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18系列出勤排行榜新鲜出炉~!快来看看自己完成的如何把~ by 神猴
今天的阅读长度都不是佷长~~~差点忘了今天发帖!!!大事~本来想找一些散文类的 但是没有合适的 所以基本上就是一些时事新闻哦~大家可以先做着 至于排版 我正在寻求神猴的帮助 稍后会把版本调整好的~请期待着!!!!!阿门!
SPEED
[Time1]
New Protests Target Chinese Chemical Plant
(题目用鼠标刷黑即可见)
Protests against a planned oil refinery and petrochemicals facility broke out in southwest China for the second time this month, as pressure mounted on local leaders over environmental effects of the project.
The demonstration on Thursday in the city of Kunming, capital of Yunnan province, marks the second sizable protest there since May 4. Local activists are demanding that officials scrap plans to produce the chemical paraxylene, known as PX, as part of the refinery under construction nearby. Many are outraged that local officials won't release the results of an environmental-impact assessment of the project, according to activists and local media.
Photos posted to China's Sina Weibo microblogging service showed what appeared to be hundreds of protesters marching through downtown city streets on Thursday. Some carried signs appealing directly to Yunnan's provincial Communist Party chief, Qin Guangrong. The protests appeared to be peaceful.
Production of PX in proximity to urban centers is of particular concern for those who fear industrial mishaps at the facilities could put the health of local residents and the environment at risk.
Kunming's mayor, Li Wenrong, last week promised to take opposition against the planned petrochemical facility into account, even pledging to scrap the project if a majority of residents expressed opposition.
Opposition to the project has so far largely targeted the planned petrochemcials facility, though some residents say they oppose the oil refinery as well being in such close proximity to the city.
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[Time2]
PX production is booming in China. The chemical is a critical building block in the production of textiles and plastics, and industry advocates say under normal conditions it can be produced safely and without threat to humans.
But its production has repeatedly come under fire in recent years from local residents in multiple Chinese cities who fear it will damage their health as well as the environment. Following protests in 2007 in the eastern city of Xiamen, local officials pledged to move a planned PX plant away from the popular tourist town. But its production has repeatedly come under fire in recent years from local residents in multiple Chinese cities who fear it will damage their health as well as the environment. Following protests in 2007 in the eastern city of Xiamen, local officials pledged to move a planned PX plant away from the popular tourist town.
Similarly, in 2011, officials promised to shut a plant in the northeast city of Dalian after more than 10,000 people took to the streets in protest of PX production there. State media reported in December that relocation work for the Dalian plant was still under way.
Thursday's protests in Kunming were smaller than many environmental protests elsewhere.
Concerns over transparency and locating the planned refinery so close to the city underpin resistance in Kunming. Residents have demanded officials release results of a government-required environmental impact assessment. Others have called for third-party groups to be allowed to conduct an independent assessment of the planned refinery, which has already been approved by China's National Development and Reform Commission, the country's top economic planning body.
China National Petroleum Corp. is responsible for building the refinery, which will have a capacity of processing 200,000 barrels of crude each day. Another company, Yuntianhua Group, is responsible for the related petrochemicals facility.
A senior executive from Yuntianhua said last week that feasibility studies were continuing and that no final decision on which chemicals to produce had been made. Government documents and earlier state-media reports indicated the facility would produce PX.
The refinery is a significant piece of infrastructure as China looks to boost availability of gasoline and other refined oil products across the less developed southwestern portion of the country.
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[Time3]
Comedian Kurt Braunohler took his jokes to the sky last month through a Kickstarter campaign and an airplane. Braunohler raised nearly $7,000 on the fundraising websiteand used the money to scrawl a message into the clouds over Los Angeles. The message read: 'How do I land?'
Unfortunately for Braunohler, however, the wind in Los Angeles was whipping the day of the prank and the gusts quickly erased all the letters just as soon as the airplane ahd finished etching them into the afternoon sky. Now Braunohler has shared a composite photo of the actual letters, as they would have appeared all together had the wind not wiped them away.
'If you watched the sky for 20 minutes you could probably piece it together,' Braunohler wrote on his websitewith the release of the photo. 'BUT STILL WE DID IT!!!,' he added. 'Thanks to everyone who contributed!'Braunohler called the skywriting prank his 'Cloud Project.' He said it was meant for random passing foot traffic or people driving by.
'I was writing this really long joke about the smell of poop, and I was like, "What am I doing with my life?"' Braunohler told Fast Company about the project. 'I started to think about why I was a comedian and then I came up with a reason for existence, which is: inserting absurdity or stupidity into strangers’ lives in order to make the world a better place,' he added.
