals or 100 to 200 porters. Each pack animal could carry 150 to 200 kilograms of goods, while each porter could carry 50 to 75 kilograms. The average distance traveled per day was 25 li (approximately 12.5 kilometers) for overland trade, with caravans stopping to rest every 8 days. For maritime trade, the average distance traveled per day was 50 nautical miles, with ships stopping at ports every 15 days for resupply and repairs. During rest periods, merchants paid for food and accommodations for themselves and their crews, with the average cost being 80 taels of silver per day for a caravan of 75 pack animals or 150 porters, and 200 taels of silver per day for a ship with a crew of 100.

Merchant guilds from different regions played a crucial role in the Silk Road trade during the Song Dynasty. These guilds, known as "hang," provided protection, financial assistance, and other services to their members, who paid membership fees and a portion of their profits in return. The five largest hang during this period were the Guangzhou Hang, the Quanzhou Hang, the Mingzhou Hang, the Fuzhou Hang, and the Xiamen Hang, each with over 5,000 members. The Guangzhou Hang specialized in the maritime trade of porcelain and silk, the Quanzhou Hang focused on the overland trade of tea and precious stones, the Mingzhou Hang dominated the maritime trade of printed books and textiles, the Fuzhou Hang excelled in the overland trade of spices and incense, and the Xiamen Hang engaged in both overland and maritime trade of various goods.

To maintain a balance of trade and protect domestic industries, the Song government imposed quotas on the amount of goods that could be imported and exported by each hang. The Guangzhou Hang was allowed to import up to 500,000 pieces of porcelain and 200,000 bolts of silk per year, while the Quanzhou Hang could import up to 300,000 kilograms of tea and 1,000 kilograms of precious stones annually. The Mingzhou Hang had a quota of 100,000 printed books and 500,000 bolts of textiles per year, and the Fuzhou Hang could import up to 200,000 kilograms of spices and 50,000 kilograms of incense annually. The Xiamen Hang, due to its involvement in both overland and maritime trade, had a more diverse quota: 200,000 pieces of porcelain, 100,000 bolts of silk, 150,000 kilograms of tea, 500 kilograms of precious stones, 50,000 printed books, 250,000 bolts of textiles, 100,000 kilograms of spices, and 25,000 kilograms of incense per year. If a hang exceeded its quota, it had to pay a surcharge of 30% on the excess goods traded.

The Song government also implemented a system of state-sponsored maritime expeditions to explore new trade routes, establish diplomatic relations with foreign states, and project Chinese power across the seas. These expeditions, known as the "Imperial Maritime Voyages," were led by experienced admirals and involved fleets of up to 200 ships, including treasure ships, horse ships, supply ships, and warships. The most famous of these expeditions were those led by Admiral Zheng He during the early 15th century, which reached as far as the East African coast and the Red Sea. The costs of these expeditions were covered by a combination of state funds, private investments from wealthy merchants, and revenue generated from the tribute trade system.

To further support the growth of trade and commerce, the Song government introduced a number of financial innovations, such as paper currency, joint-stock companies, and a sophisticated banking system. The world's first government-issued paper currency, known as "jiaozi," was introduced during the Song Dynasty to alleviate the shortage of copper coins and facilitate large-scale transactions. Joint-stock companies, known as "she," emerged as a means of pooling capital from multiple investors to finance trade expeditions and other commercial ventures. The Song banking system, which included both state-owned and private banks, provided a range of financial services, such as deposits, loans, money transfers, and currency exchange, to support the growing economy.

The tribute trade system, combined with the state-sponsored maritime expeditions and financial innovations, contributed to the Song Dynasty's prosperity and its reputation as a golden age of Chinese civilization. However, this prosperity also attracted the attention of nomadic tribes from the north, such as the Jurchen and the Mongols, who saw the wealth of the Song state as an attractive target. The Song Dynasty ultimately fell to the Mongol invasions in the 13th century, but its legacy in trade, finance, and culture continued to influence subsequent Chinese dynasties and the world at large.

