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标题: 揽瓜阁做题小分队第8天波尔的戏剧 [打印本页]

作者: 小白斩鸡 时间: 2021-4-7 22:25
标题: 揽瓜阁做题小分队第8天波尔的戏剧

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In traditional theater forms, the roles of performer and audience are completely separate, so that performance space can be said to encompass an actors’ sphere and a spectators’ sphere. Even when performers move out into the audience or when there is scripted audience interaction, spectators do not become performers. Finally, while stories may open up the imagination or excite audiences, according to Augusto Boal, they discourage political action by providing catharsis. The passive spectator follows the play’s emotional arc and, once the action concludes, finds the issue closed. Boal reminds us that our theater etiquette creates a kind of culture of apathy where individuals do not act communally, despite shared space, and remain distanced from art.

Workshop theater, such as Boal’s Image Theatre and Forum Theatre, is a response to that. In the workshop form, performance space is created for a select group of people, but the performers’ sphere and the audience’s sphere are collapsed: everyone is at once theater maker and witness. In Image Theatre, participants will come up with a theme or issue and arrange themselves into a tableau that depicts what that issue looks like in society today, versus what the ideal situation would be. They then try to transition from the current image to the ideal image in a way that seems plausible to all the participants. Forum Theatre, on the other hand, creates a narrative skit depicting a certain problem. After the actors have gone through the action of the play once, a facilitator, known as the joker (like the one in a pack of cards), encourages those who have watched the story to watch it again and to stop it at any time to take the place of the protagonist. The aim is to find a solution to the problem, realizing along the way all of the obstacles involved. In Forum Theatre, just as in Image Theatre, there is not always a solution. The main goal of this form, then, is to engage in the action, to reflect, and to understand particular issues as being part of a larger picture, thus using art to re-cast what seem like private troubles in a public, political light.

The main reason Boal developed these workshop styles was to grant audiences agency so that they may create ways to free themselves of oppression. Because he found theater audiences to be locked into a passive role—just like he found the oppressed coerced into a subservient role in relation to their oppressors—he created the “spect-actor,” or someone who simultaneously witnesses and creates theater.

1. The second paragraph of the passage serves to
(A) elaborate on the topic of the first paragraph
(B) provide a rationale for an artistic endeavor
(C) discuss an artistic answer to a passive culture
(D) explain the theater’s lack of appeal
(E) evaluate two contrasting styles of theater

2. Which of the following would Boal consider a “spect-actor”?
(A) A person who engages in political action
(B) An audience member who finds catharsis in a play
(C) Any person placed in a subservient role
(D) Any actor
(E) A participant in an Image workshop

3. According to Boal, all of the following are disadvantages of traditional theater forms EXCEPT:
(A) Such productions prevent the actors from going into the audience.
(B) Such productions provide catharsis.
(C) Such productions discourage communal activity.
(D) Such productions obstruct political change.
(E) Such productions distance the audience from the art.

4. All of the following would be characteristic of a Forum workshop EXCEPT:
(A) Productions begin with a narrative script.
(B) Different people often play the protagonist.
(C) Some performances do not achieve catharsis.
(D) Participants arrange themselves into a tableau.
(E) Performances are guided by a mediator.

参考答案，做完才看：）

作者: Meredith_gao 时间: 2021-4-8 07:54
Para 1: 传统剧院的劣势，拉开演员和观众的距离，抑制政治行动

Para 2: 两种新型的戏剧表演形式可以将观众带入表演和创作中，并进行了对比和共同点的解释

Para 3: Boal 创造workshop的目的是为了解放观众

CEBA

作者: Playgirl130 时间: 2021-4-8 08:18
P1：传统的戏剧表演，有一些局限性：和观众保持距离；观众被动观看；当演出结束后，一个事件就宣告终结了。观众无法参与到政治事件的讨论中。
P2：为了解决传统戏剧表演的局限性，B某人推出了两种Forum。一种叫Image Theatre，一种叫Forum Theatre。介绍这两种各自的特点。
P3：做这两种Theatre的原因是希望观众能够主动参与进来。B提出了一个词 Spec-actor，观众既是被动的，又是主动的

我选: EEBD

作者: 英俊子遥想明天 时间: 2021-4-8 08:25
day8

作者: 星v座v书v上 时间: 2021-4-8 08:34
CCDD

作者: 速水愛媛 时间: 2021-4-8 09:03
CEAD

作者: miemie_yang 时间: 2021-4-8 09:35
答案：E B A C
第一段：传统theater的特点
第二段：workshop的特点，如何改进，让观众参与进来
第三段：总结了一下为什么develop这些workshop style

