Eiffel Tower
Notre Dame De Paris
Sidney Opera House
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Eiffel Tower
History
In 1889, when the Tour Eiffel was completed, it was the tallest building in the world at 300m. The Tour Eiffel was originally built as a tempory structure to commemorate the centenary of the Revolution. And since, the Eiffel Tower has become an enduring symbol of the city of Paris.
The Tour was originally built for the 1889 Exposition. This steel construction defied all traditional rules in architecture. It is now the television transmitter for the greater Paris region.
The Tour selected by a competition which was won by Gustave Eiffel, an engineer who had experience of constructing high level railway viaducts. In the public eye, the tower had many mixed opinions, celebrated and loathed in equal measure. Throughout its construction, the residents became convinced that it would collapse, and Eiffel had to reassure them personally. The author Guy de Maupassant left Paris permanently to avoid looking at its 'metallic carcass' but others who espoused more self-consciously modern views championed the tower: Seurat and Douanier Rousseau were among the first to paint it, in 1889 and 1890 respectively. On a clear day, it is possible to see Chartres Cathedral from the high level viewing platform.
There are three floors. The first is at 57 m., the second at 115m., and the third at 276 m. The top of the aerial is 320 m. above the ground. And on a nice day, you an see from the top of the platform, the whole of Paris and even the distant suburbs.
The 12,000 steel girders are held together by 2,500,000 rivets to produce a smooth, curving profile. Its functional elegance heralded the dawn of Industrial Art, and has met with much sarcastic comment from more conservative observers ever since it was finished in 1889.
And in 1986 the external night-time floodlighting was replaced by a system of illumination from within the tower's superstructure, so that it now looks at its magical best after dark
Notre-Dame
Under the auspices of Bishop de Sully, the construction began in 1160 and was completed around 1345. During the construction many events occured such as in 1297, the King Louis IX was canonized as Saint Louis, and in 1304, Philip the Fair celebrated his military victory by riding his horse up and down the aisles in the Notre Dame. By the 17th century, it was very fashionable to loathe the Notre Dame.
In the eighteenth century, alot of the medieval glass was removed simply to make the building lighter, and medieval fittings and furniture were often replaced by those in later styles.
However, it was not until the French Revolution in 1793, when the Parisiens took a disliking to anything that was "royal" that they destroyed the statues and stripped all "anti-republican" art from inside as well as outside. And, in the following year, the French revolutionary government outlawed religion and Notre Dame was officially renamed as the Temple of Reason.
For some time, the French revolutionary government held propaganda shows in the building. Yet, it was in 1802, when Napoleon ruled France that he reintroduced Catholicism with a solemn ceremony in the newly rechristened cathedral. Here is where he crowned himself emperor.
Historical Landmark
Notre-Dame is now viewed as one of the key defining examples of the style which was to become known as Ile-de-France Gothic, by the early nineteenth century few Parisians valued their medieval past very highly. Interest in the medieval building was largely rekindled by Victor Hugo's novel Notre-Dame de Paris. For twenty years, Viollet-le-Duc worked at Notre-Dame, adding the spire, consolidating the fabric and replacing missing or defaced sculptures.
Inside
Interior, the immediately striking feature, if you can ignore the noise and movement, is the dramatic contrast between the darkness of the nave and the light falling on the first clustered pillars of the choir, placing an emphasis on the special nature of the sanctuary. Nearly two-thirds glass, it is the end walls of the transepts that admit all this light as well as the two magnificent rose windows coloured in imperial purple. These, the vaulting, the soaring shafts reaching to the springs of the vaults, are all definite Gothic elements, yet, inside as well as outside, there remains a strong sense of Romanesque in the stout round pillars of the nave and the general sense of four-squareness.
Not to be missed !
Before leaving, do not forget to walk round to the public garden at the east end for a view of the flying buttresses supporting the choir, and then along the riverside under the south transept, where you can sit in springtime under the cherry blossom.
And in front of the cathedral, in the square separating Notre Dame from Haussmann's police Headquarters, is what appears to be and smells like the entrance to an underground toilet. In fact, it is a very well-displayed and interesting museum, the crypte archeologique, in which are revealed the remains of the church which predated the cathedral, as well as streets and houses of the Cite dating as far back as the Roman era.