1. A Guangzhou Hang merchant is planning to transport 100,000 pieces of porcelain and 50,000 bolts of silk from Guangzhou to the port of Palembang in Southeast Asia, a distance of approximately 1,500 nautical miles. The merchant plans to use a fleet of 5 ships, each with a crew of 75. Assuming the merchant pays the peak season fee for tribute trade market stalls and the standard berthing fee for each ship, what is the estimated total cost of taxes, fees, and accommodations for the journey?
A. 12,500 taels of silver
B. 15,000 taels of silver
C. 17,500 taels of silver
D. 20,000 taels of silver

2. A Quanzhou Hang merchant transported 200,000 kilograms of tea and 500 kilograms of precious stones from Quanzhou to the city of Samarkand in Central Asia, a distance of approximately 4,500 li. The merchant used a caravan of 80 pack animals and 160 porters and paid a tax rate of 15% on the tea and 20% on the precious stones. The journey took 60 days, including rest periods, and the merchant paid the standard fee for tribute trade market stalls. What was the total cost of taxes, fees, and accommodations for the journey?
A. 28,000 taels of silver
B. 32,000 taels of silver
C. 36,000 taels of silver
D. 40,000 taels of silver

3. The Mingzhou Hang has reached 80% of its annual quota for printed books and 60% of its annual quota for textiles. How many more printed books and bolts of textiles can the hang import before reaching its quota limits?
A. 20,000 printed books and 200,000 bolts of textiles
B. 25,000 printed books and 250,000 bolts of textiles
C. 30,000 printed books and 300,000 bolts of textiles
D. 35,000 printed books and 350,000 bolts of textiles

4. A Fuzhou Hang merchant imported 120,000 kilograms of spices and 30,000 kilograms of incense in a year. The hang had already imported 50,000 kilograms of spices and 15,000 kilograms of incense earlier that year. What is the total surcharge the hang must pay for exceeding its annual quota?
A. 27,000 taels of silver
B. 30,000 taels of silver
C. 33,000 taels of silver
D. 36,000 taels of silver

5. An Imperial Maritime Voyage led by Admiral Zheng He consisted of 100 treasure ships, 50 horse ships, 30 supply ships, and 20 warships. Each treasure ship had a crew of 200, each horse ship had a crew of 100, each supply ship had a crew of 75, and each warship had a crew of 150. The expedition lasted for 2 years and covered a total distance of 25,000 nautical miles. If the daily cost of provisions for each crew member was 0.5 taels of silver, what was the total cost of provisions for the entire expedition?
A. 3,650,000 taels of silver
B. 4,015,000 taels of silver
C. 4,380,000 taels of silver
D. 4,745,000 taels of silver

6. A joint-stock company was formed by 20 merchants to finance a trade expedition. Each merchant contributed 5,000 taels of silver as capital. The expedition generated a total profit of 300,000 taels of silver. If the profits were distributed proportionally based on each merchant's contribution, how much profit would each merchant receive?
A. 12,000 taels of silver
B. 13,500 taels of silver
C. 15,000 taels of silver
D. 16,500 taels of silver

7. A Song state-owned bank issued a loan of 50,000 strings of cash (each string containing 1,000 copper coins) to a merchant at an annual interest rate of 12%. The loan term was 3 years. If the merchant repaid the loan in full at the end of the term, how much total interest would the merchant have paid?
A. 14,400 strings of cash
B. 16,200 strings of cash
C. 18,000 strings of cash
D. 19,800 strings of cash

8. A Xiamen Hang merchant plans to import 50,000 pieces of porcelain, 30,000 bolts of silk, 40,000 kilograms of tea, 200 kilograms of precious stones, 15,000 printed books, 80,000 bolts of textiles, 25,000 kilograms of spices, and 5,000 kilograms of incense in a year. What percentage of the hang's annual quota does this represent for each type of good?
A. Porcelain: 25%, Silk: 30%, Tea: 26.67%, Precious Stones: 40%, Printed Books: 30%, Textiles: 32%, Spices: 25%, Incense: 20%
B. Porcelain: 20%, Silk: 25%, Tea: 22.22%, Precious Stones: 33.33%, Printed Books: 25%, Textiles: 26.67%, Spices: 20%, Incense: 16.67%
C. Porcelain: 30%, Silk: 35%, Tea: 31.11%, Precious Stones: 46.67%, Printed Books: 35%, Textiles: 37.33%, Spices: 30%, Incense: 25%
D. Porcelain: 35%, Silk: 40%, Tea: 35.56%, Precious Stones: 53.33%, Printed Books: 40%, Textiles: 42.67%, Spices: 35%, Incense: 30%