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[Time4]
DPRK has no nuke missile capability: White House
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WASHINGTON - The White House said on Friday that Washington did not believe the Democratic People's Republic of Korea (DPRK) had the capability to deploy a nuclear-armed missile.
"First of all, I want to be clear that North Korea has not demonstrated the capability to deploy a nuclear-armed missile," White House spokesman Jay Carney told reporters at a briefing.
But he noted that the United States continued to closely monitor the DPRK's nuclear program. Carney once again called upon Pyongyang to honor its international obligations.
"We have responded to the series of provocative actions, as well as the stepped-up bellicose rhetoric emanating from Pyongyang, by taking a series of prudent measures to ensure that our homeland and our allies are defended," he said, citing the step of enhancing the missile defense system.
On Thursday, US Representative Doug Lamborn said at a hearing that intelligence indicated the DPRK might have acquired the capability to deliver a nuclear warhead with its ballistic missile.
"DIA assesses with moderate confidence the North currently has nuclear weapons capable of delivery by ballistic missiles," Lamborn read from, according to him, an unclassified intelligence assessment by the Pentagon. "However, the reliability will be low."
Tensions have been heightened on the Korean Peninsula since the DPRK conducted its third nuclear test on February 12 in protest against joint military drills between the Republic of Korea and the United States.
The DPRK has declared "a state of war" with the South and threatened to launch a preemptive nuclear strike for self-defense. The country on Tuesday urged all foreign organizations, companies and tourists in the South to evacuate in case of war, saying the DPRK "does not want to see foreigners in South Korea fall victim to the war" as the situation on the peninsula "is inching close to a thermonuclear war".
Obama on Thursday urged the DPRK to end its "belligerent approach," saying "nobody wants to see a conflict on the Korean Peninsula".
In Seoul on Friday, US Secretary of State John Kerry reiterated that the DPRK will not be accepted as a nuclear power. The chief US diplomat also said a missile launch by Pyongyang would be "a huge mistake."
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[Time5] “The Great Gatsby”(题目用鼠标刷黑即可见)
WHEN a trailer for Baz Luhrmann’s “The Great Gatsby” was released last year, aficionados of F. Scott Fitzgerald’s masterpiece wasted no time in complaining about how fast, flashy and altogether Baz-Luhrmann-ish it was. Such sceptics won’t be placated by the film itself. As we might have expected from the director of “Strictly Ballroom” and “Moulin Rouge”, his “Gatsby” is a garish sensory assault with more juddering hip-hop than jazz and more CGI than real scenery. The camera whooshes around as if it is jet-propelled, and the whirling, bacchanalian parties would put the Rio Carnival to shame. The piano played by Klipspringer in the novel has been transformed into a colossal gilded pipe organ—an emblem of a film in which every last element is amplified to fantastic heights.
What we might not have expected, however, is that even while “The Great Gatsby” resembles an unholy 3D hybrid of a rap video and a perfume advertisement, its fundamental weakness is not that it treats the novel with too little reverence, but with too much. Mr Luhrmann views Fitzgerald’s slender fable as the grandest and most operatic of tragedies, and he’s determined that we view it that way, too.
He lops off most of the final chapter, but otherwise all of Fitzgerald’s text is up there on screen. We see a young bond salesman named Nick Carraway (Tobey Maguire) renting a small house on Long Island in the early 1920s, next door to the palatial mansion of the mysterious Jay Gatsby (Leonardo DiCaprio). And we learn that Gatsby is carrying a torch for Carraway’s cousin Daisy (Carey Mulligan), who lives unhappily with her bullying patrician husband, Tom (Joel Edgerton). But in most cases we don’t just watch events unfolding, we also hear Carraway’s voice-over describing them to us. And on several occasions Fitzgerald’s actual words float towards us as 3D subtitles. Just in case we still have any doubts about what’s going on, Mr Luhrmann has written extra dialogue in which the characters articulate exactly how they feel, and extra narration in which Carraway lectures us about the economy of the period.
The director comes across as an over-eager student, so desperate for us to appreciate the book that he can’t stop grabbing us by the lapels and shouting about what it all means and how significant it all is. The resulting two-and-a-half-hour film will be a boon to schoolchildren studying the book, in that it answers every question and fills in every blank. But Fitzgerald’s ambiguity and subtlety are obliterated. “The Great Gatsby” isn’t just an adaptation of the novel, but of the footnotes, too.