作者: Claire薇荇 时间: 2021-4-8 09:45
traditional theatre distance performer fro audience - workshop theatre is a response ( Image theatre & forum theatre) - reason of creating these 2 workshop styles is to create "spect-actor".
CEAD

作者: 狒狒小姐 时间: 2021-4-8 09:51
EEBE
9 mins

作者: sanfanwangyue 时间: 2021-4-8 10:31
P1 Disadvantages of the traditional theater forms
P2 Explain Image theatre and Forum theatre and their goal
P3 Why Boal developed these workshop theatre

EEAD

作者: 大大大kk 时间: 2021-4-8 13:19
问题解决型文章
1) 提出问题：传统戏剧有局限性>>压制政治活动；缺乏交流；拉远观众与艺术的距离
2) 解决方案: 波尔开创workshop theatre 与image theatre / forum theatre相似，目的是让观众参与进来，更好反应现实社会问题
3) 升华总结：波尔开创workshop theatre原因是让观众更好参与进来
AEAD

作者: HHHHRane 时间: 2021-4-8 15:43
CEAD

作者: irisville 时间: 2021-4-8 15:56
cebc

作者: Jack.Lu 时间: 2021-4-8 15:59
CEAD，
P1：传统的戏剧形态，以及他的缺点
P2：说明workshop的两种形式image and forum，以及他们的目标
P3：为什么发展workshop theater

作者: _Salaxy_ 时间: 2021-4-8 18:05
CEDC

作者: yyking625 时间: 2021-4-8 20:06
BEDE

作者: CrazyRusher 时间: 2021-4-8 21:09
AEAE
第一段：讲了传统剧院的弊端——演员和观众之间产生了隔阂，观众只是被动地参与和接受
第二段：举了BIT和FT的例子作为对上述问题的回应，然后就是具体描绘了BIT和FT的做法
第三段：解释了这么做的原因以及带来的影响。
8min

作者: Ataitaitai 时间: 2021-4-8 21:42
第一段：传统的喜剧形式：1.观众和表演者是分开的，2.波尔认为这种形式使得旁观者远离了艺术
第二段：波尔为了让人们更接近艺术发明了workshop戏剧：比如IT和FT。1.IT：参与者想一个主题形成一个与问题相关的tableau，并转成理想的image让所有人看懂。2. FT：创造一个有关问题的skit，让人重新看或者随机停止，以找到解决方法。3.主要目标：让观众沉浸到场景种，来感受理解问题。
第三段：波尔发展workshop形式的戏剧的理由：给观众一个释放oppression的中介

ACAD

作者: LouisTan 时间: 2021-4-8 22:09
文章结构：
1. 传统戏剧的缺点：不能交互，观众是被动的
2. Boal的Image Theatre and Forum Theatre，以及各自特点
3. Boal创办这2种workshop styles的原因是为了解放观众，让他们不再感到压抑
CECD

作者: sekicc 时间: 2021-4-8 22:26
1. 引出论点
2. 说明例外
3. 补充原因

CEDD

作者: ccccherry 时间: 2021-4-8 23:01
CCAD
讲了区别于传统的剧院的workshop 剧院的两种形式

作者: N0ire 时间: 2021-4-9 00:11
8min
主旨：波尔的戏剧观及其2种剧院类型
P1: 传统戏剧种，表演者和观众被割裂，波尔不认同这样的做法；
P2: 作为回应，他开创了两种剧院：1- image: 让表演者和观众共处并共演一出浮世绘；2-forum: 表演者先演出，随后引导看过的观众进行表演；
P3: 波尔此举的目的是让观众加入到戏剧创作中，并宣泄他们的苦闷。

EEDD

作者: xbzxbz 时间: 2021-4-9 01:04
第一段传统问题

作者: 再战请勿拦 时间: 2021-4-9 09:16
BEAC

作者: tclyk23 时间: 2021-4-9 09:36
啊看看啊

作者: LindsayPark 时间: 2021-4-9 15:21
AEED
P1:介绍传统剧院，AB不太认可
P2:介绍AB的workshop剧院，有两种形式
P3：AB剧院的意义