3.RC
The issue of women, art, and feminism has been most fervently championed by numerous female artists. Within the feminist art movement, several approaches to delineating feminist art have emerged and are being deliberated and refined. One specific approach posits the existence of a female aesthetic or sensibility, characterized by imagery and formal style unique to women. Advocates assert that an authentic artistic language is being forged, mirroring the distinct social experience of women, independent of "male-defined" art, and inherently liberating. Conversely, others contend that the theory of a female aesthetic is actually restrictive, confining women to certain "feminine" shapes, colors, forms, and images. In essence, the female aesthetic may be nothing more than a refurbished artistic ghetto, furnished with unsatisfactory answers to the challenging question of how to define feminist art. Furthermore, some perceive the rise of a trendy "feminine sensibility" as blatantly opportunistic. They highlight, for instance, the peculiar coincidence that the so-called female aesthetic bears an uncanny resemblance to the conventions of much currently fashionable art, and they anticipate further shifts in the aesthetic as art-world trends evolve.

The theory of a female sensibility appears to be founded on two equally extreme premises, implicit rather than explicit. Firstly, it presupposes that an individual's experience is primarily, and perhaps entirely, determined by gender. Women and men are considered to inhabit completely separate realms, with variations in social or ethnic experience deemed clearly subordinate to gender distinctions. Secondly, it assumes that the current state of affairs is essentially immutable, as the battle of the sexes is eternal and historical. Consequently, it follows that the only way women artists can function is to accept these terms and cultivate their own artistic strengths, autonomously and in opposition to men.

An alternative approach, both balanced and rational, would advocate for a more transcendental perspective on social experience and art. This viewpoint aligns with the belief within certain sectors of the women's movement that the meaning of one's personhood and the nature of relationships between the sexes are evolving phenomena that can be understood and acted upon. Pat Mainardi has delineated one interpretation of what this might entail for women artists: "The only feminine aesthetic worthy of the name is that women artists must be free to explore the entire spectrum of artistic possibilities. We who have been labeled, stereotyped, and gerrymandered out of the very definition of art must be free to define art, not to settle for the scraps from the Man's table ... We must begin to define women's art as what women (artists) do, not try to slip and squeeze ourselves through the loophole of the male art world."



1:What is the main idea of the passage?
(A) The feminist art movement is divided on the concept of a female aesthetic.
(B) The theory of a female sensibility is based on two extreme premises.
(C) Pat Mainardi advocates for a transcendental view of art and social experience.
(D) The rise of a trendy "feminine sensibility" is seen as opportunistic by some.
(E) Women artists should be free to explore the entire range of art possibilities.

2:According to the passage, which of the following is true about the theory of a female sensibility?
(A) It assumes that gender is the primary determinant of an individual's experience.
(B) It believes that the battle of the sexes is a temporary phenomenon.
(C) It encourages women artists to develop their strengths in collaboration with men.
(D) It is based on explicit premises that are widely accepted within the feminist art movement.
(E) It argues for a transcendental view of social experience and art.

3:The passage suggests that proponents of a female aesthetic believe that:
(A) Women artists should conform to the conventions of fashionable art.
(B) The female aesthetic is a rehabilitated artistic ghetto.
(C) An authentic artistic language is being created, reflecting women's distinct social experience.
(D) The female aesthetic limits women to certain "feminine" shapes, colors, forms, and images.
(E) The female aesthetic is a trendy and opportunistic concept.

4:Which of the following best describes the author's attitude towards the theory of a female sensibility?
(A) Supportive
(B) Neutral
(C) Critical
(D) Ambivalent
(E) Enthusiastic

5:According to the passage, some critics of the female aesthetic argue that:
(A) It is reminiscent of the conventions of currently fashionable art.
(B) It is a satisfactory answer to the question of how to define feminist art.
(C) It is not influenced by shifts in art-world fashions.
(D) It is a genuinely liberating concept for women artists.
(E) It is based on a transcendental view of social experience and art.

6:The passage suggests that Pat Mainardi believes that women artists should:
(A) Accept the terms of the battle of the sexes and develop their own artistic strengths.
(B) Conform to the conventions of the male art world.
(C) Be free to explore the entire range of art possibilities.
(D) Focus on creating art that reflects the distinct social experience of women.
(E) Embrace the concept of a female aesthetic.

