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第二段基本就是下面的,大家一定要读熟啊。我就死在这上面了
The recourse to the sublimeadopted by Radcliffe and her school was partly a desire to exploit contemporary aesthetic fashions andpartly an attempt to pitch their work towardthe high endof the literary market, for sublimity andterror were associated with tragedy and epic, the two most prestigious literary forms – a strategy that would later pay off handsomely for William Wordsworth. By linkingBurke’s terror with Robespierre’s in the limitedcase of romances by womenwriters, critics strippedthe Gothic of its high literary pretensions, implicitly accusing its authors of being social incendiaries, while ?guring themas literary sansculottes: in other words, as a semiliterate mob. One needsto be careful about overstating the case. The adjective “terrorist” smeared,but it also condescended by making “terror” writers the object of a risiblepun. The smear worked, not because writers of “hobgoblin romance” weredangerous, but because they palpably were not. |
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