It’s a shame that Mr Luhrmann didn’t have more faith in his audience and his actors, because when he calms down and lets the story play out, a lot of it is just right. Mr DiCaprio, in particular, is a touching and amusing Gatsby, dazzling everyone with his golden-boy charm, but always keeping his jaw clenched and his narrow eyes flicking around him as if he’s afraid of being found out. Ms Mulligan is beguilingly pale and fragile as Daisy, and Mr Edgerton has the King-Kong physicality of Tom Buchanan. But the audience is never allowed to spend much time with the characters themselves before Mr Luhrmann steps in to check that we’re still paying attention.
Perhaps it’s appropriate that he has the same awestruck, mythologising love for the novel that Gatsby has for Daisy. But a dash of Carraway’s disapproving detachment might have turned a besotted homage into a very good film in its own right.
OBSTACLE
George Whitesides: Toward a science of simplicity(题目用鼠标刷黑即可见)
Most of the talks that you've heard in the last several fabulous days have been from people who have the characteristic that they have thought about something, they are experts, they know what's going on. All of you know about the topic that I'm supposed to talk about. That is, you know what simplicity is, you know what complexity is. The trouble is, I don't. And what I'm going to do is share with you my ignorance on this subject.
I want you to read this, because we're going to come back to it in a moment. The quote is from the fabled Potter Stewart opinion on pornography. And let me just read it, the important details here: "Shorthand description, ['hardcore pornography']; and perhaps I could never succeed in intelligibly defining it. But I know it when I see it." I'm going to come back to that in a moment.
So, what is simplicity? It's good to start with some examples. A coffee cup -- we don't think about coffee cups, but it's much more interesting than one might think -- a coffee cup is a device, which has a container and a handle. The handle enables you to hold it when the container is filled with hot liquid. Why is that important? Well, it enables you to drink coffee. But also, by the way, the coffee is hot, the liquid is sterile; you're not likely to get cholera that way. So the coffee cup, or the cup with a handle, is one of the tools used by society to maintain public health. Scissors are your clothes, glasses enable you to see things and keep you from being eaten by cheetahs or run down by automobiles, and books are, after all, your education.
But there's another class of simple things, which are also very important. Simple in function, but not at all simple in how they're constructed. And the two here are just examples. One is the cellphone, which we use every day. And it rests on a complexity, which has some characteristics very different from those that my friend Benoit Mandelbrot discussed, but are very interesting. And the other, of course, is a birth control pill, which, in a very simple way, fundamentally changed the structure of society by changing the role of women in it by providing to them the opportunity to make reproductive choices.
So, there are two ways of thinking about this word, I think. And here I've corrupted the Potter Stewart quotation by saying that we can think about something -- which spans all the way from scissors to the cell phone, Internet and birth control pills -- by saying that they're simple, the functions are simple, and we recognize what that simplicity is when we see it.
Or there may be another way of doing it, which is to think about the problem in terms of what -- if you associate with moral philosophers -- is called the teapot problem. The teapot problem I'll pose this way. Suppose you see a teapot, and the teapot is filled with hot water. And you then ask the question: Why is the water hot? And that's a simple question. It's like, what is simplicity? One answer would be: because the kinetic energy of the water molecules is high and they bounce against things rapidly -- that's a kind of physical science argument. A second argument would be: because it was sitting on a stove with the flame on -- that's an historical argument. A third is that I wanted hot water for tea -- that's an intentional argument. And, since this is coming from a moral philosopher, the fourth would be that it's part of God's plan for the universe. All of these are possibilities.
The point is that you get into trouble when you ask a single question with a single box for an answer, in which that single question actually is many questions with quite different meanings, but with the same words. Asking, "What is simplicity?" I think falls in that category. What is the state of science? And, interestingly, complexity is very highly evolved. We have a lot of interesting information about what complexity is. Simplicity, for reasons that are a little bit obscure, is almost not pursued, at least in the academic world.
We academics -- I am an academic -- we love complexity. You can write papers about complexity, and the nice thing about complexity is it's fundamentally intractable in many ways, so you're not responsible for outcomes. (Laughter) Simplicity -- all of you really would like your Waring Blender in the morning to make whatever a Waring Blender does, but not explode or play Beethoven. You're not interested in the limits of these things. So what one is interested in has a lot to do with the rewards of the system. And there's a lot of rewards in thinking about complexity and emergence, not so much in thinking about simplicity. One of the things I want to do is to help you with a very important task -- which you may not know that you have very often -- which is to understand how to sit next to a physicist at a dinner party and have a conversation. (Laughter) And the words that I would like you to focus on are complexity and emergence, because these will enable you to start the conversation and then daydream about other things.
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