7:According to the passage, the alternative approach to the theory of a female sensibility argues for:
(A) A more transcendental view of social experience and art.
(B) The acceptance of the immutable nature of the battle of the sexes.
(C) The development of women's artistic strengths in opposition to men.
(D) The subordination of social and ethnic experience to gender distinctions.
(E) The creation of an authentic artistic language specific to women.

8:The author of the passage would most likely agree with which of the following statements?
(A) The feminist art movement has reached a consensus on the definition of feminist art.
(B) The theory of a female sensibility is a well-founded and widely accepted concept.
(C) The rise of a trendy "feminine sensibility" is a positive development for women artists.
(D) The debate surrounding the concept of a female aesthetic is ongoing within the feminist art movement.
(E) Women artists should focus on creating art that conforms to the conventions of the male art world.












作者: setmefree1    时间: 2024-4-11 11:00
DAY104
CR
CA
RC
AACCDCCD
- 女性主义艺术,女性审美
- 女性感性有两个内在假设,女性艺术家只有接受这些条件,才能发挥自己的艺术长处,自主和男性对立
- 女性审美必须自由探索艺术可能性,必须如女性艺术家那样定义女性艺术脱离男艺术世界
作者: 一定700!    时间: 2024-4-11 11:42
同意!               
作者: 一定700!    时间: 2024-4-11 11:49
Day 104
CR
1. C
2. A

RC
1. E (A)
文章第一段
2. C (A)
C 是前提, 不是fact
3. E (C)
4. C
5. C (A)
第一段
6. C
最后一段中间
7. A
8. D
作者: xuelin99    时间: 2024-4-11 12:34
Mark一下!               
作者: xuelin99    时间: 2024-4-11 13:27
D104
CR:1.C 2.A
       正确答案:1.C 2.A
RC:AAECD CAD
       正确答案:AACCA CAD
作者: 为了G700    时间: 2024-4-11 16:58
Day104 CR
第一题,构建题,选C。
P:新的洗衣机被广告成为节能高手,但是测试显示对比一般的模型,每个Load需要更多的energy。
C:但是消费者还是愿意选用这款。
A.新机器比其他型号的价格更低. (说capacity,价格无关)
B.新机型能够提供更多的设定去处理不同的洗衣种类.(无关)
C.新型号每个Load有更大的容量,比标准型号更大,因为用更少的Load.(Energy per load 高但是容量大,那么总体还是节能)
D.新模型完成清洗模式比普通模式的时间少.(题中讲的是capacity不是Time)
E.新型号在旋转后提供了更干的衣服,减少干衣的使用.(没人说洗完都要干衣)

第二题,削弱题,选A。
P:最近研究表明了在退休后持续雇佣和长寿有正相关,观察发现退休之后一些人就去世了,而持续工作的人却是长寿的。
C:延迟退休有益于健康长寿。

A.持续工作到退休年龄之后的人经常是有更健康的生活方式整体更健康的人.(因果倒置来削弱结论,健康的人才能工作到退休年龄之后)
B.很多人发现在允许他们积极参与各项活动中的自由期间退休会有益于精神健康。(加强,非削弱)
C.医药技术方面的领先能够增加平均的生活期待,尽管是退休期间.(增强)
D.所知道的历史上长寿的人经常在一个传统的退休年龄退休.(增强)
E.在各个组织中的退休变得更灵活,允许个人基于他们的偏好而不是固定的年龄选择退休.(怎么退休和退休有益健康是两个话题)
作者: E杀G必成功    时间: 2024-4-11 19:11
Day104

