标题: OG16 CR112 求助求助求助！ [打印本页] 作者: Arlenerong 时间: 2015-9-15 14:28 标题: OG16 CR112 求助求助求助！ Theater Critic: The play La Finestrina, now at Central Theater, was written in Italy in the eighteenth century. The director claims that this production is as similar to the original production as is possible in a modern theater. Although the actor who plays Harlequin the clown gives a performance very reminiscent of the twentieth-century American comedian Groucho Marx, Marx's comic style was very much within the comic acting tradition that had begun in sixteenth-century Italy.
The considerations given best serve as part of an argument that
(A) modern audiences would find it hard to tolerate certain characteristics of a historically accurate performance of an eighteenth-century play
(B) Groucho Marx once performed the part of the character Harlequin in La Finestrina
(C) in the United States the training of actors in the twentieth century is based on principles that do not differ radically from those that underlay the training of actors in eighteenth-century Italy
(D) the performance of the actor who plays Harlequin in La Finestrina does not serve as evidence against the director's claim
(E) the director of La Finestrina must have advised the actor who plays Harlequin to model his performance on comic performances of Groucho Marx
答案是D
但是我很疑惑，作者的意思是LF这个剧是18世纪意大利的，其中一个饰演H的演员的acting style是来自一个美国演员的（这个美国演员的acting style又类似与16世纪的意大利风格），那么如果这个18世纪和16世纪的风格差距很大不就是weaken了吗？D就是在说16世纪很18世纪的风格可能是相似的（比如起源于16世纪一直延续到了18世纪），所以不会agasint.但是文中没有说明啊！