作者: CCCGO 时间: 2021-4-10 10:26
CEAE

作者: winonabreath-yy 时间: 2021-4-10 11:32
Mark一下！

作者: 半日大哥 时间: 2021-4-10 16:18
AEDC
用时8分钟
1. 在传统剧院表演中，演出者和观众是分开的。波尔认为即便是有些演出尝试与观众互动，但这种形式本身就是压抑互动和参与等等。
2. 研讨会形式的剧院，例如波尔的图像剧院和论坛剧院就是对传统剧院的反击。具体讲了一下两种形式。
3. 波尔发展这两种剧院的主要原因就是想把观众主动参与进来。

作者: RxxMewo 时间: 2021-4-11 15:17
CBAD 9min
传统戏院的缺点
Workshop戏院的改良
boal戏院和传统戏院的主要区别

作者: CNJYD 时间: 2021-4-11 16:41
CBDC

作者: yutingw 时间: 2021-4-13 16:04
CEDD

作者: 张晴雨 时间: 2021-4-14 22:16
EBDE 12分钟
第一段介绍传统影院的一些问题。
第二段陈述image和forum影院的特点
第三段解释第二段的影院的发明人的发明初衷

正确答案：CEAD 竟然一题没对。。。

作者: JOEY要上博科尼 时间: 2021-4-17 14:08
1

作者: Dianita 时间: 2021-4-27 11:52
AEAD

作者: SchodingerCat 时间: 2021-5-3 23:48
CEAD

作者: 鸡麦过儿 时间: 2021-6-7 23:12
BCBE

作者: 690387114 时间: 2021-6-23 00:24
AECD
CEAD
题1
题3 A定位Even when performers move out into the audience

作者: 清影嘿嘿 时间: 2021-10-23 16:56
．day8

作者: 大月亮cyn 时间: 2021-10-27 16:51
Day8 BEAD
1. C B中的rationale 有误，目的这道题是找第二段的作用，想段落和段落间的关系！(B)?供艺术创作的理由 (非?供 rational,非正确选项) (C)讨论被动文化的艺术答案(正确，是 response to the culture 1st paragraph mentioned)

作者: 睡着了请安静 时间: 2022-6-24 17:22
文章大意：
第一段：介绍传统戏剧的演出模式
观众和表演者是分离的，观众无法真正融入戏剧当中，这种行为将会阻碍政治活动
第二段：介绍I和F戏剧的的演出模式
观众和表演者是有互动的，观众既是观看者，也是导演，鼓励观众思考政治问题
第三段：总结目的
I和F戏剧是AB创造的，目的就是为了解放观众思想，而非单一的接受者

作者: alexandracici12 时间: 2022-11-27 23:52
大意：描述问题，提供方案，如何解决问题
1.传统戏剧人和演员分离，人是完全不被共情。B提出不共情
2.解决这个问题，B提出I和F。I中..。F中有一个joker，作为引子。但F就像I不是一直都有解决方案。这个方式让观众互动起来
3.描述这是specactor，让观众free from oppresed audience

C
E
subservient

D
没理解political change
A -
B 对
C 对
D -
E 对

D
A -
B-
C -
D
E -

Catharsis 情感宣泄
Political change 政治行动
Apathy 冷漠
protagonist 主角
Subservant 奴隶的

作者: Haiying668 时间: 2023-2-18 16:22
传统的剧院形式分析其弊，列出workshop形式的两种剧院作为对比。（似是Boal的软广，充分照顾到观众的情绪）
P1传统的剧院弊端：演员与观众分开，即使演员走进观众与之有互动，观众只被动的观赏者难有共鸣
P2工作室一类的剧院比如Boal的Image Theatre and Forum Theatre与传统的剧院不同。Image Theatre表演空间为一特定人群而设计，参与者走进剧情想象自己处于事件之中，可对比理想情况下的事件发展。Forum Theatre是演员表演后，有助手鼓励观众再次观看时随时打断表演自己替代主角参与表演之中。这样有助于发现解决问题的方案。
P3 Boal发展这类工作室剧院的原因是让观众从被动看剧的状态中解放出来.
EBAC

作者: CYJ_ 时间: 2023-5-18 21:37
First paragraph

3:00)
傳統的戲劇，表演者跟觀眾是分開的，即使表演者表演空間包含表演者以及觀眾的球狀空間，以及表演者會到觀眾的地方表演及進行互動，但觀眾仍不能算是表演者。
最後，表演者可以藉由提供catharsis來打消政治活動
學者說，這樣的表演形成一種冷漠的文化（因為都不互動），即使表演空間與觀眾共用，但觀眾仍與藝術有明顯的距離。
Second（3:36)
比對兩種不同的電影，相同的是兩者的觀眾與表演者是結合的。
Image Theatre : 觀眾想像一個主題，然後詮釋她，並比較這個主題理想與現實的差異。
Forum Theatre:請小丑邀請觀眾互動，觀眾可在任意時間喊停取代表演者（？）
兩者不能永遠解決問題
Third(1:15)
Boal 發展這個的主要原因是想鼓勵觀眾互動
他創立表演觀眾合一，讓人能同時是表演者也能是觀眾。
Answer:
EEAE