On the pavement by the west door of Notre-Dame is a spot known as kilometre zero. This is where all of the main road distances in France are calculated. For the Ile de la Cite is the symbolic heart of the country, or at least of the France that in the school books fights wars, undergoes revolutions and launches space rockets.
Versailles
The Castle
The Chateau proposes two itineraries: either a guided tour or not. Apart from the state apartments of the king and queen and the Galerie des Glaces (the Hall of Mirrors, where the Treaty of Versailles was signed to end World War 1), which you can visit on your own, most of the palace can only be viewed in guided groups, and whose times are much more restricted. Long queues are common.
Unfortunately, only a small part of the palace can be visited : the State Apartments of the King and Queen, and the Hall of Mirrors. The worst time to visit the Chateau is on Sunday when the entrance fee is reduced and the queues are interminable. A guided tour, for an extra charge, takes you in the King's Private Bedroom, the Royal Opera, and the rooms occupied by Madame du Barry. And, for a little more, you may visit the pavilions of the Grand and Petit Trianons.
Don't set out to see all the palace in one day for it's not possible. Quite apart from the size, tours of both Mme du Barry's apartments and of the Dauphin and Dauphine's apartments take place at the same time : 2 pm.
History
One of the most visited monuments in France, amongst the three most visited, is the Palace of Versailles. Wanting to escape the busy life in Paris, and to keep the nobility under his control, Louis XIV built this chateau in which he set up home and installed the government. Louis Le Vau was commissioned to renovate and extend an old hunting lodge, Le Notre created the gardens from swamp land, and Mansart masterminded the hydraulic display of the fountains.
Beginning in 1664, the construction of the château lasted virtually until Louis XIV's death in 1715. the Palace of Versailles was never meant to be a home, kings were not homely people. Second only to God, and the head of an immensely powerful state, Louis XIV was an institution rather than a private individual. His instability, comings and goings, were minutely regulated and rigidly encased in ceremony, attendance at which was an honour much sought after by courtiers. Versailles was the headquarters of every arm of the state. After the death of Louis XIV, the château was abandoned for a few years. Then Louis XV moved in in 1722. It remained the residence of the royal family until the Revolution of 1789, and at this time the furniture was sold and the pictures dispatched to the Louvre. Thereafter it fell into ruin and was nearly demolished by Louis-Philippe. And in 1871, during the Paris Commune, it became the seat of the nationalist government, and the French parliament continued to meet in Louis XV's opera building until 1879. The restoration only began between the two world wars.
The many buildings attached to the castle form a small town. The whole complex is a magnificent monument. The garden facade is 575 metres long with various annexes dotted here and there in a park which is several kilometres in both length and width. The park shows the skill of Le Notre in making good use of the natural resources on the site.
The Park
If you just feel like taking a stroll, the park is free (except on Sunday) and the scenery is better the further you go from the palace. There are even informal groups of trees near the lesser outcrops of royal mania : the Italianate Grand Trianon, designed by Hardouin-Mansart in 1687 as a "country retreat" for Louis XIV, and the more modest Greek Petit Trianon, built by Gabriel in the 1760s. More charming and rustic than either of these is Le hameau de Marie-Antoinette, a play-village and farm built in 1783 for Louis XVI's queen to indulge the fashionable Rousseau-inspired fantasy of returning to the natural life.
The park is extremely large. If you find that you cannot manage them by foot, a small train shuttles between the terrace in front of the castle and the Trianons. There are also bicycles for rent by the Grand Canal, itself a good fifteen minutes' walk across the formal gardens, and boats for rent on the canal.
Not to be missed
After you have had a chance to take a look at the Chateau and the gardens, do not leave without taking a walk in the town, where everything leaves the visitor overwhelmed by the excellent taste, as well as the power and wealth, of the man for whom it was all built.
The Museum of the National Assembly
They have a wonderful permanent exhibit, "The Big Hours of Parliament". This show presents the history of parliament, a short film in the Dome of the Congress, as well as several sessions in the southern wing of the chateau, on the different activities of the congressmen. The complete visit lasts around 1h30.
Statue of Liberty
Out of all of America's symbols, none has proved more enduring or evocative than the Statue of Liberty. This giant figure, torch in hand and clutching a stone tablet, has for a century acted as a figurehead for the American Dream; indeed there is probably no more immediately recognizable profile in existence. It's worth remembering that the statue is – for Americans at least – a potent reminder that the USA is a land of immigrants: it was New York Harbor where the first big waves of European immigrants arrived, their ships entering through the Verrazano Narrows to round the bend of the bay and catch a first glimpse of "Liberty Enlightening the World" – an end of their journey into the unknown, and the symbolic beginning of a new life.