CR: C; A
RC: A; A; C; A(C); A; C; A; C(D)
作者: 豆奶    时间: 2024-4-11 21:22
看一下!               
作者: xiaoyuzhou90    时间: 2024-4-12 07:15
CR
1我的答案:c;为了提高能源利用率,推出了一款新的洗衣机;但是,每洗一次,它比标准的型号要用更多能源;---为什么大家还是更喜欢新款?
c, 新款一次可以洗的量比标准款多很多,可以减少洗的次数
abde感觉都可以是原因啊,我还是不懂
2我的答案:a;近期研究表明退休后继续工作和增加的长寿有关;一些人退休几年后就会死掉,但是与他们对应的其他继续工作的人获得了健康和长寿;---退休后继续工作有利于健康和长寿;---削弱这个观点:a, 选择退休后继续工作的人,本身就健康;
RC
我的答案:eacaeced
这一段讲了对待feminist art的观点,支持和反对;第二段讲了为什么会有第一段里的那种认识;第三段是讲另一种认识,也是文章的观点段落;
作者: Eunice12    时间: 2024-4-12 08:46
我的选项:AACCDCAD
正确选项:AACCACAD
文章结构
P1
1、女性、艺术和女权主义的问题受到了女性艺术家的拥护
2、出现了几种描绘女权主义艺术的方法
3、阐述三种方法
P2
1、女性感性理论基于两个极端的前提,暗示和明示
2、具体阐述前提
P3
1、另一种方法更加理性,宣扬社会经验和艺术的超然观点
2、具体阐述观点
3、举例论证
作者: 我是小酥皮    时间: 2024-4-12 16:11
CR:D C (正确答案:CA)
1)果因推理
P:一宣传为节能的新型洗衣机在测试中表明其单位负载能效比标准型号更高。但消费者仍青睐新型洗衣机
Q:why
2)统计枚举
P:研究发现按时退休的一些人在几年内去世,而退休年龄后仍工作的人则更长寿
C:认为退休年龄后仍工作有助于健康长寿

RC:A A C B E C A D (正确答案:AACCACAD)
P1:关于描绘女性主义艺术的方法的不同观点讨论
P2:女性情感的理论独特性
P3:另一观点讨论;引用PM
作者: Perilla    时间: 2024-4-13 09:16
104
1.CR
C
P:洗衣机节省能源,但它每负荷使用更多能源
C:尽管如此,消费者还是更偏好它
A. 价格低
B. 功能多
C. 每负荷有更大容量,可以减少总负荷(因此可以节省能源)
D. 时间少
E. 洗衣后更干
其他选项都是与节省能源无关的其他好处,尽管可以解释结论,但是逻辑性不强

作者: 杨翠花    时间: 2024-4-14 00:11
Mark一下!               
作者: 杨翠花    时间: 2024-4-14 00:27
CR, 答题卡:CA, 答案;CA
1. P: 倡导节约能源,一款新的洗衣机以此打广告,但是有测试发现洗一缸比标准款耗费的能源多
C:消费者依旧更喜欢新款
原因解释题,加强立场;新款的确能源节约
我选C:新款每一缸的容量比标准款多,清晰的缸数减少【以此推出省能源】

2. P: 研究发现到退休年龄就退休的人寿命没有退休后返聘工作的人长
C:退休后工作使得人长寿更健康
削弱题,立场:并不是退休后工作使得人更健康
我选A:是选择退休后继续工作的人本身健康【考察自我显现的偏差】

RC,答题卡:EACBACAD,答案:AACCACAD

1. 文章的观点其实没有明确的立场说支持或是反对,是在阐述女性艺术家运动在对女性美学上的争议
2. 定位第二段 it presupposes that an individual's experience is primarily, and perhaps entirely, determined by gender.
3. 定位第一段:Advocates assert that an authentic artistic language is being forged, mirroring the distinct social experience of women, independent of "male-defined" art, and inherently liberating
4. 从作者对女性感性理论的描述可以看出,作者对这一理论持批评态度,认为它基于两个极端的前提。he theory of a female sensibility appears to be founded on two equally extreme premises
5. 定位第一段:Conversely, others contend that the theory of a female aesthetic is actually restrictive, confining women to certain "feminine" shapes, colors, forms, and images.Furthermore, some perceive the rise of a trendy "feminine sensibility" as blatantly opportunistic. They highlight, for instance, the peculiar coincidence that the so-called female aesthetic bears an uncanny resemblance to the conventions of much currently fashionable art, and they anticipate further shifts in the aesthetic as art-world trends evolve.
6. 定位最后一段
7. 定位最后一段第一句:n alternative approach, both balanced and rational, would advocate for a more transcendental perspective on social experience and art.
8. 定位第一段第一句:he issue of women, art, and feminism has been most fervently championed by numerous female artists. Within the feminist art movement, several approaches to delineating feminist art have emerged and are being deliberated and refined.