作者: NikitaHan 时间: 2023-8-30 18:03
波尔的戏剧:
P1: In traditional theater, the roles of performers and audiences are completely separate. According to Boal, this form discourages political actions by providing catharsis. And individuals do not act communally and remain distant from the art.

P2: Boal's Image theater and Forum theater is a reponse to this. In these places, the performers' sphere and audience's sphere are collapsed. In Image theater, participants will come up an issue and arrange themselves into a tableau that depicts what the issue looks like in society today and what the ideal image would be. Then they try to transition the current situation to the ideal version in a way plausible to every participant. In Forum theater, actors create a narrative skit depicting a certain problem. Then a facilitator encourages the audience to watch the story again and stop it at any time to take place of the protagonist. So people can be encouraged to come up with a solution for the problem. The main goal of the two forms is to engage in the action and reflect particular issues.

P3: the main reason of creating these two forms is to encourage people to create ways to free themselves form opppression.

Author's opinion: introduced the drawback of the transitional theater, and then explain how Boal's new theater forms contribute participation in general society issues.

作者: lt_run 时间: 2023-9-1 23:03
P1 讲传统theater的缺点：performer和audience分隔开
P2 介绍两种新型的theater：Image Theater和Forum Theater(注意看两者的不同)
P3 Boal提出这两种theater的原因
CEAD

作者: 13659111111 时间: 2023-10-2 12:06
P1 traditional theater forms, performer和audience有距离
P2 Boal弄了一种新form
P3 Boal的form是为了free audience from oppression

作者: B及站士 时间: 2023-10-4 15:23
這篇文章雖然大意上是問題+解決方案的脈絡, 但是滿多專有名詞出現, 又題目主要是細節題...
-
P1. 傳統的戲劇形式, 表演者跟觀眾是有隔閡的, Boal對此有擔憂
P2. Boal對這種現象的回應: 工作坊劇院 , 並用Boal的兩間工作坊作為例子
Imagine theatre用tableau形式表達主題, Forum則用主持人鼓勵觀眾參與戲劇演出
P3. Boal的願景: 提供觀眾一個媒介去解放, 認為觀眾太被動, 為"spectators(觀眾)"下了新的定義“spect-actor”(同時見證及創造劇場的人)
-
P1.
1. Traditional theater: performer and audience(spectators) are separate
2. Elaborate: even performers move out or script with audience interaction – spectators + catharsis (emotional arc) -> issue (X)
3. Boal’s worrisome: theater culture is passive and apathy – not act communally , remain distanced from art

P2.
1. Boal’s response: workshop theater – performer’s sphere and audience’s sphere collapsed – everyone is theater maker and witness
2. Example(Boal’s workshop):
‧Image Theatre: with a theme or issue – using tableau to express the issue looks like in society – transition the current to the ideal in a plausible way
‧Forum Theatre: narrative skit for certain problem – a facilitator encourage audience take the place of the protagonist – realizing all the obstacles involved
3. Forum’s main goal: is not to find solution, but to engage in the action, to reflect, and to understand particular issue – using art to re-cast private troubles

P3.
1. Boal’s reason: audiences agency – ways to free themselves of oppression – audiences are too passive – he wish them become “spect-actor” (who simultaneously witnesses and creates theater)

作者: 木柚籽 时间: 2023-10-22 09:39
P1
traditional: performer & audience separate
disadvantages: 1. discourage political action by providing catharisis (despite) 2. do not act communally, remain distanced from art"
P2
Rsponse: IT &FT
IT characteristics
FT characteristics"
P3
why two response

作者: joliajjj 时间: 2023-11-30 13:19
文章结构：
P1：传统戏剧的缺点：互动性低
P2: workshop消除距离感（两种形式）（被动文化的艺术答案）
P3: workshop styles的原因：赋予观众代理权
CEAD

作者: 蜘蛛网 时间: 2024-5-8 21:15
p1传统剧院和现代完全不同，传统的缺陷
p2现代剧院具有的特点
p3boal剧院的期望
ccad

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