These days, although only the very wealthy can afford to arrive here by sea, and a would-be immigrant's first (and possibly last) view of the States is more likely to be the customs check at JFK Airport, Liberty remains a stirring sight, with Emma Lazarus's poem, The New Colossus, written originally to raise funds for the statue's base, no less quotable than when it was written . . .
Here at our sea-washed, sunset gates shall stand A mighty woman with a torch, whose flame Is the imprisoned lightning, and her name Mother of Exiles. From her beacon-hand Glows world-wide welcome; her mild eyes command The air-bridged harbor that twin cities frame. 'Keep ancient lands, your storied pomp!' cries she With silent lips. 'Give me your tired, your poor, Your huddled masses yearning to breathe free, The wretched refuse to your teeming shore. Send these, the homeless, tempest-tost to me, I lift my lamp beside the golden door.'
The statue, which depicts Liberty throwing off her shackles and holding a beacon to light the world, was the creation of the French sculptor Frédéric Auguste Bartholdi, who crafted it a hundred years after the American Revolution in recognition of solidarity between the French and American people (though it's fair to add that Bartholdi originally intended the statue for Alexandria in Egypt). Bartholdi built Liberty in Paris between 1874 and 1884, starting with a terracotta model and enlarging it through four successive versions to its present size, a construction of thin copper sheets bolted together and supported by an iron framework designed by Gustave Eiffel. The arm carrying the torch was exhibited in Madison Square Park for seven years, but the whole statue wasn't officially accepted on behalf of the American people until 1884, after which it was taken apart, crated up and shipped to New York.
It was to be another two years before it could be properly unveiled: money had to be collected to fund the construction of the base, and for some reason Americans were unwilling – or unable – to dip into their pockets. Only through the campaigning efforts of newspaper magnate Joseph Pulitzer, a keen supporter of the statue, did it all come together in the end. Richard Morris Hunt built a pedestal around the existing star-shaped Fort Wood, and Liberty was formally dedicated by President Cleveland on October 28, 1886, in a flag-waving shindig that has never really stopped. The statue was closed for a few years in the mid-1980s for extensive renovation and, in 1986, fifteen million people descended on Manhattan for the statue's centennial celebrations.
Today you can climb steps up to the crown, but the cramped stairway though the torch sadly remains closed to the public. Don't be surprised if there's an hour-long wait to ascend. Even if there is, Liberty Park's views of the lower Manhattan skyline, the twin towers of the World Trade Center lording it over the jutting teeth of New York's financial quarter, are spectacular eno
| 外滩的建筑风格--------style of architecture |
Due to the advantageous potistion of the Bund, merchants from different countriese came to Bund one after another to lease land and constructed building after Bund because an open port. Till the 20s or 30s of last centurey, the building on the Bund have formed a uniqure style which was called the :" exhibition of the wrold's architecture ". The bund is the most famous sightseeing spot in shanghai. The Waibaidu bridge, the long embarkment along Huangpu River,. the Bund has always been closedly linked with the development of shanghai. Customs House Building 海关大楼 At the top of the building, there is a square clock tower of four storeys barboring the biggest clock in Asia at that time. Evil Opium Trade 罪恶的鸦片交易 the gate of shanghai was forced open under the cannon bombardment of British warships. Therefore, foreign warships crusing on the Huangpu River becasue a powerful support of the institution of the settlement.( 租界) According to the provisions of the Sino-British Naking Treaty, shanghai became an open port at Nov.17 1843. 以上是从外滩英雄纪念馆, 记下的笔记. 地铁2号, 河南中路, 到南京西路外滩, 往南走, 对着shangirila hotel, I got it. on the side, there's a dustbin. at that moment, a garbage-picker came to me and wanted the bottle in my hands, I didn't give it because still some water remained. It was funny that a garbage-picker reminded me what I'm looking for. |
谢谢分享！
哇！雪山姐姐也来了！大家还不抓紧请教！
dadada007，这一手笔太帅了。我就只准备了Eiffel Tower……惭愧！
总之，漂亮！
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