作者: Alexandra-GMAT    时间: 2024-4-14 12:23
CR:D C 
RC:EACBACAD
作者: chloeluoluo    时间: 2024-4-14 14:44
看一下!               
作者: lewton    时间: 2024-4-14 15:21
11111111111
作者: Katelynns    时间: 2024-4-14 20:58
CR:1.新款洗衣机每load耗电比标准款更厉害,然而大家更喜欢新款,这里需要解释这种差异。
A 新款价格比其他款式便宜很多 价格上有优势
B 新款的设置更多样 性能方面
C 新款洗每load的承载量远大于其他款,可以少洗几轮 性能且和argument中的节能对应
D 新款洗的更快 也是性能优势
E 新款甩出来的衣服更干 性能优势
多个选项提及新款性能优势,唯独C直接和energy efficiency能对上
2.A
RC:feminism art aesthetic advocates VS conversives
female sensibility theory and base
alternative approach
AACCACAD
作者: Grapey    时间: 2024-4-14 21:00
打卡

作者: Jamie_ee    时间: 2024-4-14 21:34
CR

1. Strengthen
选C,虽然load energy用得多,但是fewer loads

2. Weaken
选A,他因
作者: tdcq1993    时间: 2024-4-14 22:24
RC
第1段:在女性主义艺术的运动中,对女性主义艺术有很多不同的定义和描述。其中有一个理论描述为女性审美,支持者认为这个定义映射了女性独有的社会经历,且内涵解放的寓意。反对者认为这个理论将女性和一些形状、颜色、图案等限制起来了,并不是一个好的解答。
第2段:女性感知的理论似乎建立在2个极端的假设之上。首先,个人的经历几乎完全由性别决定;然后,女性和男性的对立是永久的,所以女性要不断变强才能对抗。
第3段:另一个理论,更理性且平衡,提议一个关于社会经历和艺术更超前的观点。女性应该更自由、开放地去探索艺术,不应该被任何禁锢。
E、A、C、D、A、C、A、D

CR
C、A
作者: 刘如是    时间: 2024-4-14 23:25
CR  EA
作者: Rosie2022    时间: 2024-4-14 23:53
感谢分享!               
作者: jeilham    时间: 2024-4-15 00:21
000000000000000
作者: Yeelin椰林    时间: 2024-4-15 00:36
【RC】
ACCAACAD
AACCACAD
第二题选A:it presupposes that an individual's experience is primarily, and perhaps entirely, determined by gender. 而C错在in collaboration with men没看仔细。
第四题选C:没懂。
结构:
1、feminist art的崛起。
2、female sensibility的观点。
3、alternative approach的描述。

作者: Rosie2022    时间: 2024-4-15 00:43
day 104
rc
Main Idea and structure:
The feminist art movement is divided on the concept of a female aesthetic.
- P1:  divided opinions on female aesthetic, present advocates and critics
- P2:  Further critic, FA similar to current fashion
- P3:  the two extreme premise, experience determined by gender; immutable state, present the result: accept and in opp to men
- P4: Another balanced and rational approach, a more transcendental perspective; PM: explore everything
Key words:  feminist art movement; a female aesthetic or sensibility; determined by gender; evolving phenomena;
AACBA CAD
(4)能理解说假设极端, 也确实提及了更多批评, 但感觉还是谨慎批评?
作者: hyjsamantha    时间: 2024-4-16 04:41
看一下!               
作者: hyjsamantha    时间: 2024-4-16 06:48
104 打卡
CR
1.D(C)
C 解释了新机器为何节能 是客户大量购买的原因
D 与节能无关 不是客户购买的原因

2.A

RC
E(A)ACCC(A)CAD
作者: 豫章笑笑生    时间: 2024-4-17 17:53
看一下!               
作者: leiyaqing1992    时间: 2024-4-19 02:43
Mark一下!               
作者: fangjue987a    时间: 2024-4-19 09:11
Day 104

CR
1C
2A

RC

1 A
2 e (A)
3C
4 C
5A
6C
7A
8D


作者: gmatcantkillme    时间: 2024-4-19 12:06
Day 104
CR
C
A

RC
P1: opinions of female aesthetic/sensibility  proponents and opponents
P2: female sensibility’s two extreme premises
P3: alternative approach
AACC ACAD

作者: leiyaqing1992    时间: 2024-4-21 01:58

作者: 狗熊要吃肉    时间: 2024-4-22 12:51
CA
作者: 有机盐    时间: 2024-4-22 18:20
Mark一下!               
作者: 时间哪    时间: 2024-4-23 09:20
CR:ca




欢迎光临 ChaseDream (https://forum.chasedream.com/) Powered by Discuz! X3.3